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Kiki Valera: Vivencias En Clave Cubana
by Paul Rauch
Son Cubano is a genre of music and dance originating from the hill country of eastern Cuba during the 19th century. Its origins are a blend of African and Spanish influences. Son vocal style and meter are of Spanish tradition, while its identifiable clave rhythm, call and response, and percussive elements are of Bantu origin.
Dan McCarthy: City Abstract
by Dan Bilawsky
The concept of homecoming is inextricably linked to the music that Dan McCarthy presents on City Abstract. Recorded in May of 2019, shortly after he had returned to his native Toronto after fifteen years in New York, this date finds the vibraphonist bowing to two of his biggest influences: pianist Carla Bley and vibraphonist Gary Burton. ...
Dan McCarthy's Epoch and City Abstract on Origin Records
by Friedrich Kunzmann
Canadian vibesman Dan McCarthy has come a long way since the release of his already very accomplished debut album Interwords (self produced) in 2006. Since moving to Brooklyn, New York in 2004, McCarthy has been able to collaborate with some of the city's finest improvisors, such as Steve Swallow or Ben Monder who are also the ...
New York Voices: Reminiscing In Tempo
by C. Michael Bailey
What the quartet New York Voices achieves with their performance of Dave Brubeck's “Blue Rondo Á La Turk" disguised as “Round, Round, Round" by lyricist Lauren Kinhan is nothing short of a schizophrenic jazz “Carmina Burana." Lithe, muscular, and smart, the performance is dense and thought-provoking, deftly navigating between its disparate 9/8 and 4/4 sections.
Corey Christiansen: La Proxima
by Dan McClenaghan
Guitarist Corey Christiansen's early days recording for Seattle's Origin Records featured a pair of superb organ jazz recordings, Roll with it (2008) and Outlaw Tractor (2010). A versatile player, the guitarist expanded his vision with his “American West" set Lone Prairie (Origin Records, 2013), in addition to his “avant cowboy/surf rock band" on Factory Girl (Origin ...
New York Voices: Reminiscing In Tempo
by Dan Bilawsky
Time flies, so why shouldn't New York Voices revel in that passage on life's jet stream? Reminiscing In Tempo marks the celebrated vocal quartet's 30th anniversary in style, presenting a dozen performances delivered with imaginative flair. The arrangements and vocals, not surprisingly, are airtight, and the joy in the music is palpable. Demonstrating ...
Marlene Rosenberg: MLK Convergence
by Dan Bilawsky
There's MLK, and then there's MLK. In this particular context we're talking about a three-letter acronym referencing the musical union of bassist Marlene Rosenberg, drummer Lewis Nash, and pianist Kenny Barron. And in broader terms those initials obviously point to the late Martin Luther King, Jr. With MLK Convergence the sounds of the former meet up ...
Greta Matassa: Portrait
by Paul Rauch
Greta Matassa has made choices in her career that have sacrificed some visibility in exchange for lifestyle. Yet the Seattle based vocal artist has established herself firmly as one of America's finest singers, and one of the best that jazz has to offer in the new century. To this point, the jazz public at large had ...
Xavier Lecouturier: Carrier
by Paul Rauch
21 year old drummer and composer Xavier Lecouturier seems like he's been around for a while. There is a maturity about his playing one witnesses on the bandstand, a lack of fear of moving and directing flow, of steering time in waves of variance. The fact of the matter is, he hasn't been here long at ...
Bad Luck: Four
by Ian Gwin
For over a decade, Seattle-based duo Bad Luck—that's Neil Welch (saxophones, electronics) and Chris Icasiano (drums)—have packed and unpacked their deceptively simple formula of drums and saxophone. Through their deep musical partnership, they continue to recast the mold of contemporary music. Over countless fiery performances and three full-length releases, the depth of the duo's compositional improvisations ...
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