Jazz Articles about Kenny Dorham

About Kenny Dorham

Radio & Podcasts

Jeanie Bryson, John Hollenbeck, Paul Yonemura & Kenny Dorham

by Joe Dimino
August 30, 2026

From the pages of the new 2026 book Whistle Stop by father-and-son authors John A. Melendez and Robert M. Pallitto, we launch into the legendary Kenny Dorham, joined by Sonny Rollins, with the timeless “My Old Flame." From there, the journey keeps rolling, spotlighting the guitar artistry of Vladimir Redzic, the sounds of Holman Alvarez, and a tribute to the late, great Jeanie Bryson. Then we turn our attention to a powerful wave of new music from veterans, innovators, and ...

Album Review

Abbey Lincoln: That's Him

Read "That's Him" reviewed by C. Andrew Hovan

by C. Andrew Hovan
May 24, 2026

An intriguing byproduct of the current vinyl renaissance, Record Store Day has become a proving ground for labels looking to balance archival reverence with commercial opportunity. Craft Recordings has carved out a particularly compelling niche, frequently issuing mono editions of classic titles from its catalog. Following previous releases featuring Gerry Mulligan, Bill Evans, Max Roach, and Chet Baker, the label now turns its attention to Abbey Lincoln's second Riverside outing, That's Him. Cut all-analog by Kevin Gray and pressed at ...

The Jazz Files

Kenny Dorham: The Composer in the Horn - A Verified Chronology, 1953–1964

by Hank Hehmsoth
March 3, 2026

In jazz, a musician's sound is often discussed as if it were separate from the music on the page. With Kenny Dorham, the compositions tell the story as clearly as the trumpet does. Across the recordings made between '53 and '64, Dorham's originals trace a steady shift: from compact bebop logic to a leaner, more spacious language shaped by Afro-Cuban rhythm, blues economy and the emerging post-bop emphasis on melodic clarity. The list that follows is built on a simple ...

Album Review

Kenny Dorham: Blue Bossa in the Bronx: Live from the Blue Morocco

Read "Blue Bossa in the Bronx: Live from the Blue Morocco" reviewed by Jack Kenny

by Jack Kenny
April 24, 2025

The vagaries of the jazz life are all over this release. Why Kenny Dorham should be underappreciated is a mystery. For the gig at the Blue Morocco he had assembled a great super group with a deep well of experience. Drummer Denis Charles had worked with Cecil Taylor. Kenny Dorham had accompanied Charlie Parker, at Parker's peak. Bassist Paul Chambers had supported both Miles Davis and Sonny Rollins. Pianist Cedar Walton had been in the Jazz Messengers. alto sax man ...

Album Review

Kenny Dorham: Blue Bossa in the Bronx: Live from the Blue Morocco

Read "Blue Bossa in the Bronx: Live from the Blue Morocco" reviewed by Thierry De Clemensat

by Thierry De Clemensat
April 21, 2025

Another remarkable chapter in contemporary music comes to life once again, thanks to Resonance Records. It was from 1967 that Blue Bossa In The Bronx: Live from the Blue Morocco emerged, an unreleased performance by the legendary jazz trumpeter Kenny Dorham, recorded live at the Blue Morocco jazz club in the Bronx, NY. The session features Sonny Red, Cedar Walton, Paul Chambers and Denis Charles. Transferred from the original tape reels captured by the renowned engineer Bernard Drayton, ...

Album Review

Kenny Dorham: Blue Bossa in the Bronx: Live from the Blue Morocco

Read "Blue Bossa in the Bronx: Live from the Blue Morocco" reviewed by Pierre Giroux

by Pierre Giroux
April 18, 2025

Trumpeter Kenny Dorham's stature in jazz history is undeniable, yet he remains one of music's most under-appreciated masters. Despite being a vital presence among the great innovators of his era, Dorham never achieved the star power his talent deserved. In conjunction with Record Store Day, Resonance Records is releasing Blue Bossa in the Bronx: Live from the Blue Morocco as a deluxe CD edition that captures Dorham in fiery form during a never-before-heard live performance. The package includes Bob Blumenthal's ...

Album Review

Kenny Dorham: Blue Bossa in the Bronx: Live from the Blue Morocco

Read "Blue Bossa in the Bronx: Live from the Blue Morocco" reviewed by Troy Dostert

by Troy Dostert
April 17, 2025

On their 1955 live recording At the Cafe Bohemia (Blue Note), the Jazz Messengers' Art Blakey introduced his trumpet player, Kenny Dorham, as the “Uncrowned King," a title that was perhaps fitting at the time given Dorham's still-rising trajectory. But even in his prime, Dorham arguably never received his proper accolades, and he would typically be regarded as more of a “musician's musician" than some of the more celebrated trumpeters like Clifford Brown, Lee Morgan or Freddie Hubbard. Hence, the ...