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Gilad Hekselman: This Just In
by Mark Corroto
Quietly, so quietly the jazz guitar torch is passed from the legends Jim Hall and Pat Martino to Kurt Rosenwinkel and Gilad Hekselman, whose release This Just In makes a conspicuously understated grab for said torch.His fourth release as leader follows Hearts Wide Open (Le Chant Du Monde, 2011) and features the same stellar ...
Ivo Perelman/ Matthew Shipp/ Michael Bisio/ Whit Dickey: The Edge
by Mark Corroto
Saxophonist Ivo Perelman's association with Pianist Matthew Shipp's trio is completed with The Edge. He has recorded in varying combinations with the players: a duo with Shipp--The Art Of The Duet, Vol. 1 (Leo Records, 2013), a trio with Ship and bassist Michael Bisio--The Gift (Leo Records, 2012) and a duo with Shipp and drummer Whit ...
konstruKt w/Peter Brotzmann: Eklisia Sunday
by Mark Corroto
The Turkish free jazz outfit KonstruKt might be considered the most evolved improvisational band working in jazz today. Founded, not in the hotbeds of jazz, London, New York, Chicago, Wuppertal, or Krakow, their isolation is the key to their success. Well, isolation and observation. Although this band was formed in 2008, their ...
Stirrup: Sewn
by Mark Corroto
It's apparent why Ken Vandermark invited cellist Fred Lonberg-Holm to join the now defunct Vandermark 5 a decade ago. His versatility allows him to play a full spectrum of music from chamber jazz to stadium rock. One minute he's Pablo Casals, the next Jimi Hendrix. His adventures have taken him from Peter Brotzmann's Tentet ...
Jazz: A Blessed Obsession
by Mark Corroto
Jazz listeners travel some strange and beautiful paths. It might have all begun with collectors trying to find a legendary Edison cylinder that New Orleans trumpeter Buddy Bolden--some believe to be the very first jazz musician--may (or may not) have recorded in 1904. Fast forward to modern times, a quick scan of eBay and the exorbitant ...
Lucien Dubuis Trio: Future Rock
by Mark Corroto
The entire debate that bids one to take sides regarding art being either made by conservatory trained artistes or original primitives is quite the red herring. Sure, punk rock favored emotion over skill, but nobody would argue against Television guitarist Tom Verlaine's talent or the folk music of guitarist Bill Frisell. If you can play and ...
Billy Martin's Wicked Knee: Heels Over Head
by Mark Corroto
What if drummer Billy Martin of the late-20th, now 21st-century band Medeski Martin and Wood had been born at the end of the 19th century in New Orleans? What kind of music would he play? Certainly, it would have a brass band setting and be inflected with blues feel. Invite Buddy Bolden over tonight, because we ...
Antonio Sanchez: New Life
by Mark Corroto
You may have attended a concert by vibraphonist Gary Burton or guitarist Pat Metheny and, like many others found yourself unable to keep from focusing your attention on the drummer, Antonio Sanchez. His presence, exudes a sort of rhythmic magnetism that has backed players such as Chick Corea, Miguel Zenon, and Metheny for the past 13 ...
Bobby Selvaggio: Way Of Being
by Mark Corroto
Bobby Selvaggio's Way Of Being epitomizes a restless sound, one that belies the alto saxophonist's unflappable nature. His latest release builds upon the groove-heavy folk/pop/funk sound of Grass Roots Movement (Arabesque, 2011).This disc, his seventh as a leader, is split evenly between the electric Grass Roots Movement quartet and an acoustic Shake Trio. Both ...
Eric Hofbauer: American Grace
by Mark Corroto
Origami or balloon animals, it is always interesting what a solo artist can do with his bare hands. Same for a gifted guitarist like Eric Hofbauer, whose American Grace completes a trilogy of solo recordings that began with American Vanity (Creative Nation, 2004), and was followed by American Fear! (Creative Nation, 2010). In these three outing, ...
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