Results for "New York City"

Harvie S

Born: December 6, 1948

Any jazz fan will tell you Harvie S is one of the great bass players on the scene today. He's played with the best and he continues to challenge himself and his peers in new artistic directions. Moreover, Harvie is a producer, bandleader, composer and educator. Harvie S has performed with masters in jazz music and masters in Latin music including Stan Getz, Pat Methany, Chet Baker, Dexter Gordon, Jim Hall, Michael Brecker, Gil Evans, Arturo O'Farrill, Lee Konitz, James Williams, James Moody, Al Cohn and Zoot Sims, Houston Person, Art Farmer, Toots Thielemans, Bob Mintzer, Joe Lovano, Dave Leibman, Vic Juris, Danilo Perez, Paquito D'Rivera, Ray Barretto, Ray Vega, David Valintin and countless others

Leni Stern

Leni Stern was named one of the “50 Most Sensational Female Guitarists of All Time” in Guitar Player magazine’s
50 th anniversary issue in 2017, with the publication aptly dubbing her “a genre-defying adventurer.” Leni’s
example shines beyond just prowess on her instrument. The pursuit of her career across more than four decades
has been in effect a political act – a practice in strength and defiance to be a woman and a bandleader, a female
electric guitarist and a composer, an artist who manages her own career along with producing her own albums
and releasing them via her own label. Moreover, in our current political climate, it is more essential than ever to
celebrate the immigrant experience that brought Leni to the U.S

Mike Stern

Born: January 10, 1953

One of the premier guitarists of his generation, the three-time Grammy nominee was born on January 10, 1953 in Boston. After growing up in Washington D.C., he returned to Boston to study at the Berklee College of Music and got his start as a guitar player with Blood, Sweat & Tears at the age of 22. Following a stint with Billy Cobham's powerhouse fusion band from 1979-1980, Mike moved to New York City and was recruited by Miles Davis and played a key role in his celebrated comeback band of 1981 (which also included bassist Marcus Miller, drummer Al Foster, percussionist Mino Cinelu and saxophonist Bill Evans). During his three-year period with Miles, Mike appeared on three recordings with the jazz maestro - Man With The Horn, Star People and the live We Want Miles. From 1983 to 1984, he toured with Jaco Pastorius' Word of Mouth band and in 1985 returned to Miles' lineup for a second tour of duty that lasted close to a year.

Artie Shaw

Born: May 23, 1910

Artie Shaw, a brilliant jazz clarinetist, was one of the most enigmatic, daring and adventurous bandleaders of the swing-era. An intellectual, he hated public life and the music industry. Over the course of his short career he formed ten orchestras and disbanding most of them after only a few months. At the peak of his career in the years just before World War II, Shaw was matched by few other musicians in popularity and technical skill. Born Arthur Arshawsky in New York City and raised in Connecticut, Shaw took up the saxophone at an early age and began playing professionally when he was only 14

Gunther Schuller

Born: November 22, 1925

The composer Gunther Schuller is, famously, a man of many musical pursuits. He began his professional life as a horn player in both the jazz and classical worlds, working as readily with Miles Davis and Gil Evans as with Toscanini; he was principal horn of the Cincinnati Symphony from age sixteen and later of the Metropolitan Opera Orchestra until 1959. In the 1950s he began a conducting career focusing largely on contemporary music, and thereafter conducted most of the major orchestras of the world in a wide range of works, including his own. He was central in precipitating a new stylistic marriage between progressive factions of jazz and classical, coining the term "Third Stream" and collaborating in the development of the style with John Lewis, the Modem Jazz Quartet, and others. An educator of extraordinary influence, he has been on the faculties of the Manhattan School of Music and Yale University; he was, for many years, head of contemporary music activities (succeeding Aaron Copland) as well as a director of the Tanglewood Music Center, and served as President of the New England Conservatory

Maria Schneider

Born: November 27

Maria Schneider’s music has been hailed by critics as “evocative, majestic, magical, heart-stoppingly gorgeous, imaginative, revelatory, riveting, daring, and beyond categorization.” Blurring the lines between genres, her varied commissioners stretch from Jazz at Lincoln Center, to The Saint Paul Chamber Orchestra, to the American Dance Festival, and include collaboration with David Bowie. She is among a small few to receive GRAMMYS in multiple genres, having received the award in jazz and classical, as well as for her work with David Bowie.

With her first recording, Evanescence (1994), Schneider began developing her personal way of writing for her 18-member collective made up of many of the finest musicians in jazz today, tailoring her compositions to the uniquely creative voices of the group. They have performed at festivals and concert halls worldwide, and she herself has received numerous commissions and guest-conducting invites, working with over 90 groups in over 30 countries.

Cynthia Sayer

Born: May 20

Multi-award-winning instrumentalist/vocalist/bandleader Cynthia Sayer is acclaimed by musicians, critics, and fans alike as the top 4-string banjoist in the world today. Praised for her “drive and virtuosity” by the New York Times, Cynthia enchants audiences with her electrifying, swing-based performances and captivating stage presence wherever she appears. An inductee into the American Banjo Hall Of Fame, and winner of the 2019 Bistro Award and 2018 Global Music Awards, Cynthia garnered cheering crowds and her usual standing ovation at the 2018 Newport Jazz Festival. Other USA festivals include appearing as a Special Guest at the prestigious 2019 Django Reinhardt Festival in NYC, headlining at the 2017 New Orleans Jazz & Heritage festival, the 2017 Xerox Rochester International Jazz Festival, and numerous others

Adam Rudolph

Born: September 12, 1955

For the past four decades composer, improviser and percussionist Adam Rudolph has performed extensively in concert throughout North & South America, Europe, Africa, and Asia. Rudolph has been hailed as "a pioneer in world music" by the NY Times and "a master percussionist" by Musician magazine. He has released over 25 recordings under his own name, featuring his compositions and percussion work. Rudolph composes for his ensembles Adam Rudolph's Moving Pictures, Hu: Vibrational percussion group, and Go: Organic Orchestra, an 18 to 54 piece group for which he has developed an original music notation and conducting system

Badal Roy

Amerendra "Badal" Roy Choudhury arrived in New York in 1968 with a pair of tablas and eight dollars in his pocket. In three days he took a busboy job and then waiting positions in various Indian restaurants. Soon, instead of waiting on customers he was entrancing them with his drumming. Badal's passionate style of playing is free-flowing and always from the heart, and when Miles Davis heard him play, the superstar warmed to him and spread the word. Soon he received his big break: an invitation to record with John McLaughlin and Miles successively. Badal went on to record on Miles Davis's On the Corner, Big Fun, Agartha, Pangaea and others. Badal was one of the first Indian musicians to effectively meld Indian music and instruments with jazz and funk

Michele Rosewoman

Born: March 19, 1953

Michele Rosewoman Artist Bio "No other pianist-composer in jazz brings the music of the African diaspora together quite like Michele Rosewoman. Simply put, she's one of the most creative and fully realized jazz artists on the scene today.” CD NOW Michele Rosewoman, a vanguard and pioneering artist in her field, creates a distinct musical experience by digging deep into her vast reservoir of acoustic modern jazz, sophisticated funk, dynamic electric fusion and elements of Cuban folkloric music. Her command and rich vocabulary elegantly expands the horizons and boundaries of jazz while remaining firmly rooted in tradition