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The Grand Canyon
by Mark Corroto
Flying over the Grand Canyon on your way to Las Vegas is one way to see that huge gash in the earth, and standing on the banks of the Colorado River is another. From one perspective depth cannot be appreciated, from the other the enormity of it all. Such is the case with modern improvised music. ...
Freeform in the U.K.
by Sammy Stein
Freeform and improvised jazz is having a hard time at the moment. Venues have to make tough choices between pleasing what is a smaller cohort of customers and bringing new, maybe transient, but paying clients who are attracted by big names, standards and music they know. Customers have less cash in these difficult economic times, so ...
Mats Gustafsson/ John Russell/ Raymond Strid: Birds
by Eyal Hareuveni
Recorded live at the 2011 Hagen Festen in Sweden, this meeting of experienced free improvisers--Swedish saxophonist Mats Gustafsson and drummer Raymond Strid, and British guitarist John Russell-- is quite surprising. No muscular, fiery playing of reckless abandon, as is normally expected from the powerful Gustafsson in regular outfits such as The Thing, Fire! or Swedish Radio ...
Vision Festival, Days 3-5: New York City, NY, June 13-15, 2012
by John Sharpe
Days 1-2 | Days 3-5 | Days 6-717th Annual Vision FestivalRouletteBrooklyn, NYJune 11-17, 2012Wednesday night at the Vision Festival was given over to the celebration of a lifetime of achievement by multi-instrumentalist, Joe McPhee, a deserving and popular choice. In presenting him with the envelope (presumably holding a check), ...
Ljubljana Jazz Festival: Ljubljana, Slovenia, June 20–29, 2012
by Henning Bolte
Ljubljana Jazz FestivalLjubljana, SloveniaJune 20-29, 2012Ljubljana, with its 53rd edition, truly hosts the oldest jazz festival in Europe. Norway's Molde, also a candidate, started one year later, in 1960. The capital of the now-independent Republic of Slovenia, neighbored by Austria, Hungary, Croatia and Italy, Ljubljana is situated one hour from Trieste, two hours ...
Free Form Evolution
by Sammy Stein
Since free form tentatively emerged during the 1940s and '50s it has evolved with both the times and changing audiences. Now, free form elements cross genre boundaries and many musicians use elements from free form in their works. Because it is music which draws on the spiritual feelings of the players, social dramas and the atmosphere ...
The Thing with Barry Guy: Metal!
by John Sharpe
The Thing with Barry GuyMetal!No Business Records2012In science, a substance which causes an increase in the rate of a chemical reaction is called a catalyst. In musical combinations, the inclusion (or sometimes even subtraction) of one player can have a similar result, often completely altering the regular dynamic. ...
Neneh Cherry & The Thing: The Cherry Thing
by Mark Corroto
The Scandinavian power trio of saxophonist Mats Gustafsson, bassist Ingebrigt Håker Flaten and drummer Paal Nilssen-Love named their band The Thing in 2000, after the Don Cherry composition from Where's Brooklyn (Blue Note, 1966). In their subsequent dozen or so albums, they have covered Cherry's music and that of Albert Ayler, Joe McPhee, and Duke Ellington. ...
The Beginnings of Free Form
by Sammy Stein
"Free form" is a term used to encompass a whole genre--or genres--outside mainstream jazz. Jazz has its roots in spiritual music, Dixieland, New Orleans, blues and ragtime, and after the 1940s these became fused into a catch-all assignation of genre. Jazz took on a predictability that was largely influenced not by the limitations of the players, ...
Mockūno NuClear: Drop It
by John Sharpe
In its enterprising catalogue of modern day masters and loft jazz rarities, the Lithuanian No Business imprint also documents local musicians. Chief among them is one of the country's premier improvisers, saxophonist Liudas Mockūnas. Previous appearances on the label have placed him in a Peter Brotzmann-like trio on Live at 11:20 (2010) and in an impromptu ...
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