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364

Article: Album Review

Steve Kuhn Trio w/ Joe Lovano: Mostly Coltrane

Read "Mostly Coltrane" reviewed by Troy Collins


Mostly Coltrane is pianist Steve Kuhn's venerable ode to his onetime employer, John Coltrane, with whom he played for eight weeks in early 1960 at New York City's Jazz Gallery. Kuhn revisits those seminal days without ignoring Coltrane's later period advancements, extrapolating his controversial innovations with rare lyricism and tenderness--a uniquely beautiful tribute unencumbered by nostalgic ...

565

Article: Take Five With...

Take Five With Walter Beltrami

Read "Take Five With Walter Beltrami" reviewed by AAJ Staff


Meet Walter Beltrami:Studied performance and jazz composition at Berklee College of Music. Graduated in performance at Musikhochschule Luzern, CH. Three released CDs as a leader with Philology, CamJazz and Re:think-art records. Won the Luca Flores Jazz Price as best Italian soloist at Barga Jazz 2004 and one of the eight finalists world-wide of the ...

498

Article: Album Review

John Zorn: O'o

Read "O'o" reviewed by Troy Collins


Named after an extinct Hawaiian bird, O'o is the charming follow up to the self-titled debut of composer John Zorn's most accessible project, The Dreamers. Culled from Zorn's inner circle of longstanding collaborators, this all-star sextet of Downtown veterans explores his most tuneful compositions, threading aspects of easy listening, exotica, film soundtracks, surf, and world music ...

1,412

Article: Live Review

Copenhagen Jazz Festival 2009

Read "Copenhagen Jazz Festival 2009" reviewed by Jakob Baekgaard


Copenhagen Jazz Festival Various Venues Copenhagen, Denmark July 3-12, 2009 In a survey conducted recently by the renowned Monocle Magazine (volume 03, issue 25), Copenhagen was selected as the second best city in the world due to its safety, atmosphere, welfare, infrastructure and--one could be tempted to add--its ...

278

Article: Album Review

Steve Kuhn Trio with Joe Lovano: Mostly Coltrane

Read "Mostly Coltrane" reviewed by Dan McClenaghan


The sound of John Coltrane (1926-1967) was a mix of spiritual tranquility and ecstatic fury, sheets-of-sound full force gales and transcendent, tender, Zen-like ruminations from a man intent on communing with God through his music--all of which makes an attempt at communing with Coltrane a nervy quest.Enter pianist Steve Kuhn.In 1960, at ...

310

Article: Album Review

Steve Kuhn: Mostly Coltrane

Read "Mostly Coltrane" reviewed by Stuart Broomer


When John Coltrane left Miles Davis' band at the end of 1959, the first working quartet he formed had Steve Kuhn on piano for gigs at the Jazz Gallery over the first three months of 1960. Here Kuhn pays deeply affecting tribute to Coltrane and his music with Joe Lovano on tenor and tarogato and Kuhn's ...

637

Article: Extended Analysis

Steve Kuhn Trio with Joe Lovano: Mostly Coltrane

Read "Steve Kuhn Trio with Joe Lovano: Mostly Coltrane" reviewed by John Kelman


Although he's spent most of his career focusing on interpreting the music of others, pianist Steve Kuhn's albums for the ECM label have largely been about his small but significant repertoire of original music. Which makes Mostly Coltrane a real anomaly by comparison to earlier works like those reissued in the three-CD box set Life's Backward ...

513

Article: Album Review

Partisans: By Proxy

Read "By Proxy" reviewed by Chris May


London band Partisans has been making the hair stand up on the back of audiences' necks with its supercharged collision of jazz and rock since 1996. By Proxy is the band's fourth album following the acclaimed Max (Babel, 2005), which was the most effective recreation of Partisans' ferocious live sound in the recording studio up to ...

714

Article: Album Review

Masada Quintet Featuring Joe Lovano: Stolas: Book of Angels, Volume 12

Read "Stolas: Book of Angels, Volume 12" reviewed by Troy Collins


John Zorn's Masada project has blossomed over the past decade and a half, demonstrating durability in the face of multiple interpretations. The composer's stated intention to create a classic songbook, a consistent body of written work to inspire artists beyond his own performances, has been fruitful. However, most of the variations on these Hassidic-inspired tunes have ...

376

Article: Album Review

Julian Siegel Trio: Live At The Vortex

Read "Live At The Vortex" reviewed by Chris May


He may or may not be “mad, bad and dangerous to know," as a female contemporary famously described the 19th century poet Lord Byron, but there is something distinctly Byronic about British reeds player Julian Siegel. His cascading curls (an early nickname was Wig), penchant for black clothing, and the intense lyricism of his playing combine ...


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