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Jacob Young: Forever Young
by John Kelman
While all groups aim for the kind of collective chemistry that can make, for example, five people speak with a single voice, how they get there can vary significantly. In some cases there's instantaneous chemistry; in other cases, it comes from pre-existing relationships amongst various permutations and combinations of its members; in still other instances it ...
Hans Ulrik: Still Searching
by Robin Arends
It is not easy to classify Danish saxophonist Hans Ulrik. He dedicates himself as easily to movie soundtracks and jingles as to an album of Latin or Christmas music. At the same time it is not difficult to recognize Ulrik's dreamy, Nordic voice. Like other European jazz musicians Ulrik started his career in the United States. ...
John Abercrombie Quartet at Library and Archives Canada
by John Kelman
John Abercrombie Quartet TD Ottawa Jazz Festival Winter Jazz Festival, Library and Archives Canada, Ottawa, Canada February 15, 2014 It's always a treat to see some of your jazz heroes performing in your hometown, but it's an even greater pleasure to see some of them performing together in ...
Birchall & Woolhouse: The Scenery of Life Unfolding
by Dan McClenaghan
Piano trio albums--piano, bass and drums--may be the more common means of artistic expression in jazz, but piano/bass duet sets come long fairly often, too. Bassist Charlie Haden is a master of the approach, proof of which can be found on his teamings with pianists Keith Jarrett and Hank Jones on, respectively, Jasmine (ECM Records, 2011) ...
Jazz Quanta: February
by C. Michael Bailey
February's Jazz Quanta is a beautifully mixed bag of blues, jazz instrumental and classical. There is never a dull moment. Renee' and the Walkaways--The Walkaway Sessions (Self Produced, 2013). Vocalist Renee' Cheek heads up the piquant gumbo talent of her very own band, the Walkaways. The Walkaway Sessions is a Louisiana grassroots affair ...
John Stowell / Dave Liebman: Blue Rose (2013)
by Victor L. Schermer
In the search for enriched jazz expressiveness, the duet format has been revived, giving the musicians greater space for improvising than a larger group and avoiding the overpowering influence of a rhythm section, while affording an opportunity to engage personalities and “swap notes" with another whose ideas and style are of special interest. Iconic saxophonist Dave ...
Blake Meister: Septagon
by John Ephland
Well-played, with an internal sense of melody that everyone gets. That's bassist Blake Meister's Septagon in a nutshell. And that “everyone" includes a crew worth paying attention to: pianist Marc Copland, drummer Ralph Peterson, guitarist Paul Bollenback and reed player Gary Thomas. They pretty much all get room to solo as they tackle the charts, the ...
John Abercrombie Quartet: 39 Steps
by Andrew Luhn
Guitarist John Abercrombie has had a long and successful association with ECM records and for his latest release, 39 Steps, he completes his quartet with a piano. Abercombie had success with this format in the 1970s with Richie Beirach, George Mraz, and Peter Donald, but in the past 10 years his ECM releases have been more ...
39 Steps
by John Kelman
John Abercrombie has rarely played with pianists, at least in his own groups and throughout his extensive discography as a leader for ECM Records that began with the immediate classic, 1975's Timeless. Other than a brief reunion with that record's group for 1984's Night, the veteran guitarist has, in fact, only recorded with one other piano-based ...
Dot Time Records: Placing the Artist in the Center
by Jakob Baekgaard
One of the problems with the record industry is the potential distance between label owners and artists. This is especially the case with major labels, where there are many people involved in music production who care more about sales than the vision of the artist. Then there's a label like Dot Time Records ...
