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Louis Sclavis: Maps of the Mind
by Ian Patterson
"My music? I know what it is, and I don't know what it is. It's a paradox." Now entering his fifth decade as a recording artist, multi-reedist/composer Louis Sclavis may not have a clear handle on the music he makes, but he has absorbed the lessons of all the music he has turned his hand to, ...
Marco Cappelli: The American Dream
by Mark Corroto
Things get lost in translation. It's inevitable, and it's not just words and meaning. Cultural things morph. Take a Venetian or Roman to an Olive Garden restaurant in America and she won't recognize much on the menu, or send an American to Puglia with the task of finding a pizza pocket. Some things just don't translate.
Chemical Clock: Chemical Clock
by Dave Wayne
Yet another band arising from Seattle's embarrassment of avant-jazz riches, Chemical Clock is an aggressive and determined young band with a lot of good ideas and more than enough chops to pull them off. Led by keyboardist and composer Cameron Sharif, the quartet's self-titled debut CD EP is a brief and refreshing blast of post- everything ...
Ron Miles: Jazz Gentleman, Part 3
by Florence Wetzel
Part 1 | Part 2 | Part 3[Editor's Note: In Florence Wetzel's in-depth interview with Ron Miles, the Colorado-based trumpeter covers the rest of his releases, including an exclusive first look at his forthcoming album, Quiver (Enja, 2012), due out later this year.]Laughing Barrel AAJ: So next you have another Sterling Circle ...
Daren Burns Releases First Solo Album "Fear Is Not The Natural State Of Civilized People” On Urban Nerds Records, Features Trumpeter Wadada Leo Smith.
Bassist, composer and educator Daren Burns (John “Drumbo” French of Captain Beefheart) has released Fear is not the Natural State of Civilized People, on Urban Nerds Records, a label Burns founded in 2009. Burns’ first solo album of original instrumental material, this intense and expressive 4-part suite realizes a creative path that began in 2006. The ...
Yes. But Is It Jazz?
by Mark Corroto
Jazz comes at you from so many directions these days, that to rely on just one definition, is not enough. Sure, it can be a blues-based rhythmic music but it is also minimalist free improvisation. Pigeonholing something, such as jazz, always separates and eventually segregates supporters, creating conflicts and in the end lessening the whole.
Ottawa Jazz Festival, Days 4-8: June 21-23, 2012
by John Kelman
Days 1-3 | Days 4-8 TD Ottawa International Jazz FestivalOttawa, CanadaJune 21-Jul 1, 2012With a total of five main venues--the main stage at Confederation Park, the Studio and Fourth Stage in the National Arts Centre, the OLG Stage tent across the street from Confederation Park at City ...
Samuel Hallkvist: Variety of Loud
by Eyal Hareuveni
Copenhagen-based Sweish guitarist Samuel Hällkvist, winner of the prestigious 2010 Jazz In Sweden award, demonstrated his eclectic tastes on his 2010 debut as a leader, Samuel Hällkvist Center (Caprice), albeit still rooted in the jazz legacy. On Variety of Loud he even goes further, blurring genre boundaries between improvised jazz and his primary love for the ...
Victoriaville 2012
by Kurt Gottschalk
Festival International Musique Actuelle VictoriavilleVictoriaville, CanadaMay 17-20, 2012There are many ways to weigh a music festival, but one method that sets a fairly reasonable standard for excellence is whether or not there was at least one point that elicited feelings of good fortune. Not just if it was enjoyable or if highly respected ...
David Krakauer releases Pruflas: The Book of Angels Vol. 18 Music by John Zorn on Tzadik Records
Clarinetist David Krakauer, praised internationally for his astounding ability to play in a myriad of music genres with “prodigious chops” (The New Yorker) and “soulfulness and electrifying showiness” (The New York Times), has recorded for the Tzadik label a collection of tunes selected especially for him to play by John Zorn from his milestone work, The ...
