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Don Rendell Ian Carr Quintet: Live at the Union 1966
by John Kelman
During its five-year run, the Don Rendell Ian Carr Quintet was one of the UK's premiere small ensemble jazz groups. Five albums on Columbia didn't hurt either, from 1965's Shades of Blue through to 1969's Change Is, where dissention ultimately resulted in the band's dissolution. Sometimes it's for the best, though; saxophonist/flautist Rendell continued on in ...
Ballrogg: Insomnia
by John Kelman
Contrasting his role in the remarkable Norwegian trio In the Country--responsible for the critically acclaimed debut This Was the Pace of My Heartbeat (Rune Grammofon, 2005) and even more ambitious Whiteout (Rune Grammofon, 2009)--bassist Roger Arntzen formed Ballrogg in 2006, with saxophonist Klaus Ellerhusen Holm; a more intimate duo that found its own dark nexus of ...
Solveig Slettahjell / Slow Motion Orchestra: Tarpan Seasons
by John Kelman
From a simple idea, great things can sometimes come. When Solveig Slettahjell formed Slow Motion Orchestra for a 2001 performance that became the 15-piece group's eponymous first recording on Norway's Curling Legs, the premise was simple: take a collection of songs from the Great American Songbook, and slow them down. Way down. But over the course ...
Kenny Wheeler / Colours Jazz Orchestra: Nineteen Plus One
by John Kelman
Following Kenny Wheeler's career can be a knotty proposition. Born in Canada, the trumpeter/composer relocated to Britain in the 1950s, becoming an integral part of its jazz scene. He recorded for Germany's ECM Records for over two decades, including the classic Gnu High (1976) in addition to his Azimuth collaborations with pianist John Taylor and singer ...
Wallace Roney: If Only for One Night
by John Kelman
Wallace Roney's six-year association with HighNote--beginning with Prototype (2004), followed by Mystikal (2005), and culminating with Jazz (2007)--has allowed the trumpeter to amass a body of work far more indicative of where he's always wanted to be than his largely mainstream run with Muse in the early 1990s. If Only for One Night--culled from a four-night ...
Icons Among Us: Jazz in the Present Tense (Theatrical Version)
by John Kelman
Icons Among Us: Jazz in the Present Tense (Theatrical Version)IndiePix Films2009 Distilling a groundbreaking, four-part, four-hour television documentary--one which finally examined the evolution of jazz in a contemporary, rather than purely historical, context--into a shorter theatrical version is no mean feat. When Icons Among Us: Jazz in the Present Tense aired on ...
Cosa Brava: Ragged Atlas
by John Kelman
Probably the most curious reaction guitarist/multi-instrumentalist Fred Frith's Cosa Brava, when it debuted at the 2008 International Festival International Musique Actuelle Victoriaville, was that it was “too melodic." Detractors of that show will likely be equally nonplussed by the group's overdue debut disc, Ragged Atlas, but it'll be their loss, as Frith's first “rock band" in ...
John Geggie / Frank Kimbrough / Jean Martin: Ottawa, Canada April 17, 2010
by John Kelman
John Geggie/Frank Kimbrough/Jean Martin Geggie Concert Series NAC Fourth Stage, Ottawa, Canada April 17, 2010 Over the past several years, amidst a variety of oddly-configured groups, Ottawa, Canada-based bassist John Geggie has brought a wealth of outstanding pianists to his annual Geggie Concert Series at the National Arts Centre's Fourth ...
Transatlantic: Montreal, Canada, April 21, 2010
by John Kelman
TransatlanticMetropolisMontreal, CanadaApril 21, 2010 The idea of music being created over great distances, in piecemeal fashion by artists living in four separate locations around the globe, might seem inherently antithetical to the spirit of in-the-moment chemistry that defines most groups. But Transatlantic--a contemporary progressive rock super group featuring members of ...
Tim Hagans: The Avatar Session: The Music of Tim Hagans
by John Kelman
He's been its musical director since 1996, but since 2005 trumpeter Tim Hagans' work with the Swedish Norbotten Big Band has run in a parallel stream to his more intimate, small ensemble work on the German Pirouet label, most recently on Alone Together (2008). As good as Worth the Wait (Fuzzy Music, 2008) was, The Avatar ...
