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19

Article: Album Review

Nate Wooley: Argonautica

Read "Argonautica" reviewed by Karl Ackermann


Trumpeter Nate Wooley is among the most exploratory and esoteric players/composers in creative improvisation along with fellow trumpeter/cornetists Rob Mazurek and Peter Evans. Wooley's catalog ranges from the wildly free The Nows (Clean Feed Records, 2011), a quartet that included Ken Vandermark and Paul Lyton, to the Bojan Vuleti composed chamber work, Atemwende (Ignoring Gravity Music, ...

13

Article: Album Review

Steve Lehman & Sélébéyone: Sélébéyone

Read "Sélébéyone" reviewed by Karl Ackermann


Steve Lehman's critically acclaimed albums have been topping national polls for more than half a decade. It's all the more an achievement when considering Lehman's unique, cerebral and ever-changing approach to artistic creation. His most recent project, Sélébéyone takes its name from this new group that Lehman founded in 2015. It incorporates elements of spectral music--where ...

27

Article: Album Review

Anthony Branker & Imagine: Beauty Within

Read "Beauty Within" reviewed by Karl Ackermann


The two aneurysms that forced composer and musical director Anthony Branker to give up the trumpet in 1999 have done nothing to stem the tide of thoughtful and progressive music that he consistently delivers. Downsizing from his “Word Play" ensemble, Branker guides a quintet of new and long-time colleagues on Beauty Within. A regular ...

19

Article: Album Review

Generations Quartet: Oliver Lake/Joe Fonda/Michael Jefrys Stevens/Emil Gross: Flow

Read "Flow" reviewed by Karl Ackermann


As the name would imply, the Generations Quartet spans the ages of its personnel. An off-shoot (of sorts) from the Trio Generations group, it's a semantic difference as saxophone legend Oliver Lake was a guest in the lineup that performed in 2015. From that same tour, we get Flow, a festive exercise of freedom and comradery ...

25

Article: Album Review

Kayhan Kalhor: Hawniyaz

Read "Hawniyaz" reviewed by Karl Ackermann


Western music listeners may not be quick to conjure a connection with Iran and improvised music but there is much spontaneity across genres throughout the Central Asian region. One of the few artists known to U.S. markets is kamancheh virtuoso Kayhan Kalhor. The kamancheh, sometimes called the “spike fiddle," is common to Central Asia and dates ...

27

Article: Album Review

Rick Parker/Li Daiguo: Free World Music

Read "Free World Music" reviewed by Karl Ackermann


Multi-instrumentalists Rick Parker, of Brooklyn, and China's Li Daiguo are practitioners of psychoacoustic science in an experimental duo format. Understanding the interaction of wave dissemination, physical experience and endless scientific studies is hardly necessary; as listeners we still hear, in music, what we want to hear. On Free World Music, the pair offer a dizzying array ...

18

Article: Album Review

Noah Preminger: Some Other Time

Read "Some Other Time" reviewed by Karl Ackermann


After several releases, tenor saxophonist Noah Preminger's uniqueness has become more evident. In large part, this curve is due to Preminger's own patient development of a creative process; part is an individual style but much of the appeal is in how he creates around the broader dynamics of his various groups. What has been consistent, from ...

26

Article: Album Review

Peter Erskine Trio: John Taylor/Palle Danielsson: As it Was

Read "As it Was" reviewed by Karl Ackermann


Over the course of five years in the 1990s, drummer Peter Erskine, pianist John Taylor and bassist Palle Danielsson came very close to perfecting the contemporary piano trio presentation. Across four ECM releases, You Never Know (1993), Time Being (1994), As It Is (1996) and Juni (1999), the international group, all with prior ECM history, came ...

18

Article: Album Review

The Danny Fisher-Lochhead Large Ensemble: On Ceremony

Read "On Ceremony" reviewed by Karl Ackermann


Given his absorbing ensemble work on Tools of the Abstract (Fishkill Records, 2015) and his critical role on the Will Mason Ensemble album Beams of the Huge Night (New Amsterdam Records, 2015), composer/alto saxophonist/pianist Danny Fisher-Lochhead would neatly fit into the subjective category of progressive big band music. Fisher-Lochhead's ensemble work is comparable--if not as widely ...

16

Article: Album Review

Leap of Faith Orchestra: The Expanding Universe

Read "The Expanding Universe" reviewed by Karl Ackermann


The creative music cooperative known as Leap of Faith had a long initial run from 1993 to 2001 and then re-booted in 2015. At their core, from the beginning, have been multi-instrumentalists David Peck (aka PEK) and Glynis Lomon. PEK, however, assumes a more than democratic leadership role across the many manifestations of the collective that ...


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