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8

Article: Live Review

Other Minds 25, Day 2

Read "Other Minds 25, Day 2" reviewed by John Chacona


Day 1 | Day 2 | Day 3 | Day 4 Taube Atrium Theater Other Minds Festival San Francisco, CA October 15, 2021 There are festivals for which centering the social aspect of music is the point of the exercise. Conceived, as founder Charles Amirkhanian put it in ...

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Article: Live Review

Other Minds 25, Day 1

Read "Other Minds 25, Day 1" reviewed by John Chacona


Day 1 | Day 2 | Day 3 | Day 4 Taube Atrium Theater Other Minds Festival San Francisco, CA October 14, 2021 When the organizers of San Francisco's Other Minds Festival chose Moment's Notice as the name of its 25th edition, it might have been with the hope ...

6

Article: Live Review

2021 Tri-C JazzFest Cleveland

Read "2021 Tri-C JazzFest Cleveland" reviewed by John Chacona


Tri-C JazzFest Cleveland Cain Park September 11-12, 2021 Witnessing the moment-by-moment interaction between musicians is one of the sublime pleasures of attending a jazz concert. There were plenty of opportunities to do just that during the Tri-C JazzFest Cleveland, but for me the sweetest such encounter didn't occur onstage. It happened between ...

10

Article: Album Review

Ben Goldberg: Everything Happens To Be.

Read "Everything Happens To Be." reviewed by John Chacona


The music of Ben Goldberg seems to come from a place outside of time--or maybe it comes from several times simultaneously. Maybe it's the instruments he chooses; while the clarinet family has been on the comeback trail in jazz for a quarter century, it's a sound that invariably invokes the New Orleans of a century ago. ...

3

Article: Interview

Jacques Schwarz-Bart's Afro-Caribbean Odyssey

Read "Jacques Schwarz-Bart's Afro-Caribbean Odyssey" reviewed by John Chacona


The saxophonist Jacques Schwarz-Bart was born on the Caribbean island of Guadeloupe in the shadow of La Grande Soufrière, which is both an active volcano and the highest mountain in the Lesser Antilles. Both aspects of that peak get to the heart of Schwarz-Bart's career, which has been characterized by rapid ascents and explosive creativity.

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Article: Album Review

Roni Ben-Hur: Stories

Read "Stories" reviewed by John Chacona


Guitarist Roni Ben-Hur is an old soul. Uninterested in ostentation, the Israeli-born guitarist has been content to release a series of warm-hearted recordings that favor partnership over pomposity. Half his 12 leader dates have been duets or are co-credited. Stories isn't one of them, but it might as well be. This is an ensemble recording, patient ...

12

Article: Album Review

Miguel Zenón: Law Years: The Music of Ornette Coleman

Read "Law Years: The Music of Ornette Coleman" reviewed by John Chacona


How do you hear Ornette Coleman's music? As an unlikely but logical extension of bebop vocabulary? As “free" chaos untethered from harmony? As a tributary of the great stream of Texas saxophonists? As jazz's purest melodism? The music of Coleman, who would have turned 91 years on March 9 2021, was all of those ...

5

Article: Album Review

Theo Bleckmann & The Westerlies: This Land

Read "This Land" reviewed by John Chacona


Could This Land, from Theo Bleckmann & The Westerlies be the first great musical declaration of the Biden Era? If so, it's probably an accident. When they tracked This Land in August 2019, Bleckmann and the brass quartet entered the studio with a program of protest songs. But in degree and kind, they are ...

5

Article: Album Review

Camila Nebbia: Aura

Read "Aura" reviewed by John Chacona


No one knows what the landscape for live jazz will look like in the near future, but it is fair to assume that New York and London will continue as centers of gravity with Johannesburg making a strong challenge. Here is a long-shot bet: don't sleep on Buenos Aires. If your idea of Argentine jazz is ...

6

Article: Album Review

Dayna Stephens: Right Now! Live At The Village Vanguard

Read "Right Now! Live At The Village Vanguard" reviewed by John Chacona


In his 2018 book, Playing Changes, Nate Chinen argues that the fundamental jazz dialectic of the 1980s and 90s, namely tradition vs. innovation, was ultimately a false choice. Two years later, Dayna Stephens' Right Now! Live at the Village Vanguard proves the point in the most eloquent way possible. In many ways, Right Now! ...


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