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Jazz Articles about Kenny Dorham

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Album Review

Kenny Dorham: Blue Bossa in the Bronx: Live from the Blue Morocco

Read "Blue Bossa in the Bronx: Live from the Blue Morocco" reviewed by Jack Kenny


The vagaries of the jazz life are all over this release. Why Kenny Dorham should be underappreciated is a mystery. For the gig at the Blue Morocco he had assembled a great super group with a deep well of experience. Drummer Denis Charles had worked with Cecil Taylor. Kenny Dorham had accompanied Charlie Parker, at Parker's peak. Bassist Paul Chambers had supported both Miles Davis and Sonny Rollins. Pianist Cedar Walton had been in the Jazz Messengers. alto sax man ...

14
Album Review

Kenny Dorham: Blue Bossa in the Bronx: Live from the Blue Morocco

Read "Blue Bossa in the Bronx: Live from the Blue Morocco" reviewed by Thierry De Clemensat


Another remarkable chapter in contemporary music comes to life once again, thanks to Resonance Records. It was from 1967 that Blue Bossa In The Bronx: Live from the Blue Morocco emerged, an unreleased performance by the legendary jazz trumpeter Kenny Dorham, recorded live at the Blue Morocco jazz club in the Bronx, NY. The session features Sonny Red, Cedar Walton, Paul Chambers and Denis Charles. Transferred from the original tape reels captured by the renowned engineer Bernard Drayton, ...

11
Album Review

Kenny Dorham: Blue Bossa in the Bronx: Live from the Blue Morocco

Read "Blue Bossa in the Bronx: Live from the Blue Morocco" reviewed by Pierre Giroux


Trumpeter Kenny Dorham's stature in jazz history is undeniable, yet he remains one of music's most under-appreciated masters. Despite being a vital presence among the great innovators of his era, Dorham never achieved the star power his talent deserved. In conjunction with Record Store Day, Resonance Records is releasing Blue Bossa in the Bronx: Live from the Blue Morocco as a deluxe CD edition that captures Dorham in fiery form during a never-before-heard live performance. The package includes Bob Blumenthal's ...

14
Album Review

Kenny Dorham: Blue Bossa in the Bronx: Live from the Blue Morocco

Read "Blue Bossa in the Bronx: Live from the Blue Morocco" reviewed by Troy Dostert


On their 1955 live recording At the Cafe Bohemia (Blue Note), the Jazz Messengers' Art Blakey introduced his trumpet player, Kenny Dorham, as the “Uncrowned King," a title that was perhaps fitting at the time given Dorham's still-rising trajectory. But even in his prime, Dorham arguably never received his proper accolades, and he would typically be regarded as more of a “musician's musician" than some of the more celebrated trumpeters like Clifford Brown, Lee Morgan or Freddie Hubbard. Hence, the ...

Album Review

Tadd Dameron: Fontainebleau & Magic Touch Revisited

Read "Fontainebleau & Magic Touch Revisited" reviewed by Maurizio Zerbo


Le linee guida di Fontainebleau e Magic Touch, i due capolavori di Tadd Dameron qui riuniti in un solo CD, furono teorizzate dal pianista di Cleveland sulle pagine della rivista Record Changer, in cui descrisse come la sua adesione all'estetica del bebop fosse mediata dalla classica scrittura swing. Le forme multitematiche ABA e i trasporti di chorus di “The Scene Is Clean," nonché i quattro movimenti di “Fontainebleau" che non contengono una sola nota improvvisata, forniscono prove tangibili ...

3
Album Review

Tadd Dameron: Fontainebleau & Magic Touch Revisited

Read "Fontainebleau & Magic Touch Revisited" reviewed by Chris May


There is much that is tragic about Tadd Dameron's story. The composer, arranger and pianist fell prey to the heroin epidemic that gripped New York's jazz world in the 1940s and 1950s. He did jail time for his addiction in 1959-60. He died at the woefully young age of 48 years in 1965. But there is nothing tragic about Dameron's legacy as a composer-arranger, the field in which he made his most important contribution to jazz. His work was unfailingly ...

Album Review

Thelonious Monk: Celebrating 75 Years Of His First Recordings Revisited

Read "Celebrating 75 Years Of His First Recordings Revisited" reviewed by Stefano Merighi


Affrontare oggi queste pagine monkiane significa non solo riconsiderare l'importanza cruciale di un repertorio senza tempo, ma provare proprio un'ebbrezza dell'ascolto difficilmente eguagliabile. Thelonious Monk marchia a fuoco con la sua personalità tutta un'epoca del jazz che è quella rivoluzionaria del bebop--nonché quella “riformista" dell'hard bop--e stabilisce molte delle coordinate che ispirano la migliore musica africana-americana di oggi, sia di orientamento free che di stampo armonico progressive. In questo caso, la collana ezz-thetics realizza un'operazione davvero interessante, assemblando ...


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