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Meeting of the Minds and Sounds: The Clarinet and The Oud
by Doug Collette
The clarinet is hardly as an exotic instrument as the oud, but both instruments have their places in modern jazz and it's always fascinating to hear how each sounds within those contexts they're placed. As a point of comparison, the music on these two releases is at once haunting and comforting, mesmerizing and intoxicating, ultimately luring ...
Two major releases from Ferran Fages
by John Eyles
The Barcelona-born guitarist, turntablist, electronicist, improviser and composer Ferran Fages has been releasing albums since the turn of the millennium. If his profile has not been as high as it might have been that may be because many of those albums have not been credited to him but to ensembles of which he is a member ...
Tim Motzer: Late-Night Soundscapes
by Geno Thackara
Natural evolution is always gradual yet relentless. Philadelphia sound-sculptor Tim Motzer demonstrates the fact with two more extended improvisations to follow on from the electro-ambient Unseen Universe (1k, 2017). All three are solo recordings made in similar circumstances (played live for wee-hours radio broadcasts roughly a year apart), yet of course no two nights or events ...
Drummers As Leaders
by Jerome Wilson
Drummers are not necessarily the first musicians you think of as bandleaders but there is a long tradition of drummer-leaders in jazz from Chick Webb and Gene Krupa to Art Blakey and Paul Motian. Here are two current, lesser-known drummers who keep that lineage going in different formats. Enrique Haneine The Mind's Mural ...
Wayne Horvitz: The Snowghost Sessions & Those Who Remain
by Doug Collette
Since coming to some renown in New York City during the Eighties and Nineties, Wayne Horvitz has developed a career almost as eclectic as it is esoteric. Performer, composer, educator and entrepreneur comprise just a few of the roles he has assumed in near-fifty years of audacious enterprise and these dual releases vividly illustrates the range ...
Two contrasting releases from Charlotte Hug on the Fundacja Słuchaj! label
by John Eyles
For many followers of improvised music, their first experience of Switzerland's Charlotte Hug was around the turn of the millennium, as a viola player, an instrument on which she was classically trained. In collaborations such as the all-female trio with Maggie Nicols and Caroline Kraabel, or the London Improvisers Orchestra (LIO), she soon gained a reputation ...
Two Exciting And Poignant Albums From Wendy Eisenberg
by Hrayr Attarian
A fearless improviser with a refreshing disregard for genre, Wendy Eisenberg is a poet, banjoist and vocalist yet Eisenberg's guitar fully showcases her mastery. This virtuoso explores all dimensions of her instrument with fiery elegance and a vibrant sense of adventure to her music. In 2018 she released two stimulating and unique albums: Its Shape is ...
3x3: Piano Trios, vol. III
by Geno Thackara
More evidence that three is truly a magic number, as explorations in this format remain as expansive and inventive as ever... Fred Hersch Trio '97 @ the Village Vanguard Palmetto Records 2018 Fine artists can aspire to appear in the Louvre someday. Comics might hope for a Las Vegas ...
New releases from Jürg Frey, Clara de Asis and Stefan Thut
by John Eyles
If you were told that a record label's latest batch of three albums were by Jürg Frey, Clara de Asis and Stefan Thut, and then asked to identify the label, which one would you be most likely to choose? Many in-the-know music fans might be likely to opt for Another Timbre or maybe Wandelweiser or INSUB, ...
Classic vinyl remasterings from Storyville
by Chris Mosey
In time for the festive season, the Copenhagen label Storyville is reissuing three classic albums from its archives remastered on 180-gram vinyl: Charlie Parker In Sweden, 1950; Ben Webster Plays Ballads; and Sahib Shihab's lost" minor masterpiece Sentiments. The Charlie Parker album was recorded on November 24, 1950 at a concert in the ...

