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Ron Miles: Jazz Gentleman, Part 3
by Florence Wetzel
Part 1 | Part 2 | Part 3[Editor's Note: In Florence Wetzel's in-depth interview with Ron Miles, the Colorado-based trumpeter covers the rest of his releases, including an exclusive first look at his forthcoming album, Quiver (Enja, 2012), due out later this year.]Laughing Barrel AAJ: So next you have another Sterling Circle ...
Victoriaville 2012
by Kurt Gottschalk
Festival International Musique Actuelle VictoriavilleVictoriaville, CanadaMay 17-20, 2012There are many ways to weigh a music festival, but one method that sets a fairly reasonable standard for excellence is whether or not there was at least one point that elicited feelings of good fortune. Not just if it was enjoyable or if highly respected ...
Ergo: If Not Inertia
by Glenn Astarita
A few decades ago, it wasn't evident that computers could become an integral component to music, other than some experimental persuasions set forth by the likes of eminent modern jazz trombonist George Lewis, who helped pioneer live electronics. But trombonist Brett Sroka carries the torch, yet in a different or, perhaps, more subtle light. With first-call ...
The Rocket Ship Takes Off
by Mark Corroto
I have good news and bad news. The bad news is the big record companies are dead. The good news is the big record companies are dead. Gone are the days of Columbia Records signing trumpeter Wynton Marsalis to a million dollar contract and then promoting the hell out of his vision of jazz, selling his ...
Mary Halvorson Quintet: Bending Bridges
by Troy Collins
The widely celebrated 2010 debut of Mary Halvorson's Quintet, Saturn Sings (Firehouse 12), confirmed the young guitarist's growing reputation with a selection of urbane compositions as impressive as her idiosyncratic improvisations. Bending Bridges expands upon the previous album's concepts, offering further proof of Halvorson's burgeoning talent, reinforced by an even greater sense of accord within the ...
Tomas Fujiwara & The Hook Up: The Air Is Different
by Robert Bush
Boston-born and Brooklyn-based drummer Tomas Fujiwara has been stirring things up in the New York City creative music scene for some time now, working with a wide variety of players including cornetist Taylor Ho Bynum and guitarist Mary Halvorson.His working ensemble, Tomas Fujiwara & The Hook Up, features Halvorson--one of the brightest voices in ...
Tomas Fujiwara & The Hook Up: The Air is Different
by Troy Collins
Dedicated to his grandparents and inspired in by part by family remembrances, The Air is Different is the second recording from Tomas Fujiwara & The Hook Up, following Actionspeak (482 Music), their impressive 2010 debut. The youthful drummer's flagship ensemble continues to explore the inroads made on its previous album, plotting a memorable course through Fujiwara's ...
AYCH / Jim Hobbs / Mary Halvorson / Taylor Ho Bynum: As The Crow Flies
by Glenn Astarita
Three prominent modern-era improvisers offer a lesson in stark contrasts on this session, containing semi-structured and composed works. The artists construct off-center balladry, angst, and playful, cartoon-like soundscapes, amid a few doomsday scenarios dispersed throughout the jaggedly moving parts. Alto saxophonist Jim Hobbs' “Over Yonder" stands out, because it would have seemed highly unlikely ...
Elliott Sharp Trio: Aggregat
by Troy Collins
Long revered for his innovative approach to the electric guitar, composer Elliott Sharp's laudable but lesser known skills as a saxophonist finally come to the fore on Aggregat. Accompanied by bassist Brad Jones and drummer Ches Smith, Sharp performs on soprano and tenor saxophones, in addition to his main axe. In light of Sharp's oeuvre, this ...
Mary Halvorson Quintet: Bending Bridges
by John Sharpe
For the sophomore effort from her quintet, guitarist Mary Halvorson reprises the winning formula of Saturn Sings (Firehouse 12, 2010). Again, there is a mix of pieces for the full ensemble and for Halvorson in trio; and, again, the end result defies classification, touching on spidery improv, jazz tradition and avant rock in a cleverly idiosyncratic ...
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