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Clay Giberson: Pastures
by Dan McClenaghan
Pianist Clay Giberson has a fifteen year resume of fine recordings on Seattle's Origin Records label. The discs are, for the most part, solo and trio outings, with the trio sets appearing under his own name or that of his long-standing Upper Left Trio. Some examples: Spaceton's Approach, (2008), and Minga Minga (2015) as Clay Giberson; ...
Daniel Schlaeppi/Marc Copland: More Essentials
by Dan McClenaghan
The experience of this duo outing, More Essentials, begins with the packaging, the cover art, a gorgeous photo of two jelly fish immersed in the softened hues of shallow submersion in the sea. The disc spins, an introductory bass solo by Daniel Schlaeppi that leads into Miles Davis' “Blue In Green," with pianist Marc Copland's liquid, ...
TD Ottawa Jazz Festival 2016
by John Kelman
TD Ottawa Jazz Festival Ottawa, Canada June 22 -July 3, 2016 It's hard to believe, with seasons that move quickly from spring into summer, that it was time, once again, for the TD Ottawa Jazz Festival. Now in its 36th year, the festival has grown from a weekend event into a full-blown, ...
Falga: Falga
by Karl Ackermann
Originally formed in the Netherlands in 2013, the group Falga brings together four artists from Italy and one from Serbia, all of whom have past connections in duo and trio formations. This like-minded quintet has created a debut that reflects their individual sense of innovation and the synthesis of ideas nurtured over a two-year period. The ...
Marc Copland: Zenith and Haunted Heart
by John Ephland
Zenith InnerVoice Jazz 2016 There's some shared, ongoing history here. Between drummer Joey Baron and bassist Drew Gress, pianist Marc Copland has logged some pretty decent music time. Add trumpeter Ralph Alessi and there's a new element, one not found in the rhythm section's work with guitarist John Abercrombie or in the ...
Jazz Quanta March — Five Pianos: Marc Copland, Bill Stewart, Julian Shore, Bob Wijnen, Pablo Held
by C. Michael Bailey
Okay, Okay...OKAY! Bill Stewart is not a pianist, but his long-time collaborator Bill Carrothers is, so, LAY OFF! Marc Copland Zenith Inner Voice Jazz 2015 Pianist Marc Copland composes with a certain use of darkness, an updated musical version of Caravaggio's use of chiaroscuro in painting. ...
Fred Hersch: Sarabande
by Budd Kopman
Sarabande is a re-mastered reissue of a recording done in 1986, and should be welcomed with open arms. Those who know pianist Fred Hersch get to hear the early work of an now-acknowledged master; those who do not can hear timeless playing from thirty years ago. In the notes, Hersch has dedicated this reissue ...
Marc Copland: Zenith
by Budd Kopman
Whenever pianist Marc Copland is a sideman on a session, much less leading the session, there are very high expectations for the music. Whether it is the lustrous sound he gets from the keyboard, which includes his pedalling, the dense harmonies which create shimmering harmonics or the intelligence of his lines and compositions, Copland has a ...
Marc Mommaas / Nikolaj Hess: Ballads & Standards
by Budd Kopman
Many, if not most, of today's jazz players end up, sooner or later, becoming composers. Hence, on top of searching for and hopefully finding their personal means of expression when performing (composing in real-time), they now must also develop a personal compositional style which fits their aesthetic outlook, and which is accessible enough by other players ...
Marc Copland: Zenith
by Dan McClenaghan
After releasing a series of excellent but under-recognized CDs on various small record labels--starting in the mid-1980s--pianist Marc Copland rose in prominence in 2006 when he took up residence on Germany's Pirouet Records. The highlight of his Pirouet days was a set of trio discs wrapped in a marketing package dubbed “The New York Trio Recordings." ...
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