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Un Poco Loco: Ornithologie
by Mark Corroto
Somewhere Han Bennink is very jealous of the music making of the trio Un Poco Loco. The master of 'New Dutch Swing' hijinks would give his right crash cymbal to perform music in the manner this trio covers Charlie Parker on Ornithologie. The aptly designated Un Poco Loco ('a bit crazy') trio is trombonist Fidel Fourneyron, ...
The Archive of Contemporary Music
by Karl Ackermann
In Lower Manhattan, sits a musical gold mine. It's the motherlode of recorded music though the small, brightly colored sign above a grey steel door provides only a cryptic clue. The dusty window display of rare 78 RPM records, broken into erratic pie charts serves as a vestige of the past and a cautionary tale about ...
The Arrival of Joe Henderson (1963 - 1967)
by Russell Perry
Joe Henderson may have been the most significant tenor saxophonist to emerge in the 1960s. Gary Giddins wrote that he is ..."an irresistibly lucid player, whose adroitness in conjuring stark and swirling riffs contributed immeasurably to two of the most durable jazz hits of the '60s, Horace Silver's 'Song for My Father' and Lee Morgan's 'The ...
Results for pages tagged "Kenny Dorham"...
Kenny Dorham
Born:
Overshadowed for most of his career by the likes of Dizzy Gillespie, Fats Navarro, Miles Davis, Clifford Brown, and Lee Morgan, Kenny Dorham's abilities as a composer and unique voice as an advanced bop trumpet player are underrated to this day. McKinley Howard Dorham was born on August 30, 1924 on a ranch called Post Oak, near Fairfield, Texas. He attended Anderson High School in Austin, where he began teaching himself to play piano and trumpet, and spending much of his time on the school boxing team. He later enrolled at Wiley College in Marshall, Texas, studying chemistry and minoring in physics
Association for the Advancement of Creative Musicians (1966 - 1969)
by Russell Perry
As hard bop was running out of steam and rock & roll was becoming the music of choice for the younger audience, many musicians were building on the innovations of Ornette Coleman, Cecil Taylor and John Coltrane, creating a new approach to jazz—Free Jazz (after Coleman's 1960 release of the same name) or, simply, the avant-garde. ...
Hard Bop Trumpet - Kenny Dorham, Dizzy Reece, Blue Mitchell (1962 - 1964)
by Russell Perry
This is the final hour of a four-part sequence featuring important tenor players and trumpeters who propelled hard bop into the 1960s. In this hour, we will continue with the Trumpet Players, Part 2, featuring lesser-known players—unsung veteran Kenny Dorham who recorded with both Dizzy and Bird in the 1940s, London-based Jamaican trumpet player Dizzy Reece, ...
Intervista a Franco Ambrosetti
by Angelo Leonardi
Il 2019 è stato un anno significativo per il trombettista svizzero Franco Ambrosetti. In aprile è stato pubblicato il suo libro autobiografico “La scelta di non scegliere" mentre da poche settimane è uscito Long Waves, il suo ventottesimo disco da leader con un cast stellare comprendente John Scofield, Uri Caine, Scott Colley e Jack DeJohnette.
The New Golden Age of Jazz Radio
by Karl Ackermann
There was the Jazz Age, and later, the Golden Age of Radio. There was no golden age of jazz radio unless one considers the brief, ten-year reign of devolution when swing music dominated the airwaves. Think about this: New York City has not had a twenty-four-hour commercial jazz radio station in over ten years; decades longer ...
Blue Note's 80th Anniversary Vinyl Initiative
by Patrick Burnette
Blue Note moves in mysterious ways. It seems like only a few months ago that the storied jazz label announced its Tone Poet vinyl series, because, well, it was only a few months ago, and here they are with yet another entry in the vinyl reissue game: the Blue Note 80th Anniversary Series. Like the Tone ...
Phil Ranelin: Phil Ranelin Collected 2003-2019
by Chuck Koton
One day, in Indianapolis in 1948, a nine year old Phil Ranelin made a fateful visit to his paternal grandmother's home. She was a real music buff and that afternoon, before she went to do some work out back, she told young Phillip, “Any of these records, feel free to play 'em and see what kind ...
