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Jon Irabagon: Examining All The Angles
by R.J. DeLuke
Saxophonist Jon Irabagon likes challenges in music; likes attempting different things. He's not opposed to things traditional, but would prefer to come at music and sounds from different angles. He enjoys the journey; enjoys experiencing the results. At 35, he's on the go all the time, ubiquitous on the New York City music scene. ...
Mostly Other People Do the Killing: Blue
by Maurizio Comandini
Una domanda sorge spontanea: ma con questo Blue cosa volevano dimostrare? Il gruppo di Moppa Elliott si è scelto da subito un nome molto intrigante, Mostly Other People Do the Killing, che di sicuro non li fa passare inosservati. Poi, dal 2003, il quartetto ha cominciato un percorso artistico molto interessante che per certi versi fa ...
Falso d'autore o geniale trovata? Il caso di "Blue" dei Mostly Other People Do The Killing
by Enrico Bettinello
Per provare a capire il nuovo lavoro dei Mostly Other People Do the Killing, senza limitarsi a notare solo quanto sono bravi a rifare esattamente -o quasi-nota per nota la musica dell'originale Kind of Blue o a bollare l'operazione come una sorta di divertissement vagamente situazionista e fondamentalmente inutile, sono piuttosto interessanti le annotazioni che il ...
Mostly Other People Do the Killing: Blue
by Mark Corroto
Imagine coming home from work to find the furniture in your house was moved and say, your tooth brush is now on the other side of the bathroom sink. A few inches here, and a few inches there. Would you notice? Maybe yes, if you had been gone just a day. What happens in the same ...
Vinnie Sperrazza: Apocryphal
by Dave Wayne
An understated but highly-skilled and insanely versatile drummer in the vein of Kenny Wolleson, Jeff Hirshfield, and Paul Motian, Vinnie Sperrazza has been turning up on all sorts of interesting recordings over the past half-decade or so. Co-leader of 40Twenty with Jacob Sacks, Jacob Garchik, and Dave Ambrosio, Sperrazza is also in a trio with Sacks ...
Andy Biskin's Ibid: Act Necessary
by Dave Wayne
A working jazz musician in New York City and environs since 1991, clarinetist, composer, and filmmaker Andy Biskin is a modern-day Renaissance Man. The Texas native was already a fixture in San Antonio's polka scene (yes, people, this is a thing) as a teenager, Biskin attended Yale where he double-majored in music and anthropology. Later, he ...
Jon Irabagon Trio: It Takes All Kinds
by Enrico Bettinello
Scegliere come altri vertici di un triangolo due musicisti pieni di storia e esperienza come Mark Helias (contrabbasso) e Barry Altschul (batteria) è una scelta che racconta già da sola molte cose. È la scelta di Jon Irabagon, sassofonista che abbiamo potuto ammirare anche in Italia negli ultimi anni, con i Mostly Other People Do The ...
Your Shipp Has Come In
by Mark Corroto
These two guest appearances demonstrate that pianist Matthew Shipp has become an elder statesman in the jazz world. How that happened can be boiled down to two simple elements. One: he has created a unique sound and language for improvised music and two: Shipp has become a doyen of cutting edge music making and opinion.
Moers Festival 2014
by Henning Bolte
Moers Festival Moers , GermanyJune, 6-9, 2014 Moers is a small city of about 100,000 inhabitants at the periphery of the former mining and industrial Ruhrpott area in Germany, about 40 km from the Dutch border and near the cities of Duisburg and Düsseldorf. Moers Festival, a four-day annual event always ...
Jon Lundbom and Big Five Chord: Liverevil
by Dave Wayne
Blessed with one of the most talented and exciting backing bands in jazz today, guitarist Jon Lundbom returns with a mammoth 2-CD live epic. Liverevil captures the band in performance on their hometown stomping grounds, Brooklyn Fire Proof, in front of a rightfully enthusiastic crowd. Easily able to sustain interest over the course of a double ...




