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390

Article: Album Review

Jeff "Tain" Watts: Detained at the Blue Note

Read "Detained at the Blue Note" reviewed by Russ Musto

by Russ Musto
December 22, 2004

On Detained at the Blue Note , Jeff “Tain" Watts' first live outing as a leader, the effusive drummer lets loose with one of the most unrestrained performances he's ever released. Watts' uninhibited style of drumming is best heard in the intimate club setting in which this disc was recorded. The outgoing Tain is inspired by ...

388

Article: Multiple Reviews

Steps to the Desert & Midrash Mish Mosh

by Elliott Simon
December 19, 2004

In Swing Era NYC, drummer Shelly Manne's sense of time and melody gained sufficient notice that when bop arrived, he played with both Dizzy and Bird. Stints with the Woody Herman and Stan Kenton bands provided national exposure and in the '50s he took these influences to California and became a linchpin in the new West ...

164

Article: Multiple Reviews

Tzadik's 50th Birthday Celebration Vol. 2 & 7

by Kurt Gottschalk
December 18, 2004

The avant-savvy marketing of Tzadik came to a head with the 10th anniversary of Masada coming on the 50th birthday of the band's leader (the band premiered as the Thieves Quartet during John Zorn's 40th birthday monthlong love-in at the old Knitting Factory). Special series of CDs have marked each anniversary, all coming to a head ...

268

Article: Multiple Reviews

Kevin Norton: Time-Space Modulator & No Definitive

by Kurt Gottschalk
December 18, 2004

Vanity labels and the digital age have perhaps resulted in an effluvia of recordings that will likely be enjoyed by fans in the single digits at best, but on occasion the DIY ethos in jazz allows documentation of remarkable work by artists who might otherwise be forever relegated to sideman status. Kevin Norton ...

693

Article: Extended Analysis

Django Reinhardt 1933-1952

by Ty Cumbie
December 18, 2004

Django Reinhardt Django Reinhardt 1933-1952 BD Jazz 2004 On “Blues Clair," a terrific up-tempo piece I'd not heard before the welcome arrival of this 2-CD set, Django Reinhardt delivers one of the greatest solos you'll hear on any instrument, in any style of music. Right away we hear all the ...

115

Article: Multiple Reviews

Klaus Suonsaari: Portrait in Sound & Offering

by Jeff Stockton
December 18, 2004

Klaus Suonsaari Portrait in Sound Focus Records 2003 Portrait in Sound is a brilliantly programmed hour of music that builds on the foundation of the bluesy sax-and-drum swing of “Semblance," winds its way through fairly straight-ahead quartet workouts such as the piano-driven “Whack!" and the soprano-led “Offering" and dabbles in ...

185

Article: Multiple Reviews

Lee Konitz Past and Present

by Jeff Stockton
December 18, 2004

You'd think that by now the influence and relevance of someone present at the Birth of the Cool might be frozen in time, but for Lee Konitz, after sixty years of alto innovation and excellence, reissues, first-time releases and new projects continue to appear at a steady clip. Lee Konitz Peacemeal Milestone ...

308

Article: Extended Analysis

Anthony Braxton & Andrew Cyrille: Duo Palindrome 2002

by Jeff Stockton
December 18, 2004

Anthony Braxton/Andrew Cyrille Duo Palindrome 2002, Vol. 1 & 2 Intakt Records 2004 Even before he started wearing baggy corduroys, sensible shoes, and sweaters with elbow patches, Anthony Braxton's image was one of the enigmatic intellectual. You had to expect his playing to be more geometric than gutbucket. ...

247

Article: Multiple Reviews

David Haney: Volume One, Two and Three

by AAJ Staff
December 18, 2004

David Haney Volume One (solos) Volume Two (duets) Volume Three (trios) CIMP Records 2004 Originally from Canada, the Portland, Oregon-based pianist and composer David Haney seems to garner more attention each year, though many ears have yet to be exposed to the music and sounds created ...

323

Article: Multiple Reviews

Steve Lehman: Artificial Light & Interface

by Kurt Gottschalk
December 18, 2004

Conventional wisdom dictates that playing jazz comes at least as much from life experience as it does the conservatory, a tenet so associated with jazz that misguided young players in the '50s began taking heroin to simulate Charlie Parker's experience. The drugs-give-you-soul days have more or less passed, but the mystery of what connects heart to ...