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3

Article: Album Review

Eric DiVito: The Second Time Around

Read "The Second Time Around" reviewed by Jeffrey Uhrich


In his follow-up to his well-received debut release Breaking the Ice (2012, PJC Records), guitarist Eric DiVito's sophomore album The Second Time Around is a satisfying display of DiVito's dazzling abilities as a musician. With an impressive trio comprised of Corcoran Holt on bass and Alyssa Falk Verheyn on drums, DiVito provides the listener ...

Album

Mode for Joe

Label: Blue Note Records
Released: 2013
Track listing: A Shade of Jade; Mode for Joe; Black; Caribbean Fire Dance; Granted; Free Wheelin'.

6

Article: Album Review

Rich Thompson: Less is More

Read "Less is More" reviewed by Hrayr Attarian


Drummer and educator Rich Thompson's third release as a leader Less is More, on the Seattle based Origin records, is a suave mix of quintessential hard bop standards; show tunes and a couple of originals that is full of delightful group dynamics and individual virtuosity. Thompson leads his quartet with a relaxed confidence and impeccable dexterity ...

6

Article: Take Five With...

Take Five With Craig Tweddell

Read "Take Five With Craig Tweddell" reviewed by AAJ Staff


Meet Craig Tweddell: Craig Tweddell attended Morehead State University, where he was privileged to study with his hero and mentor Greg Wing, who he credits with instilling within him a work ethic and passion for music that continues to inspire him to this day. Craig discovered and fell in love with jazz music and improvising ...

33

Article: Extended Analysis

Andrew Hill: Solos - The Jazz Sessions

Read "Andrew Hill: Solos - The Jazz Sessions" reviewed by Karl Ackermann


"My name is Andrew Hill--pianist." With humility characteristic of his long career in music, these words open Solos: The Jazz Sessions. Hill's avant-garde contemporaries like Cecil Taylor and Anthony Braxton often pushed the boundaries of their music in directly experimental and mathematical ways and the affect is sometimes intentionally discordant. Hill's unique ability was to embrace ...

4

Article: Interview

Christine Jensen: Impressionism

Read "Christine Jensen: Impressionism" reviewed by George Colligan


[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth] I was first exposed to alto saxophonist Christine Jensen through working with her trumpet playing sister Ingrid Jensen. We played some of her music, which really struck me as direct, mature, grounded and highly creative. Later on I got to meet ...

4

Article: Interview

Lonnie Plaxico: Being Your Own Bird

Read "Lonnie Plaxico: Being Your Own Bird" reviewed by George Colligan


Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth] Electric and acoustic bassist Lonnie Plaxico has been on the jazz scene in New York since 1980. He is on hundreds of recordings with everyone from Art Blakey, Cassandra Wilson, Jack Dejohnette, to Ravi Coltrane. He has 13 CDs as a leader, ...

6

Article: Interview

Greg Tardy: Wherever He Wants Me

Read "Greg Tardy: Wherever He Wants Me" reviewed by George Colligan


[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth] This past August, I did a concert with The Greg Tardy Quintet at Small's Jazz Club in New York City. The performance was significant in that it was the first time (except for one other gig earlier in the month) that ...

8

Article: Interview

George Cables: The Pianist’s Dedication to the Group

Read "George Cables: The Pianist’s Dedication to the Group" reviewed by Victor L. Schermer


Anyone who is serious about jazz will tell you that George Cables belongs in the pantheon of the greatest jazz pianists. Everyone, that is, except George Cables. Exceptional in every way, he is yet a team player. He sees himself as part of the rhythm section, and has always emphasized the group over the soloist. He ...

2

Article: Take Five With...

Take Five With Cheryl Pyle

Read "Take Five With Cheryl Pyle" reviewed by AAJ Staff


Meet Cheryl Pyle:The versatile flutist Cheryl Pyle received her BA in Music from the University of California at Berkeley in 1976, having received her Associates Degree from Mesa College in 1974. Her teachers included Merrill Jordan, Janet Maestre, Francis Watson, and Jayn Rosenfeld. She took Master classes with Jean-Pierre Rampal, Julius Baker, and James ...


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