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Chuck Redd: 40 Years On the Road
by Mark Robbins
Chuck Redd is a busy, busy man. This interview took place after one of his many sets during the North Carolina Jazz Festival, which celebrated its fortieth anniversary at the beginning of 2020. Coincidently, Redd is also celebrating his 40th anniversary of being on the road as one of the most versatile and in-demand drummers and ...
CGI Rochester International Jazz Festival Adds Puss N Boots Featuring Sasha Dobson, Norah Jones & Catherine Popper, And Wynonna Judd & The Big Noise Added To Headliner Lineup
Tickets are now on sale for two more headliners added to the CGI Rochester International Jazz Festival 2020 headliner lineup – Puss N Boots- featuring Sasha Dobson, Norah Jones & Catherine Popper, and Wynonna & The Big Noise. Puss N Boots—featuring Sasha Dobson, Norah Jones & Catherine Popper will perform on Friday June 19. Puss N Boots ...
Charleston Jazz Festival 2020
by Martin McFie
Various Venues Charleston Jazz Festival Charleston, SC January 23-26, 2020 Jazz Festivals are like people, six years old is still in infancy, but everything has to start somewhere. Historically, the city which gave birth to the Charleston dance craze and was the inspiration for Gershwin's Porgy and Bess, deserves The Charleston ...
Chuck Redd With the Kevin Bales Trio At The Jazz Corner
by Martin McFie
Chuck Redd with the Kevin Bales Trio The Jazz Corner Hilton Head Island, SC January 3-4, 2020 Masterful musicians make excellence look easy. It's not always immediately obvious, the quality becomes evident through its sustained presence, like a spreading smile. The band opened with “Tricotism" written by early bebop ...
Wareika Hill - Rasta-Monk Vibrations
Label: MACD
Released: 2019
Track listing: Up Wareika; Misterioso; Nutty; Bye-Ya; San Francisco Holiday a.k.a. Worry Later; Rhythm-a-Ning;
Brilliant Corners; Well You Needn't; Bemsha Swing; green Chimneys; Monk's Dream; Abide with Me;
Well You Needn't (live at the Paris Philharmonie); Wareika Goodbye.
Geno Thackara's Best Releases of 2019
by Geno Thackara
Another year, another wealth of goodies, and as usual it seems unfair to narrow down so many fine offerings to only a dozen favorites. Also as usual, there were a couple late discoveries that would have deserved to be included here last year if I'd known about them at the time. Belated credit goes to the ...
Monty Alexander, Trombone Shorty, Bonerama And More
by Joe Dimino
This week we open with a titan in the world of jazz, Monty Alexander. He does his rendition of “Day O Banana Boat" and discusses his latest Monk album and so much more. We also feature a Frank Sinatra tune to memorialize a big moment in the life of Monty. From there, we focus on the ...
Monty Alexander at the Avalon Theater
by Geno Thackara
Monty Alexander and Friends The Avalon Theater Easton, MD August 31, 2019 “Ten years," Monty Alexander wryly observed at the center-stage microphone with a disbelieving shake of the head. “Ten years of this festival, and 75 years as me." It was a celebration of multiple anniversaries at the weekend-long Labor Day ...
Monty Alexander: Still Rolling
by Geno Thackara
If there's one defining quality to Monty Alexander's music, it's joy. An unmistakable undercurrent of happiness has been constant across several decades, dozens of recordings and countless performances all over the world. He could be honoring classic jazz balladeers, exploring the danceable “riddims" of his native Jamaica or anything in between, and you can always hear ...
Results for pages tagged "Monty Alexander"...
Monty Alexander
Born:
“For the most part, when I play music, I smell it and see colors. Every song has its own personality, its own soul, and if I can’t feel it, I can’t play it with feeling. I don’t understand what it is that makes me different, but I feel I have very little in common with anybody else. I seem to be my own strange character. If I’m right in my motivations and attitude, amazing things happen.”—Monty Alexander, 2010 “I love Jamaica. I love America. I love them both together more than each one separately. I inhabit the rhythmic aspect of both things. I can’t explain why. I do it naturally and joyfully
