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76

Article: Album Review

Matthew Shipp Trio: Elastic Aspects

Read "Elastic Aspects" reviewed by Mark Corroto


When speaking of the development of the piano trio, talk inevitably turns to its different lineups, such a the evolution of Bill Evans' trio before and after the Scott LaFaro, or the differing approaches of drummers Paul Motian and Joe La Barbera. For Matthew Shipp, his latest company signals a sort of turning point--perhaps even a ...

160

Article: Jazz in the Aquarian Age

Breakfast with Bill Evans

Read "Breakfast with Bill Evans" reviewed by Bob Kenselaar


[Bill Evans was in a relaxed mood late in the morning on a cloudy spring day in 1979 for this interview. He was very happy with his most recent recording and excited about the new direction he was taking with his trio. In addition to sharing memories about his musical career from its earliest days, he ...

141

Article: Live Review

Hong Kong International Jazz Festival, Days 7-8, October 1-2, 2011

Read "Hong Kong International Jazz Festival, Days 7-8, October 1-2, 2011" reviewed by Ian Patterson


Days 1-3 | Days 4-6 | Days 7-8 Hong Kong International Jazz Festival Hong Kong, ChinaSeptember 25-October 2, 2011 Hong Kong is, without a doubt, one of Asia's most iconic cities, with views from the upper levels of its numerous skyscrapers which really take the breath away. Watching the lights ...

313

News: Education

Danilo Perez, John Patitucci, Joe La Barbera, Sheila Jordan, Dave Liebman, Lage Lund @ Roma Jazz's Cool 2011

ROMA JAZZ'S COOL VII edition July 11th -17th 2011 Registrations to the VII edition of ROMA JAZZ'S COOL—full immersion of top level jazz workshops, managed by Saint Louis College of Music of Rome—are now open. The 2011 edition will be from July 11th to 17th 2011. The well-known names of International jazz who confirmed their participation: ...

527

Article: Interview

Roberta Piket: Making a Difference

Read "Roberta Piket: Making a Difference" reviewed by Victor L. Schermer


Roberta Piket is a jazz pianist, composer, and arranger with an exceptional range of expression. In the same tune or performance, she moves fluidly between bebop, hard bop, blues, soft and mellow, up-tempo, contrapuntal, and advanced harmonic motifs, making it all come together in meaningful, coherent statements of ideas and emotions. She thinks hard when she ...

83

News: Performance / Tour

Live at the Hollywood Theater 2011 Season Announced

Live at the Hollywood Theater 2011 Season Announced

Concert Series Designed to Showcase Talent Live at the Hollywood Theater will open its 2011 Season on March 19, 2011 with a double bill concert featuring the two ensembles led by Chris Burnett and Matt Otto. Both, Kansas City based saxophone artists and composers will present a 45 minute set of combining original works and select ...

Album

Noir Blue

Label: Capri Records
Released: 2010
Track listing: The Best Think for You; Home With You; Bourbon Street Jingle Jollies; Riverboat Shuffle; Love Locked Out; If Not For You; Multi-colored Blue; Noir Blue; Nobody Else But Me; Little Dogs.

253

Article: Album Review

Bob Mamet: Impromptu

Read "Impromptu" reviewed by Woodrow Wilkins


No gimmicks. No trends. All business. The Bob Mamet Trio gets straight to the point with Impromptu.Chicago-born Mamet studied at Peabody Conservatory before moving to Los Angeles, where he has worked a composer and session musician, showing his versatility in television, film, advertising and performance. Associations include Alex Acuna, Larry Carlton, Eric Marienthal, Gerald ...

276

Article: Album Review

Bob Mamet: Impromptu

Read "Impromptu" reviewed by Dan Bilawsky


The title of Impromptu is somewhat misleading. All three musicians in this trio have lightning-quick reflexes and great improvisational skills that certainly help to make instant magic, but the songs themselves aren't off-the-cuff creations as the title might imply. Pianist Bob Mamet has crafted ten catchy charts in a variety of styles and leaves plenty of ...

182

Article: Album Review

Ken Peplowski: Noir Blue

Read "Noir Blue" reviewed by Martin Longley


In his liner notes, saxophonist/clarinetist Ken Peplowski reveals that after hitting fifty, he had no desire to make albums that are going through the motions of record company requirements. Not that such bodies are lately in a position to demand anything. He now intends to make recordings when the inspiration is strong and when the circumstances ...


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