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Sylvie Courvoisier – Mark Feldman Quartet: Hotel Du Nord
by Nic Jones
Hotel Du Nord is shot through with heightened sensitivity. In the wake of To Fly To Steal (Intakt, 2010), the group did a series of European tours and this experience of playing together has resulted in heightened musical understanding. The quartet's musical currency--with the original lineup intact--is as informed by Twentieth Century chamber ...
Lou Volpe: Here and Now
by Nic Jones
Lou Volpe is a guitarist who, in the mold of George Benson and Pat Martino has the groove down pat, but with the harmonic and melodic sensibilities to put a personal stamp on all his flights. He's worked with the likes of Chet Baker, Herbie Hancock and Roberta Flack, bringing all of that experience to Here ...
Ernest Dawkins' New Horizons Ensemble: The Prairie Prophet
by Nic Jones
The Prairie Prophet is the fifth release on Delmark from reed player Ernest Dawkins and his band. It's clear that over the course of that association both leader and band have evolved to the point where they can be considered as one of the more vibrant, most urgently alive outfits on the scene. This album pays ...
Nori Jacoby / Yoni Kretzmer / Haggai Fershtman: One Afternoon
by Nic Jones
One of the points of interest of free improvisation is its autonomy. Given the lack of prearrangement, the potential for both triumph and disaster is there in equal measure, especially if the music is being recorded for posterity. One Afternoon is one of those occasions when the recording happened at just the right moment.
Grana Louise: Gettin’ Kinda Rough
by Nic Jones
Blues singer Graná Louise has the kind of authoritative voice that broaches no contradiction, and on Gettin' Kinda Rough she delivers a batch of songs which nicely showcases her range. In view of the sublime authority of the original, she plays with fire in covering what was Slim Harpo's I'm A King Bee" ...
Ariel Shibolet / Nori Jacoby: Scenes From An Ideal Marriage
by Nic Jones
Having existed for decades, free improvisation can be argued to have settled into a kind of routine regardless of the music's underlying abstraction. The soprano sax has become readily associated with the music thanks to the efforts of such pioneers as Steve Lacy, Evan Parker and Trevor Watts. Ariel Shibolet seems only too aware of this, ...
Fred Frith: Clearing Customs
by Nic Jones
Over the decades of his solo career, Fred Frith's music has grown more reflective of the range of his musical interests. As well as being an improviser of significance he has also shown an interest in a diversity of folk musics, with initial signs showing up already, in his work of the late 1970s.
Sheryl Bailey: For All Those Living
by Nic Jones
In the past, guitarist Sheryl Bailey has been an embodiment of versatility through her work with bassist Richard Bona, and with David Krakauer's klezmer ensemble. She now has another strain of music in her bag with this program of straight-ahead jazz guitar. Both Pat Martino and Wes Montgomery can be cited as reference points for this ...
John Surman: Flashpoint: NDR Jazz Workshop - April '69
by Nic Jones
In the necessarily modestly expansive booklet note which accompanies this CD and DVD set, Brian Morton sets out the development of jazz in Britain, from its point of origin in the early decades of the twentieth century. He also rightly identifies the musical generation that came of age in the 1960s as having no sense of ...
Klang: Other Doors
by Nic Jones
With Other Doors, Klang leader and clarinetist James Falzone has documented a body of music he worked on, after being invited to celebrate what would have been Benny Goodman's 100th birthday, at the Chicago Jazz Festival back in 2009. As he's a highly creative individual in his own right, he hasn't gone for any sterile Swing ...





