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Results for "Krzysztof Komeda"
Maciej Obara: Unloved
by Mario Calvitti
Al suo esordio su etichetta ECM, l'altosassofonista polacco Maciej Obara, classe 1981, è in realtà al suo nono disco da titolare, e al quarto (ma primo realizzato in studio) con il quartetto di cui è leader, completato dal connazionale pianista Dominic Wania (conosciuto quando entrambi militavano nel gruppo del trombettista Tomasz Stanko) e da una sezione ...
Jazzahead! 2018
by Henning Bolte
Bremen Trade Fair Hall Jazzahead! Bremen, Germany April 21-23, 2018 Jazzahead!, the three-day annual jazz marketplace marketplace of/for jazz in the Hanseatic city of Bremen in North-Western Germany with 3,283 participants from 61 countries stood strong and steady again this year. A total of 40 showcases over three ...
Culture Clubs: Part IV: When Jazz Met Europe
by Karl Ackermann
The Geography of Jazz--When Jazz Met Europe In 2004 Maureen Anderson, a researcher at Illinois State University contributed a dissertation to the journal, African American Review, titled The White Reception of Jazz in America. Ostensibly, her article deals with stories published in high profile periodicals and journals from 1917 and into the 1930s, written by white ...
Maciej Obara Quartet: Dominik Wania/Ole Morten Vågan/Gard Nilssen: Unloved
by Karl Ackermann
A distinct vernacular, unabashedly quixotic lyricism and an authoritative style of playing are among the notable characteristics that define Maciej Obara. The Polish saxophonist and composer had performed with Tomasz Stańko in the trumpeter's “New Balladyna Quartet" project and he has recorded with John Lindberg, Ralph Alessi, Mark Helias and Nasheet Waits. Obara was also on ...
Tomasz Stańko New York Quartet: December Avenue
by Giuseppe Segala
Sulla scia del precedente, intenso Wislawa, dedicato alla poetessa polacca Wislawa Szymborska, sempre realizzato insieme al New York Quartet, questo December Avenue sviluppa la medesima dimensione espressiva, intrisa di lirismo. Un quartetto che interpreta al meglio i percorsi di Tomasz Stanko, già delineati al tempo delle registrazioni con la formazione polacca dallo stesso organico strumentale che ...
Pawel Kaczmarczyk Audiofeeling Trio & Mr Krime: Vars & Kaper:Deconstruction
by Ian Patterson
Doubtless some were surprised when pianist/composer Pawel Kaczmarczyk left ACT Records after the ambitious Complexity in Simplicity (2009). However, the decision has perhaps proven to be a musically astute one, given the stunning statement from Kaczmarczyk's Audiofeeling Trio--featuring one of Poland's top rhythm sections in Maciej Adamczak and Dawid Fortuna--that was Something Personal (Hevhetia, 2015). Here, ...
Guido Michelone: Jazz In Europa
by Angelo Leonardi
Jazz in Europa Guido Michelone 180 pagine Casa Musicale Eco 2016 Il titolo del nuovo libro di Michelone è quanto mai indicativo. L'autore analizza il jazz nato in Europa esaminandone le forme e le incisioni rappresentative, in una ricerca tesa a metterne in risalto i caratteri peculiari, ovvero l'identità. ...
Steel Guitar, Snow and Sunny Beaches: Five New Albums on Losen Records
by Jakob Baekgaard
Odd Gjelsnes' Norwegian label, Losen Records, has been incredibly prolific in recent years, releasing a staggering amount of quality albums. However, with so much music, it is hard to keep up with the pace. Here is an attempt to summarize a little portion of the recent recording activity of the label. Old names return, new names ...
I nuovi percorsi del Polish Jazz
by Angelo Leonardi
Una nuova generazione si fa avanti con determinazione sulla scena del Jazz polacco e molti trovano accoglienza nel catalogo della For-Tune. L'etichetta si propone ambiziosamente di “salvare dall'oblio i fenomeni musicali di natura eterna." Non si rivolge esclusivamente al jazz o agli artisti polacchi e il suo catalogo ospita anche lavori di William Parker, Mary Halvorson, ...
Jazz From Around the World: Europe
by Hrayr Attarian
Jazz has had a universal appeal since its inception. As soon as the music left its cradle of New Orleans in the early years of the 20th century it quickly spread to all corners of the world. Europeans were among the first non-Americans to embrace the music and place their unique twist on it. Below are ...
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