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Tony Succar: Tony Succar y Mixtura: De One Live Sessions, Vol. 1
by Mike Oppenheim
Arranger, producer and percussionist Tony Succar and his Latin jazz band Mixtura offer their renditions of a handful of standards on the 2013 album De One Live Sessions Vol. 1. Though a studio album, the band embraces the “live in the studio" feeling, which shines throughout. A DVD of the band during the same studio session ...
Fabrizio Sotti: Right Now
by Mike Oppenheim
Jazz guitarist, songwriter, and pop producer Fabrizio Sotti has been involved with the music industry at all levels throughout his career, offering his varied talents in all genres of music. The 2013 release Right Now is the culmination of his years of experience, diverse musical interests, and accumulation of talented collaborators. Not a typical ...
Dreambox Media: The Philadelphia Jazz Label
by Mike Oppenheim
Any fan of the great American music that is jazz is surely aware that the art form's history depended on the convergence of geography, individual talents, and inspiration. Cities such as jny: New Orleans, jny: Kansas City, jny: Chicago, and New York are synonymous with particular styles of jazz. One often overlooked city is jny: Philadelphia, ...
Daniel Bennett Group: Clockhead Goes to Camp
by Mike Oppenheim
Clockhead Goes to Camp, by the Daniel Bennett Group, is a refreshing album in its originality, positivity, and apparent simplicity. There are many ways in which this is not a typical jazz album. The instrumentation is one of them. Fronted by Daniel Bennett on saxophone and clarinet, a prominent percussion background, folk inspired guitar, and a ...
Duncan Heining: Trad Dads, Dirty Boppers, and Free Fusioneers - British Jazz, 1960-1975
by Mike Oppenheim
Trad Dads, Dirty Boppers, and Free Fusioneers: British Jazz, 1960-1975 Duncan Heining pp. 486 ISBN: 978-1-84553-405-9 Equinox Publishing Ltd. 2012 Trad Dads, Dirty Boppers, and Free Fusioneers: British Jazz, 1960-1975, by freelance writer Duncan Heining, is a significant addition to the jazz literature. Consisting of fourteen chapters and 450 ...
Art Blakey and the Jazz Messengers: Moanin'
by Mike Oppenheim
Throughout its history, jazz has constantly evolved, developing from and reacting against its earlier incarnations. The mid-1940s saw bebop reinvent jazz as an artist's genre, distinct from the swing style that was the popular music throughout the 1930s and '40s. Bebop was music for listening, not dancing, and the emphasis became virtuosic improvised solos instead of ...
The Harlem Renaissance and American Music
by Mike Oppenheim
The Harlem Renaissance and the “New Negro"One of the most significant intellectual and artistic trends of twentieth century American history, the Harlem Renaissance impacted art, literature, and music in a manner that forever altered the American cultural landscape. The Harlem Renaissance was a movement in the 1920s through which African-American writers, artists, musicians, and thinkers sought ...
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