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Maurice Louca: Saet El-Hazz
by Neri Pollastri
Un disco davvero assai singolare questo Saet El-Hazz (The Luck Hour), il quarto del multistrumentista e compositore egiziano Maurice Louca, che vi sintetizza gli esiti della sua multiforme ricerca nella musica sperimentale, elettronica e tradizionale del suo paese, guidando una formazione con strumenti quasi esclusivamente occidentali (a parte dei metallofoni di origine indonesiana) senza tuttavia concedere ...
Saet El-Hazz
Label: Northern Spy Records
Released: 2021
Track listing: El-Fazza’ah (The Slip and Slide); Bidayat (Holocena); Yara’ (Fire Files);
Saet El Hazz (The Luck Hour); El Gullashah (Full Tongue); Higamah
(Hirudinea
Playing For Keeps: Improvisation In The Aftermath
by Ian Patterson
Playing For Keeps: Improvisation In The Aftermath Edited by Daniel Fischlin & Eric Porter 352 Pages ISBN: 978-1-4780-0814-9 Duke University Press 2020 Musical improvisation is often described as a conversation. A universal language. Musicians trading back and forth seem to be having a blast, which, on occasion, for ...
Das B: Canopy
by Mark Corroto
The free improvisational quartet Das B releases its first recording Canopy, taken from a live performance at the Festival Konfrontationen, in Nickelsdorf, Austria 2017. Formed in 2015, the 'B' refers to Berlin, the nexus of activity for the four musicians heard here. The two Australians, drummer Tony Buck and bassist Mike Majkowski, join the Beirut-born trumpeter ...
Axel Dörner/Franz Hautzinger/Mazen Kerbaj/Carl Ludwig Hübsch: Ariha Brass Quartet
by Mark Corroto
The visual component of music has seemingly always been given short shrift by critics, and for that matter, listeners too. Except for the rare instances where a person is born with an acute synesthesia, or the ability to see musical notes as colors or shapes, perception of sound is limited to emotion and the sensation of ...
konstruKt: Turkish Free Music
by Mark Corroto
When we think of the term virus," we equate it with human disease or an infection, as in a computer virus. But consider the musical virus known as free jazz, or improvisation. Its origins can be traced back to a Louis Armstrong solo deviating from his brass band's arrangement. Quickly, his extemporizing blossomed into jazz music ...