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Roscoe Mitchell and the Note Factory: Far Side
by John Kelman
It's been over a decade since reed and woodwind multi-instrumentalist Roscoe Mitchell--a veteran of Chicago's Association for the Advancement of Creative Musicians (AACM), which he helped establish in the mid-1960s, in addition to co-founding the groundbreaking Art Ensemble of Chicago, around the same time--released Nine to Get Ready (ECM, 1999), with his Note Factory group. Far ...
Robin Holcomb and Talking Pictures with Wayne Horvitz: The Point of It All
by John Kelman
An unspoken rule amongst musicians is: don't date someone in the band, let alone marry them. Still, there are exceptions, one of the most notable being the husband/wife team of singer/songwriter Robin Holcomb and keyboardist Wayne Horvitz. Together for three decades, they've intersected when the time is right, while still maintaining absolute independence through their rich, ...
Tampere Jazz Happening 2010: Day 2, November 5, 2010
by John Kelman
Day 1 | Day 2 | Days 3-4 Tampere Jazz HappeningTampere, FinlandNovember 4-7, 2010 Day two of Tampere Jazz Happening kicked the festival into high gear, with a terrific line-up at both the festival's primary venues: Pakkahuone's Old Customs House Hall, which seats upwards of a thousand people and is used ...
Mats Eilertsen Trio: Elegy
by John Kelman
He's best-known internationally for his work on ECM recordings by artists including guitarist Jacob Young, pianist Wolfert Brederode, and, most recently, pianist Tord Gustavsen, with whom he's been touring in support of Restored, Returned (2010). But while these associations might suggest a bassist disposed to gentler forms and understated freedom, they're only two of Mats Eilertsen's ...
Tampere Jazz Happening 2010: Day 1, November 4, 2010
by John Kelman
Day 1 | Day 2 | Days 3-4 Tampere Jazz HappeningTampere, FinlandNovember 4-7, 2010 Winter may be approaching in Tampere, Finland, and the days getting shorter, but that only provides a better reason to stay inside and check out some of the country's most forward-thinking jazz artists at Tampere Jazz ...
Stephan Micus: Bold as Light
by John Kelman
At a time when, at least for First World residents, there seems no respite from the relentless, rapid pace of life, artists like Stephan Micus provide welcome clarity; proof that there are alternatives. Difficult though it may seem, when immersed in all the push-and-pull of day-to-day distractions, there is another way; it's just not necessarily an ...
Trygve Seim / Andreas Utnem: Purcor: Songs for Saxophone and Piano
by John Kelman
Since emerging on the label with his own large ensemble and as part of the collaborative, more improv-heavy group The Source, saxophonist Trygve Seim has been a leading voice in the second wave of Norwegian artists who look to legacy ECM musicians like Jan Garbarek, Arild Andersen and Terje Rypdal as touchstones, but possess unmistakable voices ...
Various Artists: Twenty Centuries of Stony Sleep
by John Kelman
Since releasing its first album, Supersilent's groundbreaking 1--3 (1998), Rune Grammofon has evolved into one of Norway's most consistently intrepid and unfettered labels. With every passing year, it's stylistic purview--largely focusing on Norwegian artists--expands just that extra bit further, with music ranging from the sublime beauty of In the Country's debut, This Was the Pace of ...
Dans les arbres: Dans les arbres
by John Kelman
When French clarinetist Xavier Charles, pianist Christian Wallumrød, guitarist Ivar Grydeland and percussionist Ingar Zach appeared at Norway's Punkt Festival in 2007, they'd yet to take the name Dans les arbres, which would also become the title of this freely improvising unit's 2008 ECM debut. It's taken two years for the album to find Stateside release--anomalous ...
Guitarist Fabrizio Sotti Interviewed at All About Jazz
Recording a jazz album is never easy. Compared to most genres of music, where everything is prearranged and planned out ahead of time, there is a large amount of spontaneity when it comes to laying down a jazz record. Many times, the best takes are the least thought-about beforehand—the ones where improvisational magic just jumps out ...
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