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Christophe Rocher / Joe Fonda / Harvey Sorgen: New Origin
by John Sharpe
As the title implies, New Origin represents a fertile coming together, the principals in this case being the veteran American rhythm team of bassist Joe Fonda and drummer Harvey Sorgen, with French clarinetist Christophe Rocher. Fonda and Sorgen share a lengthy association, which encompasses the long-running Fonda/Stevens Group and a trio of more recent vintage with ...
Trio Heinz Herbert: Yes
by John Sharpe
On their second album on Intakt, after The Willisau Concert (2017), the young electronics-heavy Swiss threesome Trio Heinz Herbert move even further from their jazz roots. The prevalent effects mean that sound sources in most cases remain indeterminate, emphasizing that theirs is a collectively derived music, more about feel, coloration and texture than individual prowess and ...
A Pride Of Lions: A Pride Of Lions
by John Sharpe
Beneath the banner A Pride Of Lions, three American and two French musicians join forces for a cohesive off-the-wall encounter. The outfit merits a name as it's not a one-off. This live recording was culled from a ten-date tour in early 2016, under the auspices of The Bridge, which allowed them to build trust and understanding. ...
Wadada Leo Smith / Sabu Toyozumi: Burning Meditation
by John Sharpe
The Japanese concept of ma—a celebration of the space between things—is one to which trumpeter Wadada Leo Smith can readily subscribe. Space and silence are as important as sound in his conception. The weight given to the pauses between phrases stands out on this live recording from 1994 with Japanese drummer Sabu Toyozumi, which forms another ...
Kaja Draksler / Petter Eldh / Christian Lillinger: Punkt.Vrt.Plastik
by John Sharpe
Three outrageously talented up-and-coming players on the European scene join energies on a program of spiky attitude based around rhythmically dynamic foundations. German drummer Christian Lillinger and Swedish bassist Petter Eldh may be best known as the potent bedrock of the Amok Amor Quartet which featured trumpeter Peter Evans. Now they fulfill the same function in ...
Howard Riley: Live In The USA
by John Sharpe
This archival issue should further bolster British pianist Howard Riley's place among the top rank. Riley first came to prominence with the advent of his pioneering trio with bassist Barry Guy and various drummers including Tony Oxley, which extended yet further the egalitarian template first established by Bill Evans and Paul Bley. However Live In the ...
Alexander Hawkins: Iron Into Wind
by John Sharpe
On his second solo album pianist Alexander Hawkins creates an adventurous and deeply personal synthesis which draws from both jazz and classical wellsprings. One of the foremost representatives of an exciting younger generation of British musicians, his talents are on display not only on his own projects, like Uproot (Intakt, 2018), but with growing circle of ...
Mary Halvorson / Joe Morris: Traversing Orbits
by John Sharpe
Birds of a feather flock together might be the motto of acclaimed guitarist Mary Halvorson as she has made a habit of teaming up with fellow pickers on a series of dates. Prominent among them is The Maid With The Flaxen Hair: A Tribute to Johnny Smith (Tzadik Records, 2018) with Bill Frisell, but among others ...
Bobby Bradford / Hafez Modirzadeh Quartet: Live At The Blue Whale
by John Sharpe
This is the third album from the fertile pairing of cornetist Bobby Bradford and reedman Hafez Modirzadeh. Each time they have been joined by a different rhythm section: Ken Filiano and Royal Hartigan on Live At The Magic Triangle (NoBusiness, 2017), and Mark Dresser and Alex Cline on Live At The Open Gate (NoBusiness, 2016). This ...
Jason Kao Hwang & Burning Bridge: Blood
by John Sharpe
As the follow-up to his Burning Bridge octet's eponymous debut (Innova, 2012), violinist Jason Kao Hwang has created another ambitious and wide-ranging work. As befits the title Blood, it constitutes a personal meditation on weighty subject matter, precipitated by a narrowly-avoided car accident which caused Hwang to consider the wartime experiences of his mother in China. ...
