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Charles Lloyd Quartet: Love-In
by Chris May
Charles Lloyd QuartetLove-InAtlantic1967 Four-and-a-half decades after the event, saxophonist Charles Lloyd's Love-In, recorded live at San Francisco's Fillmore Auditorium in 1967, the counterculture's West Coast music hub, endures as much as an archaeological artifact as a musical document. From sleeve designer Stanislaw Zagorski's treatment of Rolling Stone ...
Pat Mallinger Quartet featuring Bill Carrothers: Home on Richmond
by Dan McClenaghan
Minneapolis/St. Paul-bred Pete Mallinger, steeped in the tradition of saxophonists Charles Lloyd, Sonny Rollins and John Coltrane, opens Home on Richmond with Lloyd's “Third Floor Richard." The Chicago-based saxophonist's quartet takes the tune on a wild ride, like a jalopy with a bad wheel alignment careening down a mountain road with questionable brakes. It's a loose-jointed, ...
Norm Zocher: Cambridge, MA, December 6, 2011
by Andrew J. Sammut
Norm Zocher Outpost 186 Cambridge, MA December 6, 2011 Norm Zocher is well known for his guitar work on Boston's forward-thinking jazz scene, as well as gigs with Maria Schneider, Steve Lacy, Bob Brookmeyer, Esperanza Spalding and local mainstay the Jazz Composers Alliance Orchestra, all between teaching at ...
Hear Me Talkin' to Ya: Jazz Aphorisms
by Chris May
For artists who express themselves in a non-verbal medium, jazz instrumentalists have come up with a bundle of choice aphorisms. Here are four attributed to, or about, tenor saxophonists, which were coined too late for inclusion in Nat Shapiro and Nat Hentoff's Hear Me Talkin' to Ya (Holt, Rinehart & Winston, 1955).
Stretch, BAM and the Future of Jazz
by John Beaty
A few months ago Felix Pastorius, Chris Ward, Zaccai Curtis and I started something called The Stretch Movement. We started quietly amongst our friends and launched our website, mymomthinksimgreat.com on November 2, 2011. Why quietly? I was worried; it was the uneasiness of being the first to do something. In our mission statement we were acknowledging ...
Penang Island Jazz Festival: Penang, Malaysia, Dec 1-4, 2011
by Ian Patterson
8th Penang Island Jazz FestivalPenang, MalaysiaDecember 1-4, 2011 For small, independent jazz festivals heavily reliant on private sector sponsorship, it can be a jungle out there. In the case of the Penang Island Jazz Festival, sandwiched between the Straits of Malacca and tropical forest, this is literally true. Monkeys, civet and leopard ...
Animation: Agemo
by Lawrence Peryer
One of the more intriguing albums issued in the first half of 2011, Animation's Asiento (RareNoise, 2011), has now begotten one of the best sets of the latter part of the year. Asiento was a live reimagining of trumpeter Miles Davis' seminal Bitches Brew (Columbia, 1970), recorded live in December 2006 as part ...
Joey Calderazzo: Improviser in Top Form
by R.J. DeLuke
Creative musicians are generally an insightful lot: people that have curious minds but also have a sense of direction--a sense of purpose, if not a search for it. They express what they see, what they experience. Pianist Joey Calderazzo is among those. A man of extraordinary talent at the keyboard, he's held the piano ...
Barcelona Voll-Damm Internacional Jazz Festival: Barcelona, Spain, November 21-26, 2011
by Bruce Lindsay
Barcelona Voll-Damm Internacional Jazz FestivalBarcelona, SpainNovember 21-26, 2011 The Barcelona Voll-Damm Internacional Jazz Festival is an established part of the cultural life of this vibrant Spanish city. The 2011 festival was the 43rd, and once again it brought some exceptionally fine jazz to a host of equally fine venues, attracting stars of the ...
McCoy Tyner: McCoy Tyner: Extensions
by Chris May
Languishing off-catalogue for many years, McCoy Tyner's Extensions may be the pianist's most unjustly neglected album. Strange days, for not only is the music ineffably vibrant, but Extensions is the only recording ever to feature Tyner alongside pianist and harpist Alice Coltrane, who replaced him in saxophonist John Coltrane's group in 1966. The album has one ...
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