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Jeff Cosgrove, Scott Robinson, Ken Filiano: Hunters & Scavengers
by Alberto Bazzurro
Nove brani a firma collettiva e la pagina più celebrata di Ornette Coleman compongono questo bell'album di un trio assolutamente paritario (anche se il merito di averlo riunito si deve al batterista Jeff Cosgrove) che propone un jazz in possesso dei sapori più veraci dell'avanguardia storica (peraltro senza particolari salti nel vuoto). In più di un ...
Jazz Musician of the Day: Ornette Coleman
All About Jazz is celebrating Ornette Coleman's birthday today! Early on in his career, alto saxophonist Ornette Coleman, recorded an album entitled, The Shape of Jazz To Come. It might have seemed like an expression of youthful arrogance- Coleman was 29 at the time- but actually, the title was prophetic. Coleman is the creator of a ...
Julian Lage: Love Hurts
by Doug Collette
By the release of Modern Lore (Mack Avenue, 2018), Julian Lage had fully established his very own style of modern jazz, one arising directly from his approach to the electric guitar. Justifiably proud of what he's accomplished to date, yet not content to rest on his laurels, Lage stretches himself on Love Hurts, simultaneously freshening the ...
James Brandon Lewis: An Unruly Manifesto
by Phillip Woolever
James Brandon Lewis has been climbing the current jazz pantheon for a good while now. This deserving project should elevate the 36-year old tenor saxophonist from Buffalo even higher in the ranks. Backed by the usual collaborators in his touring trio (drummer Warren Trae Crudup III, bassist Luke Stewart) and a pair of familiar ...
Documenting Jazz 2019
by Ian Patterson
Documenting Jazz Conservatory of Music and Drama TU Dublin Dublin, Ireland January 17-19, 2019 Jazz music, which has pretty much always meant different things to different people, has been comprehensively documented since its arrival in the first decades of the twentieth century. The most obvious form of ...
Eric Dolphy: Musical Prophet: The Expanded 1963 New York Sessions
by John Sharpe
This lovingly and lavishly packaged set reissues two of reedman Eric Dolphy's LPs along with outtakes from the two day 1963 sessions which yielded them, along with some unreleased later material on which Dolphy was a sideman. The set places a well-deserved focus on one of the pioneers of what became known as the New Thing, ...
Bobo Stenson Trio: War Orphans
by Dan McClenaghan
Manfred Eicher started ECM Records in 1969. Fifty years later, in 2019, with over 1500 releases to its name, the label continues to offer up compelling and unclassifiable music. And since the catalog is deep, and early-in-the-effort recordings have become harder to find, ECM periodically re-releases some of these gems, tagging them Touchstones. Early ...
Cooper-Moore: Catharsis and Creation in Community Spirit
by Jakob Baekgaard
It's tempting to think of a life in music as a linear story with a beginning, middle and end, because that's the way life is: we are born, we live, and then we die. In this narrative, one could assume there will be highs and lows and masterpieces might emerge out of a misty fog of ...
Jazz & Soundtracks
by Ludovico Granvassu
Jazz has had a very close relationship with cinema and TV. To be perfectly frank in this relationship cinema and TV have not as generous as jazz has been towards cinema. Jazz has been only sporadically covered by quality movies. When that has happened the quantity of stereotypies and clichés about jazz spoiled them ...
Alberto Pinton: Opus Facere
by Angelo Leonardi
Attivo in Svezia dal 1985, il sassofonista veneziano Alberto Pinton occupa una posizione di rilievo nel jazz scandinavo d'avanguardia, per il suo ruolo di leader (con questa e altre formazioni) che per le collaborazioni con vari organici. Quest'incisione segue il live giapponese pubblicato lo scorso anno (Live in Japan Wildcat House) dov'era protagonista lo ...
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