Results for "New Orleans"

Stephanie Jordan

Born: February 15

Jazz at Lincoln Center notes, "every so often a new voice stands up and proclaims itself, but few do so with such supreme depth and understated soul."

Stephanie Jordan's current show continues her signature trademark of singing jazz standards from the Big Band era. It includes highlights from her self-produced debut CD on her Vige Music label; “Stephanie Jordan Sings A Tribute to the Fabulous Lena Horne; Yesterday When I Was Young” which honors the legendary Grammy Award winner who starred in many films.

Stephanie Jordan performed as the featured singer during the Congressional Black Caucus Foundation Gala which included the presence of President Obama and First Lady Michelle Obama; she was selected to sing to Stevie Wonder during the National Urban League’s 2012 National Conference, and also performed at the private celebration ‘Oprah Winfrey and Friends of Susan Taylor’ in honor of Susan Taylor's years of service to Essence magazine.

Stanton Moore

Born: July 9, 1972

Over the course of his 20-year career, drummer Stanton Moore has become known as one of the premier funk musicians of his generation. On his latest album, Conversations, he moves in a slightly different direction, returning to his roots while reinventing his trademark sound. The result is a lively and combustible jazz piano trio outing that reveals unexpected new dimensions to Moore's always-engaging virtuosity. Anyone who's ever heard the interplay between the drummer and his band-mates in the Stanton Moore Trio, Galactic, Garage a Trois or Dragon Smoke is no doubt aware of his intense improvisational chops

Dr. John

Born: November 21, 1940

The legendary Dr. John is a six-time Grammy Award-winning musician and Rock & Roll Hall of Fame inductee. Known throughout the world as the embodiment of New Orleans’ musical legacy, Dr. John is a true icon in American culture. His colorful musical career began in the 1950s when he wrote and played guitar on some of the greatest records to come out of the Crescent City, including recordings by Professor Longhair, Art Neville, Joe Tex, Frankie Ford and Allen Toussaint.

Dr. John headed west in the 1960s, where he continued to be in demand as a session musician, playing keyboards on records by Sonny and Cher, Van Morrison, Aretha Franklin and The Rolling Stones' “Exile On Main St.” During that time he launched his solo career, developing the charismatic persona of Dr. John The Nite Tripper. A legend was born with his breakthrough 1968 album “Gris-Gris,” which introduced to the world his unique blend of voodoo mysticism, funk, rhythm & blues, psychedelic rock and Creole roots. Several of his many career highlights include the masterful album “Sun, Moon and Herbs” in 1971 which included cameos from Eric Clapton and Mick Jagger and 1973’s “In The Right Place,” which contained the chart hits “Right Place Wrong Time” and “Such A Night.”

Rebirth Brass Band

The Rebirth Brass Band rose from the streets of New Orleans to international renown with a mix of the brass-band tradition and a refreshingly modern sensibility. The Rebirth Brass Band mastered the traditional jazz sound of their hometown and then melded it with funk, R&B and, most recently, hip-hop, they are as capable with spirituals and rags as it is with brass-band boogie. Formed in the early ‘80’s by Philip Frazier, Keith Frazier and Kermit Ruffins, all former schoolmates, the band has evolved from playing the streets of the French Quarter to playing festivals and stages all over the world

Preservation Hall Jazz Band

The Preservation Hall Jazz Band derives its name from Preservation Hall, the venerable music venue located in the heart of New Orleans’ French Quarter, founded in 1961 by Allan and Sandra Jaffe. The band has traveled worldwide spreading their mission to nurture and perpetuate the art form of New Orleans Jazz. Whether performing at Carnegie Hall or Lincoln Center, for British Royalty or the King of Thailand, this music embodies a joyful, timeless spirit. Under the auspices of current director, Ben Jaffe, the son of founders Allan and Sandra, Preservation Hall continues with a deep reverence and consciousness of its greatest attributes in the modern day as a venue, band, and record label. The building that houses Preservation Hall has housed many businesses over the years including a tavern during the war of 1812, a photo studio and an art gallery

Nicholas Payton

Born: September 26, 1973

Since 1994 when Nicholas Payton made his recording debut as a leader with From This Moment, the trumpeter has been lauded as a significant, top-tier voice in jazz. Even though he started out as a “young lion of jazz,” heralded as one of the new-generation guardians of the hard bop flame, Payton consistently committed himself to discovering his voice outside of the strict confines of that rearview mirror approach to the music. While his jazz journey has taken him down many roads"from heritage artist to electric experimenter"the 34-year-old trumpeter arrives at a new plateau of jazz maturity with Into the Blue, his ninth album and his first for Nonesuch

Jelly Roll Morton

Born: October 20, 1890

The city of New Orleans has the distinction of being the ‘birthplace of jazz’ so its appropriate that in New Orleans in or around 1885 to 1890 would be born the self-proclaimed “inventor of jazz”. Ferdinand Joseph Lemott (Lamothe) and his story is one of mystery, legend, genius, with an incredulous outcome, and original musical score. Being considered a Creole in the Crescent City had its advantages in the fact that he was exposed to the fine arts and music as a child. He would undertake formal piano lessons with one Tony Jackson who was considered a wunderkind piano professor with exceptional musical ability, mirrored by the young student, who demonstrated an elevated level of talent, and the confidence to perform it. We pick up on his trail as he moved to Biloxi, Mississippi to stay with his godmother, and so begins life on the road

King Oliver

Born: December 19, 1881

If we were to take all the major trumpet players in jazz, line them up in chronological order, ask them who they listened to and were influenced by, then send them down the long dark chute of jazz history, they would run right smack dab into King Oliver. Joseph Oliver was rumored to have been born on a plantation in Abend, Louisiana in 1885. His first instrument was the trombone, which by 1904 he was playing in the Onward Brass Band. He would continue with several bands, and started also playing the cornet. Being that New Orleans was a trumpet playing town, he had to work hard and long on his chops, and spent a lot of time learning to read music, which he became very good at, even in spite of having lost one eye

Leroy Jones

Born: February 20, 1958

The legendary jazz trumpeter Leroy Jones is known to music lovers as the "keeper of the flame" for traditional New Orleans jazz and to critics as one of the top musicians ever produced by the Crescent City. "The mission of the Leroy Jones Quintet is to expose audiences everywhere to the authentic music of New Orleans, the music of Louis Armstrong, Buddy Bolden, Danny Barker and all the other greats who have helped create the rich gumbo that is the sound of New Orleans," he says, "while putting our own more modern stamp on it." Jones himself, a native of New Orleans, whose playing has been described as a blend of Louis Armstrong and bebop virtuoso Clifford Brown, has been a critical figure in the history of New Orleans music. A member of the New Orleans Jazz Hall of Fame, he was leader at the tender age of 12, of the seminal Fairview Band, a brass band whose alumni have included some of the best known musicians in New Orleans

Noah Howard

Born: April 6, 1943

One of free jazz's more enigmatic figures, alto saxophonist Noah Howard was documented so infrequently on record and spent so much time living in Europe that the course of his career and development as a musician remain difficult to trace, despite a late-'90s renewal of interest in his music. Howard was born in New Orleans in 1943 and began playing music in church as a child. He started out on trumpet (the instrument he played in the military during the early '60s) but subsequently switched to alto, and got in on the ground floor of the early free jazz movement. Most influenced by Albert Ayler, Howard made his debut as a leader for the groundbreaking ESP label, recording a pair of dates in 1966 (Noah Howard Quartet and At Judson Hall). Dissatisfied with the reception accorded his music and the avant-garde movement in general in America, Howard relocated to Europe, where he initially lived in France