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11

Article: Multiple Reviews

Rodrigo Amado Motion Trio meetings with Peter Evans

Read "Rodrigo Amado Motion Trio meetings with Peter Evans" reviewed by Eyal Hareuveni

by Eyal Hareuveni

Portuguese, Lisbon-based saxophonist (and photographer) Rodrigo Amado's main musical vehicle in recent years is the Motion Trio, a powerful, rhythmic unit that collaborated before with Chicagoan trombonist Jeb Bishop (The Flame Alphabet, Clean Feed, and Burning Live At Jazz Ao Centro, JACC, both released on 2012). Amado and this trio new collaborative endeavour unites these excellent ...

5

Article: Album Review

Jason Ajemian: A Way A Land Of Life

Read "A Way A Land Of Life" reviewed by John Sharpe

by John Sharpe

While the talented cast dazzles, what comes across most strongly on this 42-minute LP is the controlling mind of bassist Jason Ajemian. Part of the fertile underground scene in Chicago, Ajemian has featured with Ken Vandermark and Matt Bauder, as well as cornetist Rob Mazurek's Exploding Star Orchestra. But none of that really prepares one for ...

5

Article: Album Review

Nate Wooley/Hugo Antunes/Chris Corsano: Malus

Read "Malus" reviewed by John Sharpe

by John Sharpe

Named musician of the year in the El Intruso 2013 critics poll, trumpeter Nate Wooley looks to be on a roll. That's in spite, or perhaps that should be because, of being so hard to pin down. His output stretches from experimental solo works such as Trumpet/Amplifier (Smeraldina-Rima 2011) and The Almond (Pogus Productions, 2011), to ...

7

Article: Album Review

Max Johnson: The Prisoner

Read "The Prisoner" reviewed by John Sharpe

by John Sharpe

NYC-based bassist Max Johnson already boasts an impressively strong discography, after just two entries: Quartet (Not Two, 2013) and Elevated Vegetation (FMR, 2012). With a new crew on board for The Prisoner, he tackles that hoary chestnut the concept album. Except of course that in the medium of jazz, this doesn't mean a string of banal ...

11

Article: Album Review

Max Johnson Quartet: The Prisoner

Read "The Prisoner" reviewed by Eyal Hareuveni

by Eyal Hareuveni

Double bassist Max Johnson's new suite The Prisoner is inspired by the futuristic British cult TV series from the end of the sixties by the same name. This series was a source of inspiration for many artists, among them The Clash, Iron Maiden, and avant-garde sound artist David Shea. New York-based Johnson assembled a quartet of ...

8

Article: Album Review

Mikolaj Trzaska/ Devin Hoff/ Michael Zerang: Sleepless In Chicago

Read "Sleepless In Chicago" reviewed by John Sharpe

by John Sharpe

With Poland proving such a welcoming venue for so many of Chicago's finest, it's no surprise to see a little quid pro quo from time to time. Reedman Mikołaj Trzaska, one of his country's most forward thinking players, has collaborated with various visiting Americans, most notably Joe McPhee and Ken Vandermark, but it is as a ...

6

Article: Album Review

Daunik Lazro / Joëlle Léandre: Hasparren

Read "Hasparren" reviewed by John Sharpe

by John Sharpe

Whether one rates a free improv album or not can be notoriously subjective, depending as much on the listener's mood as any musical attribute. So when a recital comes along by two of France's most adventurous musicians where everything seems to just click, it's worth teasing out what makes it such a success. Let's be clear, ...

5

Article: Album Review

Christine Wodrascka/ Jean Luc Cappozzo/ Gerry Hemingway: Grey Matter

Read "Grey Matter" reviewed by John Sharpe

by John Sharpe

Impromptu meetings between improvisers hailing from diverse backgrounds are by now a commonplace event. But it's less usual is for the resultant grouping to take on a collective name, the surnames or initials normally sufficing for commoditization. For a group to perform under a moniker implies both a sense of purpose and a strong shared identity, ...

5

Article: Album Review

Howard Riley: Live With Repertoire

Read "Live With Repertoire" reviewed by John Sharpe

by John Sharpe

British pianist Howard Riley's previous album on No Business, the monumental The Complete Short Stories: 1998-2010 (2011), was a revelation to many, collecting together 6 CDs of stunning aphoristic improvisations. However on Live With Repertoire, as the title suggests, the pianist concentrates primarily on the songbook, particularly Monk, one of his touchstones along with Ellington. In ...

9

Article: Album Review

Tchicai - Kohlhase - Fewell - McBee - Hart: Tribal Ghost

Read "Tribal Ghost" reviewed by John Sharpe

by John Sharpe

Of all the collaborations in the later years of legendary reedman John Tchicai, some of the most fertile were in the company of guitarist Garrison Fewell, whether under the Dane's leadership like One Long Minute (NuBop, 2012) and Big Chief Dreaming (Soul Note, 2005) or in undocumented appearances with the guitarist's Variable Density Sound Orchestra. Joining ...


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