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Brooklyn Jazz Underground: A Trio of Hits
by Franz A. Matzner
Modern jazz has a problem. And Brooklyn Jazz Underground Records' recent slate of releases illustrates the growing dilemma: a surfeit of excellence. Across the spectrum, artists are innovating at such a high level and plumbing the depths of musical expression with such regularity that it's hard to keep pace (or avoid hyperbole). Jazz's aperture ...
Three contrasting Bertrand Denzler releases
by John Eyles
It seems that Swiss-born tenor saxophonist Bertrand Denzler is already involved in so many contrasting groupings that he would have no need to be joining or creating yet more. Active groupings of which he is a member include Hubbub, Mark Wastell's The Seen, Trio Sowari, Zoor, plus a trio with Eddie Prevost and John Edwards. Some ...
Two INSUB releases
by John Eyles
When Switzerland's INSUB records issued its first two releases in a new format in early 2014, that innovative format got nearly as much attention as the music itself. Solving the download vs. physical object debate, its combination of attractive packaging (including A3 poster-size artwork) with a download code gave customers the best of both worlds. That ...
Big Band tedesche in gran spolvero
by Angelo Leonardi
Da almeno trent'anni in Germania operano alcune delle migliori orchestre mainstream d'Europa, ormai famose per le collaborazioni coi massimi jazzisti contemporanei. Tra i vari collettivi, la NDR Big Band di Amburgo e la WDR Big Band di Colonia si collocano oggi ai vertici internazionali, sapendo coniugare alta professionalità tecnica a doti di flessibilità, fantasia e apertura ...
Three From Intonema
by John Eyles
When the ninth and tenth releases on St. Petersburg's Intonema label were released, it was noteworthy that neither of them featured a Russian musician, despite the label's catalogue previously featuring such notable Russians as saxophonist Ilia Belorukov, bass guitarist Mikhail Ershov and pianist Alexey Lapin alongside a distinguished cast of fine overseas players. Happily, the label's ...
The Art of the Guitar: Samo Salamon, Christer Fredriksen, Rez Abbasi & Juan Pablo Hernández
by Jakob Baekgaard
The guitar is an instrument that continues to inspire musicians around the world and since early pioneers like Django Reinhardt and Charlie Christian showed the endless possibilities of the instrument, the guitar has also been an important part of the evolution of jazz. One can certainly speak of a genre called jazz guitar, with characteristic chord ...
Eric Hofbauer Quintet: Prehistoric Jazz – Volumes 1 & 2
by Mark F. Turner
With sure workmanship and untamed inquisitiveness, Boston-based guitarist Eric Hofbauer is no stranger to confronting unusual yet stimulating music. Examples include 2008's uncharacteristic guitar duo The Lady of Khartoum with Garrison Fewell or the striking American solo series--American Vanity (2004), American Fear (2010) and American Grace (2013)--which crossed distinctive terrains of improvisation and covers of iconic ...
Eric Hofbauer Quintet: Prehistoric Jazz – Volumes 1 & 2
by Alberto Bazzurro
L'emergente chitarrista bostoniano Eric Hofbauer, docente di strumento, composizione e storia del jazz all'Emerson College & University del Rhode Island, un palmares di collaborazioni che spazia da Han Bennink a John Tchicai, Garrison Fewell e Cecil McBee, Steve Swell e Matt Wilson, ha inciso nell'aprile 2014 questi due album, dedicati rispettivamente al Sacre du printemps di ...
Martin Speake: The Unquiet Mind
by Duncan Heining
We have here three very fine CDs from British alto saxophonist, Martin Speake. Speake is classically trained and when I first heard him in the late 90s, he brought to jazz a tone that emphasised the clarity of each note and the purity of the melodic line that was quite unusual in a music more used ...
Dave Rempis: Zen Master
by Mark Corroto
The best application of philosophy to improvised music is the Chinese concept of wu-wei." The best translation of this is no trying." Many listeners have the false impression that it takes a sophisticated ear or at least years of listening to get" improvised music. Actually, the opposite is true. The key is wu-wei or the art ...

