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10

Article: Live Review

Dwiki Dharmawan's Pasar Klewer Plays Indonesia

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Dwiki Dharmawan's Pasar Klewer Various Locations Bandung and Jakarta, Indonesia March 2-5, 2017 It was supposed to just be a soundcheck and rehearsal. But the energy and focus delivered as Indonesian pianist/composer Dwiki Dharmawan ran his Pasar Klewer band through the various numbers most of this group had recorded in ...

5

Article: Live Review

Stockholm Jazz Festival 2016

Read "Stockholm Jazz Festival 2016" reviewed by John Ephland


Stockholm Jazz Festival Stockholm, Sweden October 7-16, 2016 This year's autumnal Stockholm Jazz Festival continued their tilt toward world and improvisational music in the context of a jazz festival. That said, there was an ample supply of shows to go see and hear where “jazz" was preeminent. Programming world ...

2

Article: Live Review

13th Annual Uppsala International Guitar Festival

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Uppsala Konsert & Kongress 13th Annual Uppsala International Guitar Festival Uppsala, Sweden October 6-9, 2016 It all takes place in one building. A huge one, centrally located in downtown Uppsala, Sweden. It's the Konsert & Kongress, and it's home to a seemingly endless array of cultural and social events. And, as ...

4

Article: Album Review

Miroslav Vitous: Music of Weather Report

Read "Music of Weather Report" reviewed by John Ephland


The music on bassist Miroslav Vitous' Music Of Weather Report is a fascinating document by an original member of that seminal group, formed in 1970. Revisiting music he helped to create as well as one tune that came after he left the group in 1974 (along with new music he wrote and one from original member ...

7

Article: Album Review

Chat Noir: Nine Thoughts For One Word

Read "Nine Thoughts For One Word" reviewed by John Ephland


There's something about RareNoise Records that keeps you on your toes. Listen to any title side by side, and you're likely to end up scratching your head, if not enjoying a gentle smile or subtle rhapsody. Okay, some of the music can be scabrous, perhaps unlistenable. But guess what? It all fits under the RN moniker, ...

4

Article: Live Review

Abdullah Ibrahim in Stunning Recital at the 30th Annual Oslo Jazz Festival

Read "Abdullah Ibrahim in Stunning Recital at the 30th Annual Oslo Jazz Festival" reviewed by John Ephland


Abdullah Ibrahim Universitetets Aula 30th Annual Oslo Jazz Festival Oslo, Norway August 16, 2016 Alternately rhapsodic and episodic, pianist/composer Abdullah Ibrahim filled the airs of the 500- seat Universitetets Aula with melody upon melody, all of it improvised yet seemingly composed. The occasion was the ...

4

Article: Live Review

Tony Bennett Slays 'Em At Gilmore Keyboard Festival in Kalamazoo

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Tony Bennett and His Quartet Chenery Auditorium Irving S. Gilmore International Keyboard Festival Kalamazoo, MI May 7, 2016 You could sense it. Here was an artist who was the last man standing from an era that covered anything and everyone, from Gershwin to Gaga. With an accent on George. Tony ...

8

Article: Album Review

INNERrOUTe: Fourmation

Read "Fourmation" reviewed by John Ephland


Starting with keyboardist Joe Vincent Tranchina's steady, alarming tone, Fourmation suggests an emergency of some kind. “Consensual Motion" gradually includes the other three members entering the fray, a fray that's loose and free-form, and eventually calming, not to mention a little bit funky. Michael D'Agostino's drum fills combine with Bill McCrossen's probing basslines to form a ...

3

Article: Multiple Reviews

Marc Copland: Zenith and Haunted Heart

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Zenith InnerVoice Jazz 2016 There's some shared, ongoing history here. Between drummer Joey Baron and bassist Drew Gress, pianist Marc Copland has logged some pretty decent music time. Add trumpeter Ralph Alessi and there's a new element, one not found in the rhythm section's work with guitarist John Abercrombie or in the ...

3

Article: Album Review

Gilad Atzmon And The Orient House Ensemble: The Whistle Blower

Read "The Whistle Blower" reviewed by John Ephland


There's a soulful crying to much of this music that makes it so convincing, so enjoyable. It's blues music from someplace other than the Deep South. Starting with the first track, “Gaza Mon Amour," veteran multi-instrumentalist Gilad Atzmon somehow manages to invoke the spirit of John Coltrane (think “A Love Supreme"), along with a kind of ...


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