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Taylor Ho Bynum: Enter the PlusTet
by Troy Collins
Taylor Ho Bynum continues to delve into the endless possibilities of large ensemble writing on Enter the PlusTet, the debut of his newest band of the same name. Following in the footsteps of Navigation, his ambitious multi-format sextet and septet recording (Firehouse 12, 2012), this lean set finds the vanguard cornetist more than doubling the size ...
Mary Halvorson Octet: Away With You
by Troy Dostert
Continuing her streak of outstanding releases, guitarist extraordinaire Mary Halvorson once again shows her determination to build upon her unique style as a composer and bandleader. She's taken her septet from 2013's superb Illusionary Sea and added an eighth member, pedal steel guitarist Susan Alcorn, and the resulting music is typical Halvorson: harmonically complex, emotionally compelling, ...
Stephan Crump: Stephan Crump's Rhombal
by Mark Corroto
Often times, a jazz performance without a chordal instrument, a guitar or piano, is considered to be flying without a net. Exciting, but often without aim. It routinely relies on just one powerful figure to command the proceedings. That is, unless the ensemble is configured under egalitarian principles. Equal contribution and respect for the differing voices ...
Jonathan Finlayson: Moving Still
by Karl Ackermann
Trumpeter Jonathan Finlayson has been an in-demand sideman for a decade, laying a foundation of top-tier groundwork in recording with Steve Coleman on all of that uncompromising composer's Five Elements albums since 2002. Finlayson's performing credits include gigs with Ravi Coltrane, Steve Lehman, Mary Halvorson, Vijay Iyer, and many other notable artists. Not until 2013 did ...
Taylor Ho Bynum: Enter the Plus Tet
by Karl Ackermann
Cornetist/composer Taylor Ho Bynum has proven to be a visionary composer, striking the difficult balance between free improvised and arranged music. While accomplished in any group setting, he has shown a particular gift for extended works in larger group situations as in two recent Firehouse 12 Records releases, his sextet Apparent Distance (2011) and sextet and ...
Ai Confini Tra Sardegna e Jazz - XXXI Edizione
by Paolo Peviani
Sant'Anna Arresi (CI) 01-10.09.2016 Per questa trentunesima edizione, il festival Ai Confini Tra Sardegna e Jazz ha messo al centro del proprio programma la figura di Frank Zappa. Trattandosi di una manifestazione prevalentemente dedicata all'improvvisazione radicale, la rivisitazione del repertorio zappiano non poteva (non doveva!) limitarsi all'agiografia, al tributo, alla riproposizione ...
Tatsuya Nakatani: Confirmation
by Nicola Negri
Percussionist Tatsuya Nakatani moved from Japan to the U.S.A. in the mid 1990s, and since then he has worked with many important jazz and free improvisers, both historical figures like Peter Kowald or Fred Van Hove, and younger musicians like Ingrid Laubrock and Mary Halvorson. A specialist of the solo set, he builds his own instruments ...
I nuovi percorsi del Polish Jazz
by Angelo Leonardi
Una nuova generazione si fa avanti con determinazione sulla scena del Jazz polacco e molti trovano accoglienza nel catalogo della For-Tune. L'etichetta si propone ambiziosamente di “salvare dall'oblio i fenomeni musicali di natura eterna." Non si rivolge esclusivamente al jazz o agli artisti polacchi e il suo catalogo ospita anche lavori di William Parker, Mary Halvorson, ...
Marc Ribot and the Young Philadelphians: Live In Tokyo
by Luca Muchetti
Marc Ribot, il Philly Sound, gli archi, il funk. Ormai capace di attraversare qualsiasi tipo di contesto musicale con la facilità con cui l'acqua scorre lungo le pietre di un ruscello, il chitarrista amato da Tom Waits incornicia con un Live in Tokyo una delle sue avventure più folli e divertenti. Ribot arruola ...
Carla Bley: Shoe Leather, Mystery & Moxie
by Ian Patterson
This article was first published at All About Jazz on July 28, 2016. With the passing of time. That's roughly how the title of Carla Bley's second trio album for ECM translates. Bley turned eighty a few months before the release of Andando el Tiempo but the passing years, if anything, have sharpened her ...
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