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Lee Konitz: Il Ricordo di D'Andrea, Fasoli, Giuliani, Pieranunzi, Rava e Tommaso.
by Paolo Marra
Il sassofonista Lee Konitz è stato una delle figure più influenti del jazz moderno non solo per il suono unico al contralto e un senso dell'improvvisazione senza eguali, ma anche per essere rimasto nell'arco della sua lunga carriera sempre fedele a sé stesso ponendo la musica come protagonista assoluta della sua espressività, senza inutili esibizionismi.
Jeff Rupert/George Garzone: The Ripple
by Jim Worsley
The Ripple refers to the infectious, warm, intimate, yet big sound developed by the great Lester Young, starting in the late 1930s. While Young pioneered improvisational creativity, Stan Getz later took the baton (well, it was actually a saxophone) and further expanded his idol's stylish approach with new and creatively open-ended visions. Young and Getz collectively ...
Field Trip To The Vault!
by Marc Cohn
After a dose of 21st century music from Dave Allen, Pat Metheny and Aziza, we continue to celebrate the life of Sonny Rollins with tracks from his last session for Prestige in 1956. Then it's deep into the vault for two 78rpm recreations from Charlie Parker (on tenor) with Miles & Erroll Garner's trio from the ...
David Sanborn: Night Music and Beyond with Hal Willner
by Ludovico Granvassu
Could you imagine tuning in to national network TV today and finding a 60-minute weekly music show focusing on forward-looking musicians driven by a desire to push the envelope rather than to “entertain?" A music show sponsored by a beer company, on top of that? It's hard to believe today. But for two seasons at the ...
George Garzone: Sax In The City
by Jim Worsley
George Garzone is not the mayor of the city of Boston. If he was appointed to a position it would more likely be king. He is, at the very least, the toast of the town. This isn't news. King George has reigned with a firm grasp of his mighty tenor saxophone for close to half a ...
The Archive of Contemporary Music
by Karl Ackermann
In Lower Manhattan, sits a musical gold mine. It's the motherlode of recorded music though the small, brightly colored sign above a grey steel door provides only a cryptic clue. The dusty window display of rare 78 RPM records, broken into erratic pie charts serves as a vestige of the past and a cautionary tale about ...
Two Twin-Tenor Duos
by Jerome Wilson
The idea of two tenor saxophonists playing together has a long, storied history in jazz through pairings like Dexter Gordon and Wardell Gray, Gene Ammons and Sonny Stitt, and Zoot Sims and Al Cohn. Such duos have become harder to find in recent years but here are two newer examples. Jeff Rupert / ...
A Jazz Immuno-Booster: Part 1
by Ludovico Granvassu
We may still be months away from developing vaccines to tame the threat that COVID19 poses to our bodies. But given the centrality of the mind-body connection for our physical well being, we should not forget that we continue to have music to support our minds during these challenging times. So I have reached ...
Hank Mobley: The Complete Hank Mobley Blue Note Sessions 1963-70
by C. Andrew Hovan
The music world has changed considerably since Michael Cuscuna and Charlie Lourie founded their boutique reissue label Mosaic Records back in 1983. From its inception, vinyl was still the preferred format, shortly to be overtaken by the popularity of the compact disc. At the cusp of vinyl's recent resurgence, Mosaic briefly got back into that format ...
Craft Recording's "Chet" is a Rare Win for Baker
by Patrick Burnette
"There's a little white cat out here who's going to eat you up." —Charlie Parker (to Miles Davis) Chet Baker and Miles Davis. Two trumpet players born three years apart. Both unusually handsome and slight of build. Both lacking, as trumpeters, the qualities most often associated with those brass alphas of the jazz ...
![Full Moon [Feat. New York Voices, Mark Egan]](https://s3.amazonaws.com/allaboutjazz/coverart/large/a07a6f1d5edcd6c801f0e1c3b527da37.jpg)
