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581

Article: Live From New York

April 2010

Read "April 2010" reviewed by AAJ Staff


Myron Walden Jazz StandardNew York, NY March 9, 2010One of saxophonist Myron Walden's four new albums this year is called To Feel and, indeed, if a single quality stands out in Walden's music, it is deep and palpable feeling, a big emotional sweep carried off with great finesse by his ...

318

Article: Album Review

Anthony Braxton: Creative Orchestra (Koln) 1978

Read "Creative Orchestra (Koln) 1978" reviewed by Glenn Astarita


Composer and multi-reedman Anthony Braxton's complex and personalized compositional paradigms emanated in the 1960s, underscored by 12 language types, diagrams, and other methodologies to complement the improvisation aspect. On this double-disc, 2009 reissue of a 1978 concert, Braxton employs a diverse dream team including reedmen Marty Ehrlich and Ned Rothenberg and trumpeter Kenny Wheeler. Consequently, Braxton ...

247

Article: Album Review

Ned Rothenberg / Catherine Jauniaux / Barre Phillips: While You Were Out

Read "While You Were Out" reviewed by Nic Jones


One of the most consistently intriguing things about freely improvised music is the degree to which it can transcend the moment. While on the surface of it that moment might be something the free improviser has only to reach an accommodation with, on a deeper level such practitioners are arguably more subject to its vagaries than ...

369

Article: Album Review

Ned Rothenberg / Catherine Jauniaux / Barre Phillips: While You Were Out

Read "While You Were Out" reviewed by Kurt Gottschalk


Belgian vocalist Catherine Jauniaux is one the most underappreciated of a generation of free improv vocalists. Less a storyteller than Shelley Hirsch, more overtly musical than Phil Minton or Jaap Blonk, she falls somewhere between their spontaneous explorations and the avant art songs of Joan La Barbara. She has released only a handful of records with ...

490

Article: Album Review

Anthony Braxton: Creative Orchestra (Koln) 1978

Read "Creative Orchestra (Koln) 1978" reviewed by Troy Collins


The 1970s were an exceedingly fertile time period for composer Anthony Braxton, whose considerable output was primarily documented by Arista Records, including his Creative Orchestra Music, which encapsulated the entire history of jazz--from Scott Joplin to Albert Ayler. One of these albums, the seminal Creative Orchestra Music 1976, was recently reissued as part of Mosaic Records' ...

688

Article: Live Review

Evan Parker Trio at the Vortex in London

Read "Evan Parker Trio at the Vortex in London" reviewed by John Sharpe


Evan Parker Trio The Vortex London, England July 16, 2009 “Support your local heroes!" is an injunction that should be familiar to every jazz fan. And that's what the Vortex Jazz Bar does on a regular basis by giving saxophone master Evan Parker a slot, usually on ...

193

Article: Album Review

Denman Maroney Quintet: Udentity

Read "Udentity" reviewed by Glenn Astarita


In this fascinating 2009 release, leader Denman Maroney morphs the avant-garde implications of hyperpiano fare into a semi-structured progressive jazz endeavor with tunes that are largely melodic and uncannily attainable. The artist derives influence from avant-garde composers John Cage and Henry Cowell, who used nuts, bolts and other implements to perform on the piano via unconventional ...

205

Article: Multiple Reviews

Inside the Piano: Germinal; Gold; The Ill-Tempered Piano; Udentity

Read "Inside the Piano: Germinal; Gold; The Ill-Tempered Piano; Udentity" reviewed by Marc Medwin


Agusti Fernandez & Ingar ZachGerminalPlastic Strip2008 Magda Mayas & Tony BuckGoldCreative Sources2009 Nicola CipaniThe Ill-Tempered PianoLong Song2009 Denman MaroneyUdentityClean Feed

569

Article: Live From New York

April 2009

Read "April 2009" reviewed by AAJ Staff


Edward SimonEd Simon TrioVillage VanguardNew York City March 1, 2009In any circumstance, it would be worth hitting the Village Vanguard to hear Edward Simon (Mar. 1st), one of the most gifted pianists of our day. But the presence of guest saxophonist Mark Turner--back in undiminished form after a ...

274

Article: Album Review

Denman Maroney: Udentity

Read "Udentity" reviewed by Troy Collins


Denman Maroney, the sole practitioner of “hyperpiano," has a singular technique that is a natural extension of the pioneering efforts of such visionary composers as John Cage, Henry Cowell and George Crumb. Expanding on the well-established practice of augmenting the interior strings of the piano with found objects, Maroney bows, plucks and scrapes the strings with ...


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