Results for "Mario Bauza"

Mario Bauza

When Prudencio Mario Bauzá stepped off the boat from Havana onto the docks in New York, in 1930, he brought with him a sophisticated knowledge of Cuban music, and a respect and penchant for American jazz. He would be a key figure in the integration of both musical principals and come to be known as “the father of Latin Jazz”. Born in the Cayo Hueso section of La Habana, Cuba, on Apr. 28, 1911, Mario had a special musical talent, and began formal lessons as a child. He studied music at the Municipal Academy of Cuba, and by the age of nine was clarinetist at the Havana Philharmonic Orchestra, where he remained for three years

Noah Bless: New York Strong—Latin Jazz!

By JACK BOWERS

When it comes to Latin jazz, trombonist Noah Bless is no novice, having gigged in and around New York City for the better part of three decades with such Latin stars as Paquito D'Rivera, Mario Bauza, Oscar D'Leon, Celia Cruz, Willie Colon and Eddie Palmieri, and sat in with the Lincoln Center Afro-Cuban Jazz Orchestra and ...

The Archive of Contemporary Music

By KARL ACKERMANN

In Lower Manhattan, sits a musical gold mine. It's the motherlode of recorded music though the small, brightly colored sign above a grey steel door provides only a cryptic clue. The dusty window display of rare 78 RPM records, broken into erratic pie charts serves as a vestige of the past and a cautionary tale about ...

Bill Dixon e Cecil Taylor: iniziò a Verona

By ANGELO LEONARDI

La pubblicazione di quest'inedita incisione in studio documenta un momento storico: il magistrale e fugace confronto artistico tra Bill Dixon e Cecil Taylor dell'estate 1992. I due protagonisti del free dettero il 25 giugno di quell'anno un concerto a Verona Jazz, nei giorni seguenti s'esibirono a Vienne (Francia) e subito dopo entrarono in studio ...

Lolly Allen: Coming Home

By JACK BOWERS

There was a time, and it wasn't that long ago, when women in jazz—apart from singers and the occasional pianist—were seen by many observers as unsolicited interlopers whose impact in what was essentially a male bastion could be no more than minimal at best. Needless to say that is no longer the case, as women's voices ...

Chucho Valdes with Special Guest Chick Corea at Jazz at Lincoln Center

By DOUG HALL

Chucho Valdes with Special Guest Chick Corea Jazz at Lincoln Center The Rose Theater New York, NY November 16, 2019 Jazz at Lincoln Center, in the Rose Theater, witnessed a very special meeting which occurred on-stage between two legendary jazz pianists, Chucho Valdés and Chick Corea. Both musically prolific, ...

Carlos Henriquez: Dizzy Con Clave

By ANGELO LEONARDI

Anche se l'incontro tra jazz e ritmi caraibici è presente fin dagli albori è stato Dizzy Gillespie negli anni quaranta a dare identità e popolarità al genere Afro-Cubano, integrando nel be-bop le musiche Mario Bauza e Machito. Questo tributo alle musiche del grande trombettista è stato inciso nel 2017, anno in cui s'è celebrato il Dizzy ...

Adriano Clemente - Akashmani Ensemble: Cuban Fires

By ANGELO LEONARDI

Dopo Havana Blue (Dodicilune 2017) prosegue il viaggio di Adriano Clemente nei territori della musica cubana, con brani originali ispirati a vari stili di quella tradizione musicale. “In occasione del mio secondo viaggio a L'Avana nel dicembre 2016—ha detto il compositore—ho contattato Eduardo Sandoval, un giovane trombonista di talento il cui primo cd Caminos Abiertos mi ...

Carlos Henriquez: Dizzy Con Clave

By DAN BILAWSKY

In closing out the liner essay to this savory set recorded live at Dizzy's Club Coca-Cola, bassist Carlos Henriquez succinctly summarizes one of many important points worth noting about the legendary honoree: “Dizzy Gillespie is and always will be the American bridge to Afro-Cuban music," he states. But it need be noted that he doesn't just ...

Arturo O'Farrill, Chucho Valdes: Familia: Tribute to Bebo & Chico

By ANGELO LEONARDI

Dizzy Gillespie ricordava con amarezza il modo con cui la critica jazz aveva trattato la sua collaborazione col conguero Chano Pozo, giudicandola un'eccentricità marginale. Il trombettista la giudicava invece il momento culminante della sua carriera. Quell'atteggiamento verso il cosiddetto Latin Jazz è ancora diffuso e il multiforme terreno d'incontro tra jazz e musiche dei caraibi è ...