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Vision Festival 2010: Day 4, June 26, 2010
by John Sharpe
Prologue | Day 1 | Day 2 | Day 3 | Day 4 | Day 5 | Day 6 | Day 7Areni Agbabian, Lorenzo Sanguedolce, Go-Zee-Lah Reggie Nicholson, Borah Bergman, Ned Rothenberg Mark Helias, Tony Malaby, Charles GayleVision FestivalAbrons Arts CenterNew York CityJune 26, 2010Saturday was a ...
Various Artists: Into the Light - Korean Music III - Traditional Music & Korean Jazz
by Ian Patterson
Various Artists Into the Light: Korean Music III: Traditional Music & Korean Jazz KAMS 2010 Although the differences in beat, rhythm and harmony that separate traditional Korean music and jazz may partially explain why jazz has been approached only relatively recently in Korea, in fact Korean traditional musicians ...
Vision Festival 2010: Day 3, June 25, 2010
by John Sharpe
Prologue | Day 1 | Day 2 | Day 3 | Day 4 | Day 5 | Day 6 | Day 7 Fay Victor, Sabir Mateen, John BlumVision FestivalAbrons Arts CenterNew York CityJune 25, 2010After the exceptional programs for the first two nights of the Vision Festival ...
Kadima Collective
by Stuart Broomer
When you first come across the recordings on Kadima Collective, a couple of things stand out. The first is that the label, devoted to free improvisation, is based in Israel; secondly, there's a good chance that the CD will feature a bassist, often one of substantial international stature, like Barre Phillips, Mark Dresser or Joëlle Léandre. ...
Anthony Braxton: Creative Orchestra (Koln) 1978
by Jeff Stockton
Jazz is often viewed as a progressive art form, one that by its very nature is constantly changing and reinventing itself. The paradox is that change isn't always what the audience wants to hear, so it frequently takes awhile simply to catch up. Such seems to be the case with the music of Anthony Braxton, one ...
April 2010
by AAJ Staff
Myron Walden Jazz StandardNew York, NY March 9, 2010One of saxophonist Myron Walden's four new albums this year is called To Feel and, indeed, if a single quality stands out in Walden's music, it is deep and palpable feeling, a big emotional sweep carried off with great finesse by his ...
Anthony Braxton: Creative Orchestra (Koln) 1978
by Glenn Astarita
Composer and multi-reedman Anthony Braxton's complex and personalized compositional paradigms emanated in the 1960s, underscored by 12 language types, diagrams, and other methodologies to complement the improvisation aspect. On this double-disc, 2009 reissue of a 1978 concert, Braxton employs a diverse dream team including reedmen Marty Ehrlich and Ned Rothenberg and trumpeter Kenny Wheeler. Consequently, Braxton ...
Ned Rothenberg / Catherine Jauniaux / Barre Phillips: While You Were Out
by Nic Jones
One of the most consistently intriguing things about freely improvised music is the degree to which it can transcend the moment. While on the surface of it that moment might be something the free improviser has only to reach an accommodation with, on a deeper level such practitioners are arguably more subject to its vagaries than ...
Ned Rothenberg / Catherine Jauniaux / Barre Phillips: While You Were Out
by Kurt Gottschalk
Belgian vocalist Catherine Jauniaux is one the most underappreciated of a generation of free improv vocalists. Less a storyteller than Shelley Hirsch, more overtly musical than Phil Minton or Jaap Blonk, she falls somewhere between their spontaneous explorations and the avant art songs of Joan La Barbara. She has released only a handful of records with ...
Anthony Braxton: Creative Orchestra (Koln) 1978
by Troy Collins
The 1970s were an exceedingly fertile time period for composer Anthony Braxton, whose considerable output was primarily documented by Arista Records, including his Creative Orchestra Music, which encapsulated the entire history of jazz--from Scott Joplin to Albert Ayler. One of these albums, the seminal Creative Orchestra Music 1976, was recently reissued as part of Mosaic Records' ...
