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10

Article: Catching Up With

The Creative Convergence Of R*Time And Doug Hammond

Read "The Creative Convergence Of R*Time And Doug Hammond" reviewed by Lawrence Peryer


A metal sculpture, a borrowed ladder, and Doug Hammond's unexpected presence transformed a routine tour stop into the genesis of It's Now: R*Time Plays Doug Hammond (ESP-Disk, 2024). During R*Time's performance at a gallery in Linz, Austria, drummer Igal Foni spotted a metal sculpture he wanted to incorporate. When the venue declined permission, he found a ...

32

Article: Backstories

Jazz: An Origin Story

Read "Jazz: An Origin Story" reviewed by Karl Ackermann


In 2020, I published A Map of Jazz: Crossroads of Music and Human Rights (WS Publishing), a book that looks at the culture of jazz on a timeline with cultures of the world. At more than 500 pages, the book is incomplete by necessity; there is no well-marked path, and the history is sometimes nebulous. However, ...

5

Article: Album Review

Jessica Jones Quartet: Edible Flowers

Read "Edible Flowers" reviewed by Dan McClenaghan


The Jessica Jones Quartet's Edible Flowers can be described as a pair of hot tenor saxophonists cranking things up and shouting out one freewheeling romp (or rant) after another. There is a structure to her tunes, but the improvisation slice of the pie is a big one. Saxophonist Jones is joined by her sax mate, Tony ...

Album

Free Jazz to Ornette! Revisited

Label: Ezz-thetics
Released: 2024
Track listing: Free Jazz; W.R.U.; T. & T.: C. & D.: R.P.D.D.

3

Article: Multiple Reviews

Kresten Osgood: Presence in the Room

Read "Kresten Osgood: Presence in the Room" reviewed by Jakob Baekgaard


It is hard to underestimate the influence of drummer Kresten Osgood on Danish jazz. As a co-founder of the prominent ILK Music label and the man behind several festivals and musical events, he has been a vital part of creating a vibrant modern jazz scene and community that has also welcomed visits from the many jazz ...

2

Article: Interview

Riflettori su Manuel Caliumi

Read "Riflettori su Manuel Caliumi" reviewed by Angelo Leonardi


Parliamo con uno dei sassofonisti italiani più in vista della sua generazione, già segnalato dalla stampa specializzata e molto richiesto dai gruppi più innovativi. Fondamentale è la sua presenza nel quartetto Emong di Michele Bonifati e nel Blend 3 di Andrea Grossi, con cui ha inciso album di alto spessore, ottenendo eccellenti valutazioni critiche. In occasione ...

9

Article: Album Review

Ran Blake / Dave Knife Fabris: Live Amsterdam 2006, First Visit

Read "Live Amsterdam 2006, First Visit" reviewed by Mark Corroto


In 2006, pianist Ran Blake, in his seventh decade, is captured in concert at Amsterdam's Bimhaus with guitarist Dave Fabris. Their collaboration began first as mentor/mentee but had become more like partners after working together for over three decades. Together they can be heard on Blake's releases, two on hatOLOGY Something To Live For (1999) and ...

21

Article: Album Review

Arild Andersen: Landloper

Read "Landloper" reviewed by Neil Duggan


The stark elegance of Arild Andersen's bass playing has been inspiring and entertaining audiences since the 1970s. He first gained prominence as a member of the Jan Garbarek Quartet, performing alongside Jon Christensen and Terje Rypdal, and was among ECM's first recording artists. Throughout his career he has performed and recorded with jazz luminaries including Sonny ...

6

Article: Multiple Reviews

Jim Self & John Chiodini: Back into the Future

Read "Jim Self & John Chiodini: Back into the Future" reviewed by Doug Collette


The instrumental pairing of tuba master Jim Self and guitarist John Chiodini is an unlikely one to be sure, but the two veteran musicians have nurtured an equally uncommon chemistry. It is a musicianly dynamic so striking, in fact, that the two inspire not just each other, but the various other players to whom they extend ...

5

Article: Album Review

Alain Bedard Auguste Quartet: Particules Sonores

Read "Particules Sonores" reviewed by Dan McClenaghan


The experience of bassist Alain Bedard's Partcules Sonores begins--for those who read liner notes--with a rumination on “sound waves that interact with every particle of matter they encounter. The energy created is transported and diffused, becoming sound particles." Hm. A bit cerebral for some tastes, perhaps. But then jazz guys are known to go ...


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