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The Attic: Summer Bummer

by John Sharpe
Although the cover painting might be interpreted as a comment on the two-dimensional nature of beach holidays, the title actually derives from the name of the festival in Antwerp where this invigorating free jazz by The Attic was recorded. It's the second outing by the band, which takes its name from its eponymous debut (NoBusiness, 2017). ...
John Dikeman And The Origin Of The Species

by Mark Corroto
If we were to go searching for saxophonist John Dikeman's spirit animal, we might have to bypass beast for sapien. Let's just say his spirit animal is the father of punk, Iggy Pop. Like early music by The Stooges, Dikeman's sound makes reference to the music of both Albert Ayler and Pharoah Sanders. It's a shame ...
A Focus on Mario Pavone & More

by Bob Osborne
This week a focus on master bassist Mario Pavone who, after a life of partnerships with the likes of Paul Bley, Bill Dixon, Thomas Chapin, Anthony Braxton, Wadada Leo Smith, Marty Ehrlich and others of similar status, has come to the fore in recent years with his own releases as leader. In addition a selection of ...
Festival Jazz International Rotterdam 2018

by Jakob Baekgaard
Festival Jazz International Rotterdam LantarenVenster Rotterdam October 26-28, 2018 As a jazz enthusiast strolling along the beautiful waterfront of Rotterdam, encountering the name Van Gelder almost seems too good to be true. Even though in this case, the name is found on a truck and refers to a corporation that sells ...
Kaja Draksler Octet: Gledalec

by John Sharpe
Slovenian pianist Kaja Draksler mines musical forms from much of the last century and beyond for her two CD collection Gledalec. This Octet date constitutes a departure from her more widely distributed work to this point, represented by the impressive solo performance The Lives Of Many Others (Clean Feed, 2013) and the intimate duet This Love ...
Forget Old Europe: 15 European Jazz Musicians You Need To Know About

by Enrico Bettinello
Since the first half of the 20th century, the Old Continent has played a pivotal role both in welcoming and supporting jazz artists from the United States. Over the following decades it has expressed generations of passionate musicians with increasingly original languages and ever greater improvisatory skills. In the 21st century there are countless ...
Twenty One 4tet: Live At Zaal 100

by John Sharpe
The moniker Twenty One 4tet represents a summit of cosmopolitan international improvisers gathering in Amsterdam . On the face of it there's not a lot of connection between peripatetic American saxophonist John Dikeman's Ayler-inspired tirades and Portuguese trumpeter Luis Vicente's thoughtful chamber explorations, but the outcome suggests much more of a meeting of minds than might ...
Eric Zinman's Excellent European Adventures

by Chris Rich
Eric Zinman goes to Europe each year on his own dime for a varying array of shoe string gigs with people who mean a lot to him as colleagues. He usually works with Mario Rechtern and people from a community in Vienna that includes expatriate, Linda Sharrock. His most recent trip was especially gratifying ...
Cactus Truck with Jeb Bishop and Roy Campbell: Live in USA

by Eyal Hareuveni
In the end of 2012 the Dutch power jazz trio Cactus Trio did a 37 gigs tour in the USA. The trio played in record stores, independent labels offices and small clubs, encountered cancellations due to hurricane Sandy, found last minute alternative spaces and hosted like- minded forward thinking improvisers. The limited edition recording chronicles this ...