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Solo: Reflections and Meditations on Monk & Najwa
by Doug Collette
Wadada Leo Smith's most recently recorded albums reaffirm this trumpeter/composer/bandleader's deep, abiding loyalty to his muse. Equally so on stage or in the studio, Smith's devotion to the creative impulse is absolutely unwavering, and, as a result, his works are pure, direct expressions of his concepts, undiluted by compromise. Such is the uniformity of his execution ...
The Original Delaney & Bonnie (Accept No Substitute) and To Bonnie From Delaney
by Doug Collette
Delaney & Bonnie's best work functions as a primer on contemporary rock and roll, not to mention how the pair functioned as a catalyst to what's arguably the most prolific and productive instances of musical community that arose from the late Sixties and early Seventies. And even if the following two selections are the sole titles ...
Van Morrison: Roll With The Punches & Versatile
by Doug Collette
Van Morrison's disenchantment with the business underpinnings of his creative output has been a continuing theme of his work over the years. It's always been something of a self-serving state of mind, but never so much so with the release of two very similarly-conceived and executed albums, on two different labels, within three months of each ...
The Possibilities of Percussion: Yarn/Wire & ensemble, et. al
by Jakob Baekgaard
Percussion is often seen as the spice that is added to an ensemble carried by chordal instruments, but something interesting happens when the use of percussion is allowed to shape the aesthetics of a composition. Early on, minimalists like Steve Reich and Terry Riley have realized the potential of percussion and have used it to bring ...
Holiday Roundup 2017
by Mark Sullivan
Here are this year's holiday albums I received for review. They are an exceptionally varied lot, ranging from contemporary pop to mainstream jazz--there's even one big band Hanukkah album! I wanted to make special mention of an exceptionally beautiful album that I reviewed late last year, after I had published the 2016 Roundup: Olga Konkova & ...
Old, Borrowed and Just a Little Blue
by Geno Thackara
How many collections of standards does the jazz world really need? The answer, of course, is that there's always room for more as long as the players and listeners can find something relevant and fresh. Every piece on offer in this batch has been around for several decades at least, but these old things never fail ...
Another Timbre Celebrates Its First Decade
by John Eyles
Another Timbre's autumn 2017 batch of albums is highly significant for the label and its proprietor, Simon Reynell. The four recordings came out almost exactly a decade after the label's first release in November 2007. These new releases take the label's tally of released discs past 150, a formidable ten-year total that would be the envy ...
Matt Mitchell, un pianoforte declinato al futuro
by Luca Canini
Se da un lato c'è Tim Berne che ti affida le chiavi del suo quartetto, e dall'altro Steve Coleman che al momento di mettere qualcuno davanti a una tastiera non esita a comporre il tuo numero, vuol dire che qualcosa di buono al pianoforte lo sai fare. Certo, poi serve anche altro per uscire definitivamente allo ...
Ivo Perelman Makes It Rain
by Mark Corroto
If music was sports, then Ivo Perelman would be baseball and most other musicians football. Where football's regular season is 16 games, baseball plays 162. Likewise, most musicians release one album every year or two, but Perelman has averaged seven titles per year for the last seven years. His 2017 Leo Records output is thirteen (fourteen, ...
Jazz from the US Virgin Islands' new breed
by Nigel Campbell
September 2017 was a horrible month for the US Virgin Islands (USVI). As the New York Times wrote, “In the Virgin Islands, Hurricane Maria Drowned What Irma Didn't Destroy." We should not forget that from these isles, a pool of talent has created music that has endured, survived, and influenced. Music writers and researchers have investigated ...
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