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Results for "Mark Corroto"
Jonathan Gee: Dragonfly
by Mark Corroto
50 years ago, modern jazz piano trios would barely be recognizable to the majority of their counterparts--except perhaps Bill Evans' trio. Today, cutting-edge jazz trios require interaction between players and expect both drummer and bassist to be more than just disciples. Trio leaders such as Jason Moran, John Escreet, Matthew Shipp all write and perform their ...
The Grand Canyon
by Mark Corroto
Flying over the Grand Canyon on your way to Las Vegas is one way to see that huge gash in the earth, and standing on the banks of the Colorado River is another. From one perspective depth cannot be appreciated, from the other the enormity of it all. Such is the case with modern improvised music. ...
Marco Cappelli: The American Dream
by Mark Corroto
Things get lost in translation. It's inevitable, and it's not just words and meaning. Cultural things morph. Take a Venetian or Roman to an Olive Garden restaurant in America and she won't recognize much on the menu, or send an American to Puglia with the task of finding a pizza pocket. Some things just don't translate.
Aram Shelton: Everything For Somebody
by Mark Corroto
Alto saxophonist Aram Shelton cannot break his Chicago habit. We're not talking that monkey woman Joe Williams used to sing about, back in the day. Shelton, who left Chicago a few years back for the Bay area of California, returns to the windy city often, both physically and for its sound.His second quartet recording, ...
Josh Berman & His Gang: There Now
by Mark Corroto
Josh Berman is a gambler. There Now initially gives the impression that the cornetist's reversion to the music of Eddie Condon and Pee Wee Russell is only a bluff. His gang of young Chicago improvisers weaves in and out of the 1920s, inserting free jazz passages and improvised duos that could not be anticipated in the ...
Art Bailey: Quiet As A Bone
by Mark Corroto
In a classic Monty Python comedy sketch, John Cleese, a self-defense instructor, teaches various techniques to disarm an attacker who comes at his victims armed with a piece of fruit. The students dissent, but Cleese runs down a list of lethal weapons including grapes, apples, grapefruit (whole and segments), pomegranates, etc. The pupils bored refrain, “we ...
Joe Morris/ William Parker/ Gerald Cleaver: Altitude
by Mark Corroto
Of all the possible combinations and permutations of modern improvising jazzmen, it's a wonder that the trio of guitarist Joe Morris, bassist William Parker and drummer Gerald Cleaver have never worked together as a unit. Luckily in 2011, at the urging of label chief Steven Joerg, the trio got together for two sets at The Stone ...
Harris Eisenstadt: Canada Day III
by Mark Corroto
Harris Eisenstadt's Canada Day quintet is evidence that an ensemble can be both disciplined and chaotic. With Canada Day III, the drummer/composer presents eight original pieces that, but for his talented sidemen, probably could not exist elsewhere.As with his previous quintet dates, Canada Day (Clean Feed, 2009) and Canada Day II (Songlines, 2011) Eisenstadt's ...
Yes. But Is It Jazz?
by Mark Corroto
Jazz comes at you from so many directions these days, that to rely on just one definition, is not enough. Sure, it can be a blues-based rhythmic music but it is also minimalist free improvisation. Pigeonholing something, such as jazz, always separates and eventually segregates supporters, creating conflicts and in the end lessening the whole.
Rodrigo Amado: Burning Live At Jazz AO Centro
by Mark Corroto
Rodrigo Amado's improvising Motion Trio might be better described as The Confluence Trio or Conflux, because its sound is a meeting of rivers. Like the three rivers of Pittsburgh, where the Monongahela and Allegheny Rivers join to create the Ohio River, or Sangam, India where the Ganges, Yamuna and Saraswati meet, the music of the Motion ...
