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Al Jarreau holds forth on the art of singing, the decline of radio and the glory of the great American songbook

by Jim Trageser
Note: This interview with Al Jarreau was originally published in 2004 on Turbula.net. Any doubts that Al Jarreau was born to sing are quickly dispensed with by a simple conversation with the man--he is incapable of holding forth on the topic of music without dipping into the subject at hand. Not ten ...
Ian Shaw With The Phil Ware Trio at The Workmans Club

by Ian Patterson
Ian Shaw With The Phil Ware Trio The Workmans Club Dublin, Ireland January 21, 2017 A full house at The Workmans Club for Ian Shaw with the Phil Ware Trio was a heartening sight. Anything less, however, would have been disappointing, for Shaw is rightly considered by many as one ...
John O'Gallagher Trio: Live In Brooklyn

by Roger Farbey
Over the past 25 years, altoist and New York resident, John O'Gallagher has worked with the likes of Joe Henderson, Maria Schneider, Kenny Wheeler, Billy Hart and Chris Cheek amongst many others. German born but long-time New Yorker bassist Johannes Weidenmueller has played with the Hank Jones trio, the John Abercrombie quartet, Joe Lovano and many ...
Day Breaks

By Norah Jones
Label: Blue Note Records
Released: 2016
Track listing: Burn; Tragedy; Flipside; It's A Wonderful Time For Love; And Then There Was You; Don't Be Denied; Day Breaks; Peace; Once I Had A Laugh; Sleeping Wild; Carry On;
Fleurette Africaine (African Flower).
Take Five with Alex Gershman of Sasha’s Bloc

by AAJ Staff
About Alex Gershman An intriguing ensemble founded in 2012, Sasha's Bloc is an amalgam of varied artists, nationalities and experiences, all fueled by bassist and songwriter Alex Gershman. This collective delivers a sound that is consistently big, boisterous, full of spirit and rich in everything that makes jazz linger as an American phenomenon. The ...
Eleonore Oppenheim: Home

by Karl Ackermann
The high-concept and experimental nature of Home builds in a level of musicality that shines through peripheral effects. A big part of the charm in bassist Eleonore Oppenheim's solo debut lies in the variety of ways she uses her core instrument to interact with electronics, noises and vocal components. The Julliard alumni has worked with a ...
Wynton Marsalis Quintet at The Palace Theater

by Karl Ackermann
Wynton Marsalis Quintet The Palace Theater Stamford, CT April 30, 2016 There are expectations baked into a live performance from the caliber of a Wynton Marsalis. An artist who has won a Pulitzer Prize for Music, nine GRAMMY awards, serves as the Director of Jazz studies at Juilliard and is actively ...
Gabriela Martina: No White Shoes

by Mark Sullivan
Swiss-born, Boston/New York based vocalist/composer Gabriela Martina makes her debut with No White Shoes, a collection of mostly original music with diverse influences. Jazz, rock, funk, pop, gospel and even Alpine roots music contribute to the eclectic mix. The opener Narcissus" refers to the symbolism of the album's cover photo, with Martina's face obscured by a ...
Charles Lloyd & The Marvels: I Long To See You

by Dan Bilawsky
If ever there was an eternal explorer, it's Charles Lloyd. This inquisitive soul has made a career out of surveying new frontiers, both within himself and beyond the borders of his own being. He's taken every opportunity to peer and travel into the unknown, allowing only the sound and the spirits to serve as his guides. ...