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MAT: Collettivo in evoluzione
by Paolo Marra
In Front Of (Tuk Music) è il quarto disco del collettivo MAT formato dal sassofonista Marcello Allulli, il chitarrista Francesco Diodati e il batterista Ermanno Baron. Con alle spalle molteplici collaborazioni in altri progetti, i tre musicisti hanno voluto con questo lavoro definire la loro idea di musica d'insieme senza limiti prestabili. Il risultato sono otto ...
Tim Mayer: Keeper of the Flame
by Jack Bowers
On Keeper of the Flame, Tim Mayer, a Bostonian who now calls Mexico home, leads a sharp, swinging group of like-minded amigos on a (mostly) octet studio date enriched by Diego Rivera's colorful arrangements. Mayer plays tenor sax on half a dozen tracks, soprano sax on “Bye Bye Blackbird" and “Get Organized," alto flute on “Elusive." ...
Transforming A Popular Song
by Matthew Michael Sweeney
One of the most transformative experiences in my life happened while drifting around the Museum of Modern Art in New York a few years ago, standing in awe before Picasso's Seated Woman, one of the many “portraits" of his mistress Marie-Therese Walter. I was astounded at the huge discrepancy between her photograph, which was displayed along ...
The Complete Joe Henderson Blue Note Studio Sessions Now Available on Mosaic Records
When you get your copy of Mosaic’s new five-CD collector’s set, The Complete Joe Henderson Blue Note Studio Sessions, you’ll be holding a master key to unlocking 1960s jazz. That’s a big statement. But when you consider how much was happening from 1963 to 1966, the years covered by this collection, and contemplate how many different ...
Clifford Brown’s Trumpet and One Summer in Atlantic City
by Arthur R George
Part 1 | Part 2 For 22-year-old trumpeter Clifford Brown, the summer of 1953 in Atlantic City, New Jersey, was transformative. Playing with bebop elders, he cumulatively opened the door for what came next: a groove-oriented swinging style, in which small groups used structured arrangements like big bands, with room for improvisation, but less ...
Marion Brown: Why Not? Porto Novo! Revisited
by Chris May
Alto saxophonist Marion Brown was part of the band on John Coltrane's Ascension (Impulse, 1965), though you would not guess it from Why Not (ESP, 1968). Like fellow Ascension alumnus, tenor saxophonist Pharoah Sanders' contemporaneous Tauhid (Impulse, 1967), Brown's album inhabited an intensely melodic section of the 1960s' New Thing. As were Sanders' own-name ...
Albert Ayler & New York Contemporary Five: Revisited, Remastered, Resplendent
by Chris May
The Swiss-based ezz-thetics label was launched in 2019 by Hat Hut Records' founder, Werner X. Uehlinger, and its Revisited strand is a jazz aficionado's dream. The series is devoted to landmark avant-garde recordings from the 1960s, and ezz-thetics does more than simply reissue them. Peter Pfister, Uehlinger's longtime mastering Jedi, improves the audio quality of the ...
Adam Kahan: Capturing the Essence of Jazz in a Film
by Victor L. Schermer
Too many are the documentaries produced and directed in a formulaic way using archival clips, photos, and hastily staged interviews that are intended to make a series of facts evident and bring out a few key points. At their best, they give a reasonably realistic illustrated depiction of people, places, and things. That is why a ...
Moers Festival 2021
by Phillip Woolever
Moers Festival Moers, Germany May 21-24, 2021 In a year that passed since the previous Moers Festival, the Covid 19 pandemic caused a lot of bad news regarding concert cancellations, closed venues, and further issues in the already challenging lives of professional musicians around the world. Thus, the success of this ...
Various Artists: Impulse Records: Music, Message & The Moment
by Chris May
Those of us for whom Impulse has been as important a part of our cultural lives as Blue Note, perhaps even a more important one, will not be satisfied until the label reissues its entire catalogue on remastered CDs and audiophile vinyl. In the meantime, it would be churlish to do anything other than applaud such ...
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