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Ches Smith with Craig Taborn and Mat Maneri: The Bell
by Karl Ackermann
Despite appearing on at least fifty recordings since 2001, Ches Smith remains the more under-recognized, yet highly in-demand, member of this newly formed trio. The drummer/percussionist and vibraphonist for Tim Berne's Snakeoil, Smith has played with John Zorn on Voices in the Wilderness (Tzadik, 2003), as well as Wadada Leo Smith, and guitarists Fred Frith and ...
Alessandro Fongaro: Neither More Nor Less
by Karl Ackermann
The Amsterdam-based Keep an Eye Foundation, is a Dutch government sponsored program for developing artists across many creative disciplines. Their jazz program culminates in an annual award competition for new talent and in 2014, bassist Alessandro Fongaro was awarded sponsorship that has now resulted in the quintet release of Neither More Nor Less.A native ...
Fabrice MOURLON Quartet: Facing the Lough
by Karl Ackermann
Trained early in his career as a pianist, the French artist Fabrice Mourlon later joined a vocal jazz class at the Paris suburb Pantin School of Music. In 1994 he trained as a vocalist with Italian singer Valentina Casula and was a member of her workshop for the next half-decade. He met pianist Richard Razafindrakoto, bassist ...
Peter Paulsen Trio: A Few Thoughts
by Karl Ackermann
Bassist and composer Peter Paulsen is not reticent in his willingness to quote the bible. He specifically cites Matthew 13: 31-32 in stating an approach to creating music rooted in observation and execution through improvisation, communication and impulsiveness. He references a line regarding the mustard seed, saying it is..."the least of all the seeds; but when ...
Will Mason Ensemble: Beams of the Huge Night
by Karl Ackermann
New York City resident Will Mason, while pursuing a Ph.D. in music at Columbia University, took the time to submerge himself in the most Spartan and remote conditions of his native Maine for the inspirations of nature that become manifest in Beams of the Huge Night. The drummer and composer assembled an unusually populated septet to ...
Brad Mehldau: Brad Mehldau: 10 Years Solo Live
by Karl Ackermann
It is surprising that Brad Mehldau and Keith Jarrett do not draw even more comparisons. Both cross genres with ease, provide consistently high quality content and are unquestionably the finest piano virtuosos in modern music. With the release of Mehldau's 10 Years Solo Live, he solidifies his position as the heir apparent to Jarrett's place atop ...
Wadada Leo Smith & John Lindberg: Celestial Weather
by Karl Ackermann
Two modern avant-garde icons and long-time collaborators with an age-old link to Anthony Braxton's Creative Orchestra, come together for three suites that capitalize on their ability to forge a soundscape that is fuller than the duo format would logically produce. Celestial Weather is an open discourse between two musicians who have mastered their respective instruments to ...
John Abercrombie: The First Quartet
by Karl Ackermann
In his more than thirty year career--almost exclusively with ECM--guitarist John Abercrombie has more often than not confined his formation to smaller groups ranging from solo through quartet. He has been less restricted in the style of music he creates and that diversity is demonstrated with mixed results on The First Quartet. The albums included in ...
Food: This Is Not a Miracle
by Karl Ackermann
Since the formation of Food, more than a dozen years ago, the duo at its core, saxophonist Iain Ballamy and drummer Thomas Strønen, have remained the nucleus of a small but impressive coop of players who have added their unique creative ideas to an already out-of-the-mainstream entity whose philosophy has been to stun without their lasers ...
Mette Henriette Martedatter Rølvåg: Mette Henriette
by Karl Ackermann
In her debut recording with the large Norwegian ensemble Torg on Kost/Elak/Gnäll (Jazzland Recordings, 2015), the playing of saxophonist Mette Henriette Martedatter Rølvåg may well have been lost in the pack. That Bugge Wesseltoft produced album was an unrestrained mashup of genres, styles and techniques in an octet that didn't easily lend itself to individual performance ...
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