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Anita O'Day: Anita O'Day Live in Tokyo '63
by Andrew Velez
This is a never previously released live set from a highly successful 1963 television concert in Japan. Vocalist Anita O'Day came out of the Big Band Era and after memorable stints with the Gene Krupa and Stan Kenton bands she launched an enduring soloist career that was still going strong when she passed in 2007 at ...
Stephen Gauci Trio: Substratum
by Stuart Broomer
Perhaps no combination of instrument and style carries the predictability of the free jazz tenor saxophone and it's to Stephen Gauci's abiding credit that he manages both to embody a tradition and refresh it at every turn. The over-the-top blowout is, of course, part of Gauci's vocabulary. Eventually it will all show up: mystical yipping onslaughts, ...
Chick Corea & Gary Burton: The New Crystal Silence
by Francis Lo Kee
The original Crystal Silence (recorded in 1972) was--and still is--one of the strongest early releases on the then relatively new ECM Records. Pianist Chick Corea and vibraphonist Gary Burton have been working as a dynamic duo for over 35 years now, releasing many CDs in duo form and with various ensembles. The playing ...
Joey Calderazzo: Amanecer
by Elliott Simon
There is a hopefulness borne out of the continued crystallization of pianist Joey Calderazzo's sense of his artistic self on Amanecer. Compositionally and musically, the session is a potpourri. Reworked pieces that date to his associations with saxophonists Michael Brecker and Branford Marsalis along with new originals are presented in solo, duo and trio formats.
Enrico Rava / Stefano Bollani: The Third Man
by Laurel Gross
Italian trumpeter Enrico Rava and pianist Stefano Bollani have been collaborators for more than a dozen years and the dynamism of their close association is evidenced on their exquisite new duo CD. These two virtuosic and supremely focused performers need no third man to round out their evocative, often introspective and always superb playing on this ...
Floratone: Floratone
by Jim Santella
Electronics and special effects color Floratone's eponymous debut liberally; however, the core focus of this modern quartet remains tied to jazz tradition. Along with producers Tucker Martine and Lee Townsend, guitarist Bill Frisell and drummer Matt Chamberlain have formed Floratone in the image of progressive jazz of the 21st century. They've collaborated to blend elements of ...
Blue Apple Blues (B.A.B.) Festival Poised to Crash the Mansion - April 3, 2008
Blue Apple Blues (B.A.B.) Festival aims to crash beyond tried and true formulas by offering the blues scene a totally unique harmonic palette, recasting blues classics and inventing the standards of the future by some of the finest and hippest New York City blues artists. Audiences are sure to be impressed by the vitality and variety ...
Jon Faddis, Ralph Lalama & NY Improv Collective to Perform with Jazz Students at New York's Town Hall
Alongside jazz headliners Jon Faddis, Ralph Lalama, and New York Improv Collective, Central Connecticut State University Jazz Ensemble (Carl W. Knox, director) and California's Vanguard University Jazz Ensemble (Kenneth R. Foerch, director) will perform at New York's Town Hall on Wednesday, April 23, 2008, at 8 p.m. “Jazz at Town Hall," a new series presented by ...
Chris Byars: Pictures at an Exhibition of Himalayan Art
by Elliott Simon
While its mission is the preservation of Himalayan art, NYC's Rubin Museum continues to produce an excellent concert series in collaboration with the National Jazz Museum in Harlem. The series has developed into a forum for artists to perform new projects in a singularly spiritual setting. Saxophonist Chris Byars has in effect written a soundtrack for ...
Happy Apple: Happy Apple Back on Top
by Sean Patrick Fitzell
Before becoming synonymous with self-indulgent excess--or worse, smoothed-out pap--fusion offered the excitement of joining jazz improvisation and harmonic sophistication with rock energy and driving rhythms. Though they may not self-identify with fusion, a growing number of musicians raised on both rock and jazz feel no compunction in drawing influences from and blending both. One such group ...
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