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Arturo O'Farrill & The Afro Latin Jazz Orchestra: Cuba: The Conversation Continues
by Karl Ackermann
“I believe that there is no country in the world including any and all the countries under colonial domination, where economic colonization, humiliation and exploitation were worse than in Cuba...in part owing to my country's policies..." --President John F. Kennedy, October 1963 Revolution and musical genres share the characteristic of having an embryonic state. ...
Karrin Allyson: Many a New Day: Karrin Allyson sings Rodgers and Hammerstein
by C. Michael Bailey
Karrin Allyson projects always have all five points of the creative star pinned down: theme, repertoire, arrangement, sequencing, and support. Her recordings Ballads: Remembering John Coltrane (Concord, 2001), In Blue (Concord, 2002), Footprints (Concord, 2006), and 'Round Midnight (Concord, 2011) are all evidence of her unsurpassed musicianship and creative heart. Karrin Allyson's worst recording is still ...
Oran Etkin: What's New? Reimagining Benny Goodman
by Dan Bilawsky
Those looking to preview some of the most interesting jazz offerings due to arrive in any given year know that New York's Winter Jazzfest is the place to do it. For more than a decade, this annual January happening has had its finger on the pulse of the jazz world, giving the press, the fans, and ...
Joe Locke: Love Is a Pendulum
by Angelo Leonardi
L'alto livello dimostrato in decenni di attività da Joe Locke come vibrafonista e compositore, sta trovando ampia accettazione da parte di pubblico e critica. Le ultime incisioni -realizzate dopo l'ingresso nella scuderiia Motéma Music -hanno riscontrato alti consensi e molto più avviene per questo progetto: il più convincente, maturo e appassionante da lui realizzato.
London, Meander, Pramuk & Ross: The Royal Bopsters Project
by C. Michael Bailey
In the beginning, and by “beginning" I mean the February 26, 1926 commitment to shellac of Boyd Atkins' “Heebie Jeebies" by one Louis Armstrong. Legend has it that Armstrong dropped his lyric sheet while recording the song and no words to sing, began to improvise his vocals, creating scat singing. This was one of the first ...
Shai Maestro Trio: Untold Stories
by Dan Bilawsky
Hearing the Shai Maestro Trio is like awakening to a new world: a world of wonders, excitement, beauty, and uncertainty. Sounds of intrigue, expressions of joy, introspective thoughts, and heightened intensity all come to the fore at one time or another as Maestro, bassist Jorge Roeder, and drummer Ziv Ravitz open up and share themselves through ...
The Cookers: Time and Time Again
by Libero Farnè
Delle molte facce del mainstream quella rappresentata da questo CD è una delle più autentiche e caratterizzate, in quanto i membri di The Cookers sono accomunati da determinanti fattori biografici. Nati fra il 1935 ((Cecil McBee) e il 1964 (David Weiss), essi sono stati tutti esponenti di primo piano di quell'hard bop dai risvolti modali che ...
Charenee Wade: Offering - The Music of Gil Scott-Heron and Brian Jackson
by James Nadal
As it often happens with many artists so in tune with the times that they are actually ahead of their time, the immense contribution of musical/cultural revolutionary Gil Scott-Heron continues to be revealed and acknowledged. Albeit, there has been a perpetual cult surrounding this enigmatic figure which defied any sort of categorization both in music and ...
SpokFrevo Orquestra: Ninho de Vespa
by Angelo Leonardi
Elettrizzante. Il Frevo è un genere musicale e una danza nata alla fine dell'800 a Pernambuco nel Nordeste del Brasile e associata a quel carnevale. È caratterizzato da un ritmo frenetico, quasi parossistico, e nella metà del secolo scorso s'è imposto al carnevale di Rio, diventando il ritmo tradizionale dell'intera Nazione. Un po' com'è successo al ...
Love Is A Pendulum
by John Kelman
Since signing with Motėma Music a couple years back, vibraphonist Joe Locke has been releasing some of the best and most diverse music in a career now entering its fourth decade. From the near-fusion energy of 2012's Signing--the long overdue studio followup to the Joe Locke / Geoffrey Keezer group's incendiary Live in Seattle (Origin, 2006)--to ...
