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237

Article: Multiple Reviews

Jazz Flute: Flute on the Edge / Groove Yard / Ad Infinitum

Read "Jazz Flute: Flute on the Edge / Groove Yard / Ad Infinitum" reviewed by Ken Dryden

by Ken Dryden

For a long time, jazz musicians who played the flute as their primary instrument were fairly rare. In recent years, the number of flutists has grown tremendously including three with new albums: Jeremy Steig, Bradley Leighton and François Richard. Jeremy Steig Flute on the Edge Steig Music 2005 Jeremy Steig ...

243

Article: Album Review

John Zorn / Mark Feldman / Sylvie Courvoisier: Malphas, Book of Angels Volume 3

Read "Malphas, Book of Angels Volume 3" reviewed by Kurt Gottschalk

by Kurt Gottschalk

The second book of Masada tunes--300 compositions John Zorn penned in 2004--is only revelatory for the most diehard of fans. What's more exciting over a decade into the Masada story is that new life has been breathed into the project. Following Book Two releases by Jamie Saft and the Masada String Trio, Malphas is a set ...

94

Article: Album Review

Denominators: Red Balloon

Read "Red Balloon" reviewed by Ernest Barteldes

by Ernest Barteldes

Denominators is a new band comprised of three highly competent musicians who try to look outside the box in their approach to jazz, allowing classical, funky and tropical elements into their sound without being too eclectic. On Red Balloon they work exclusively through original compositions (mostly by flutist Michel Gentile), taking advantage of the quantity of ...

156

Article: Album Review

Mark Whitecage: BushWacked: A Spoken Opera

Read "BushWacked: A Spoken Opera" reviewed by Judith Insell

by Judith Insell

BushWacked takes a bold political stand, presenting a feeling through each track of anger, outrage and distrust of George W. Bush and his political regime. Joining Whitecage (alto sax and clarinet) are the members of the Bi-Coastal Orchestra: Rozanne Levine (alto and soprano clarinets), Bill Larimer (piano), Robert Mahaffay (drums) and Scott Steele (guitar), all of ...

373

Article: Multiple Reviews

Hank Jones: Complete Recordings / Hanky Panky / 'S Wonderful

Read "Hank Jones: Complete Recordings / Hanky Panky / 'S Wonderful" reviewed by Ken Dryden

by Ken Dryden

Since making his debut recording as a leader in 1947, Hank Jones has continued to impress jazz fans for over five decades. Not only is he still recording in his late 80s, but some of his long out of print sessions are beginning to reappear on the market. Hank Jones Complete Recordings ...

118

Article: Album Review

Sam Bardfeld: Periodic Trespasses (The Saul Cycle)

Read "Periodic Trespasses (The Saul Cycle)" reviewed by A. Henkin

by A. Henkin

With his second release as a leader (and first for Fresh Sound), violinist Sam Bardfeld presents an album full of modern Jewish intellectual reflection, as practiced by such diverse artists as Saul Bellow and Woody Allen, but couched in terms owing more of a debt to Frank Zappa's Joe's Garage. But given those ...

303

Article: Album Review

Michael Attias: Credo

Read "Credo" reviewed by Francis Lo Kee

by Francis Lo Kee

Saxophonist Michael Attias has played a bunch of gigs as a sideman with some well known musicians over the years, but recently he has started to make releases as a leader. His singular effort Credo, recorded in 1999, is finally seeing the light of day. The music has a joyous positive energy from ...

264

Article: Album Review

Mark Murphy: Once To Every Heart

Read "Once To Every Heart" reviewed by Andrew Rowan

by Andrew Rowan

Mark Murphy just gets better and better, to steal a phrase, like an elegant wine. And he is fearless. In his distinguished career, he's covered it all: blues, Latin, contemporary pop, songbooks (most notably Cole Porter, Joe Williams, Cy Coleman and Dorothy Fields). And he still remains one of the foremost interpreters of the Great American ...

213

Article: Album Review

Peter Epstein / Brad Shepik / Matt Kilmer: Lingua Franca

Read "Lingua Franca" reviewed by Abe Pollack

by Abe Pollack

Technology and musical development have always seemed to work in tandem. Reel to reel recording made delay effects and multitracking techniques possible. Laptop processing has allowed trumpets to sound like cellos and cellos to sound like Jimi Hendrix. But the most intriguing technological advance for music in recent years has been the introduction of the iPod. ...

256

Article: Album Review

Sandy Sasso: All My Men

Read "All My Men" reviewed by Suzanne Lorge

by Suzanne Lorge

Sandy Sasso's voice is as rich as the brown eyes smiling on the cover of All My Men. The title and photo suggest a mere flirtation, but the artist delivers serious music with her smiles. In her liner notes she dedicates the album and her original composition, the title cut, to the musicians with whom she ...


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