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Noah Preminger: Genuinity
by Mark Corroto
Quite often when an über-talented musician records a disc under his own name, he uses sidemen of lesser talent so as not to detract from his moment in the limelight, or because his ego won't allow him to play nice. That has never been the case with saxophonist Noah Preminger. On Genuinity, his tenth disc released ...
John Abercrombie Tribute Concert at Roulette
by Tyran Grillo
John Abercrombie: Timeless--A Tribute To His Life And Music Roulette Brooklyn, NY March 26, 2018 When John Abercrombie turned off the amplifier of life in 2017, the world lost not only one of its most distinctive guitarists but also one of jazz's brightest souls. As made clear by those ...
Dizzy & Lead Belly: Interviews with Dave Douglas and Adam Nussbaum
by Ludovico Granvassu
When interpreting music from the past, should contemporary musicians focus on its form or its spirit? We examine this question by interviewing Dave Douglas about his “Dizzy's Atmosphere" project and Adam Nussbaum about The Lead Belly Project album. Happy Listening! Playlist Manu Codjia, Geraldine Laurent, Christophe Marguet “Shaw' Nuff" from The Lounge ...
Joy, Joy and More Joy
by Ludovico Granvassu
Last week we were not quite done with our theme revolving around Jazz & Joy and playing tunes that either inspired joy or were inspired by the experience of joy by the artists who composed them. So here is more dopamine enhancing jazz for you. Music that should turn a grey day into a sunny one. ...
Matt Wilson: Honey And Salt
by Angelo Leonardi
Questo disco è talmente ricco di episodi e significati, denso di motivi e relazioni con la storia del connubio tra jazz e poesia, che una recensione dovrebbe trasformarsi in un saggio. Il nono album per la Palmetto di Matt Wilson è ispirato per intero dall'opera di Carl Sandburg (1878-1967) il grande poeta statunitense che è stato ...
Dave Douglas: From Revolution to Revelation
by Ludovico Granvassu
A bird's eye view of the artistic path carved over the years by Dave Douglas reveals both the density and the breadth of his interests. Like tributaries flowing through a complex maze into a sprawling lake, each one of his countless projects explores a different sonic aspect of contemporary music. Yet, they all move towards a ...
Mark Morganelli: Adds Club Owner To His Resume
by R.J. DeLuke
Mark Morganelli has long been known as a fine trumpet player and a promoter with years of experience in the New York City area dating back to a jazz loft 39 years ago, through booking at the Village Gate, Birdland, morphing into his nonprofit Jazz Forum Arts organization known for the summer concert series he has ...
Walter Smith III: Twio
by Roger Farbey
The unashamedly retro cover art of Twio accurately signposts the content of this imaginative album's track selection of jazz classics and standards. The only exception to this programme is Walter Smith III's original composition “Contrafact," chordally based on “Like Someone In Love" but given a 5/4 makeover. This involves the twin tenors of Smith and guest ...
Joao Barradas: A New Place For The Accordion In Jazz?
by Chris Mosey
In the 1940s Art van Damme swung sweetly on the accordion with cover pictures of beautiful girls sipping cocktails. Then, in the 1950s, the ebullient Angelo DiPippo introduced the instrument to hipsters at the Newport jazz festival before going on to play in the wedding sequence of the first Godfather movie.
Elliot Mason & Cre8tion: Before, Now & After
by Dan Bilawsky
Jazz has no shortage of albums dealing with the past-present-future continuum--quite the opposite, in fact--but few carry as personal a tone as trombonist Elliot Mason's debut leader date. While speaking to broad concepts in dealing with the music's history and the notion of time taking form as one giant through line, Mason also inserts family ties ...
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