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8

Article: In Pictures

A Celebration of Excellence and Musical Diversity at Day one at the 2023 Newport Jazz Festival

Read "A Celebration of Excellence and Musical Diversity at Day one at the 2023 Newport Jazz Festival" reviewed by Dave Kaufman


Day 1 | Day 2 | Part 3The Newport Jazz Festival is one of the planet's most fabled and celebrated jazz festivals and it has been towards the top of my bucket list for a very long time. I have attended jazz festivals for almost 40 years since my youth and finally made it ...

2

Article: Album Review

Jeff Parker / Eric Revis / Nasheet Waits: Eastside Romp

Read "Eastside Romp" reviewed by John Sharpe


Though best known as an experimental guitarist in the likes of Tortoise, Isotope 217 and the Chicago Underground Trio, on Eastside Romp Jeff Parker hews closer to his jazz roots in a co-operative trio completed by bassist Eric Revis and drummer Nasheet Waits. Each a leader, Parker's bandmates possess similarly expansive resumés, making their somewhat introspective ...

4

Article: Live Review

Christian McBride’s New Jawn at The Arden Gild Hall

Read "Christian McBride’s New Jawn at The Arden Gild Hall" reviewed by Cary Tenenbaum


Christian McBride's New Jawn Arden Gild Hall Arden, DE March 30, 2023 Nestled in a residential neighborhood in the little historic town of Arden, Delaware, just outside of Wilmington, is the Arden Club and Gild Hall. The mission of the hall according to its web page is to be “dedicated to ...

10

Article: Album Review

Christian McBride: Prime

Read "Prime" reviewed by Cary Tenenbaum


Prime's opening track, “Head Bedlam," opens with a cacophony of horns playing in a style reminiscent of Sun Ra's Arkestra. This transforms into a quiet, cool riff with bass and drums leading the way, shifting the music into a more accessible groove before returning to the aptly titled bedlam in the track's closing seconds.

11

Article: Album Review

Christian McBride's New Jawn: Prime

Read "Prime" reviewed by Mike Jurkovic


"Head Bedlam," crashes from the gate with a gale force which instantly gives away the plot of Prime. Put simply, the sophomore release from maverick bassist Christian McBride's New Jawn (Philadelphia slang for something not yet named or created) is a free-form steeplechase. Crying, screeching, testifying, New Jawn trumpeter Josh Evans and saxophonist & bass clarinetist Marcus Strickland ...

384

Song of the Day

Blues Variant

Album:
By
Label: Criss Cross
Released: 2023
Duration: 04:11

5

Article: Radio & Podcasts

Ahmad Jamal, Gonzalo Rubalcaba and Others

Read "Ahmad Jamal, Gonzalo Rubalcaba and Others" reviewed by Jerome Wilson


This program features pianists such as Ahmad Jamal and Gonzalo Rubalcaba plus music from a wide variety of sources, including the String Trio of New York and Lennie Niehaus. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & Air (Mosaic) 00:00 ...

20

Article: Six Picks

January 2023

Read "January 2023" reviewed by Pat Youngspiel


Masaki Hayashi Group Blur The Border S/N Alliance 2023 In contrast to its sister-label Nagalu Records, Shinya Fukumori's S/N alliance is devoted to music and musicians outside of Japan, bringing idioms from classical music and improvised streams under one roof, to be shared across borders. And pianist Masaki Hayashi's ...

42

Article: Liner Notes

Yelena Eckemoff: I Am a Stranger in This World

Read "Yelena Eckemoff: I Am a Stranger in This World" reviewed by Mark Sullivan


Russian-born pianist/composer Yelena Eckemoff began setting verses from the Bible's Book of Psalms shortly after her conversion to Christianity, even before her emigration to the United States. But she waited until she had considerable experience working with jazz musicians before producing her jazz arrangements. They were first recorded on her album Better Than Gold and Silver ...

30

Article: Multiple Reviews

Criss Cross Records: The Healing Power Of Authenticity

Read "Criss Cross Records: The Healing Power Of Authenticity" reviewed by Chris May


When the founder of the Netherlands-based Criss Cross Jazz label, Gerry Teekens, passed away in 2019, there was an odds-on chance that Criss Cross would leave town with him. That is often the fate, in such circumstances, of organisations led by a singular visionary and defined by their personal aesthetic. The loss of the label would ...


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