25

Kayhan Kalhor: Hawniyaz

Karl Ackermann By

Sign in to view read count
Kayhan Kalhor: Hawniyaz
Western music listeners may not be quick to conjure a connection with Iran and improvised music but there is much spontaneity across genres throughout the Central Asian region. One of the few artists known to U.S. markets is kamancheh virtuoso Kayhan Kalhor. The kamancheh, sometimes called the "spike fiddle," is common to Central Asia and dates back to the eleventh century. It has had a long-time presence in Middle Eastern classical music but is frequently used in folk and religious music as well. With three strings—two steel and one brass—the wood-body instrument pivots on a spike to meet the bow and can mimic a range of sounds from that of the human voice to the viola.

Kalhor, a musical prodigy, was born in the Kurdish city of Kermanshah and was creatively influenced by his travels to other regions of Iran where he absorbed particular styles. He is best known as a member of Yo-Yo Ma's Silk Road Ensemble and has had a number of his compositions for that group nominated for Grammy Awards. Kalhor is also a co-founder of the ensembles Dastan and Ghazal, the latter specializing in a blend of Persian and Indian improvisations.

On the album Hawniyaz Kalhor is joined by Kurdish vocalist Aynur Dogan (who uses only her first name as an artist). A regional performer, she has worked with a substantial number of well-connected Western pop musicians. Azerbaijani jazz pianist and composer Salman Gambarov has played jazz clubs and festivals throughout the world and has the most solidly defined background in the jazz genre though he experiments with numerous less-identifiable hybrids. German-born, of Kurdish descent, Cemîl Qoçgirî plays the tenbûr, a long-necked member of the lute family and he is renowned for his experimental approach to the instrument.

Aynur, who sings in her native language, effectively uses her voice as a fourth instrument in the quartet. The kamancheh and tenbûr have a wide range of pitches; both being capable of sounding like multiple instruments and Qoçgirî's harmonizing lute is very versatile in its sensitivity and richness. Hawniyaz runs just under one hour with five long compositions in the vein of improvised Islamic music known as "mugham." The pieces are a blend of this tradition and it's fusion alternative, mugham jazz (Azerbaijani jazz).

Despite the jazz references, Hawniyaz is outside the scope of genres as we think of them. "Delale" is mysterious and far away without being gauzy. Aynur's vocal is powerful in contrast to the elusive sound of Kalhor's kamancheh. The gentle guitar-like plucking of the tenbûr supplies the extended introduction to "Rewend," later taking a more percussive part and combined with Gambarov's piano takes the piece to a jazzier rhythm. Likewise, "Malan Barkir-Bêrîvanê" comes close to jazz improvisation while "Xidire min" and the closing piece, "Ehmedo-Ez reben Im" are uncategorized amalgams of classical, folk and jazz elements. Hawniyaz is a striking album with a very different approach; it is intelligent, accessible and compelling.

Track Listing

Delale; Rewend; Xidire min; Malan Barkir-Bêrîvanê; Ehmedo-Ez reben Im.

Personnel

Kayhan Kalhor: kamancheh; Aynur: chant; Cemîl Qoçgirî: tenbûr; Salman Gambarov: piano.

Album information

Title: Hawniyaz | Year Released: 2016 | Record Label: Harmonia Mundi

Post a comment about this album

Tags

Shop Amazon

More

Read Freya
Freya
Tineke Postma
Read Unearth
Unearth
New Hermitage
Read Deep Resonance
Deep Resonance
Ivo Perelman
Read Sun Trance
Sun Trance
Markus Reuter
Read Lies
Lies
Clemens Kuratle Murmullo
Read Prism
Prism
Conference Call
Read Palo Alto
Palo Alto
Thelonious Monk

All About Jazz needs your support

Donate
All About Jazz & Jazz Near You were built to promote jazz music: both recorded and live events. We rely primarily on venues, festivals and musicians to promote their events through our platform. With club closures, shelter in place and an uncertain future, we've pivoted our platform to collect, promote and broadcast livestream concerts to support our jazz musician friends. This is a significant but neccesary effort that will help musicians now, and in the future. You can help offset the cost of this essential undertaking by making a donation today. In return, we'll deliver an ad-free experience (which includes hiding the bottom right video ad). Thank you.

Get more of a good thing

Our weekly newsletter highlights our top stories and includes your local jazz events calendar.