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Musician

Joachim Kuhn

Born:

His playing defies all categorization, and has earned him a place as a world class musician. He has already left his mark on contemporary jazz and given it new direction. The musical cosmopolitan Joachim Kühn sees himself as part of the jazz tradition, connected to European concert music and yet directly indebted to a contemporary musical language. He displays vehemence and sensibility, a virtuoso technique and imagination and an unfailing sense of dynamics. Be it in his interaction with long-time musical partners, in ever new and challenging musical constellations, or alone in his solo performances, Kühn always manages to make his concerts into a unique experience. Even if some of the stations on his path from Leipzig, where Kühn was born in 1944, through his time in France and America may seem like diversions; his musical career not only displays cohesion, but also an inner logic that only becomes truly apparent with hindsight. Kühn, who already enjoyed a first-class classical training and was performing as a concert pianist at an early age, developed an enthusiasm for jazz under the influence of his older brother, clarinettist Rolf Kühn

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Article: Album Review

Michael Wollny Trio: Living Ghosts

Read "Living Ghosts" reviewed by Vic Albani


Riconosciuto ormai da anni quale uno dei migliori musicisti tedeschi in circolazione, Michael Wollny, schivo pianista nato nella primavera del 1978 a Schweinfurt (Baviera, Bassa Franconia) ma residente ormai da anni a Lipsia dove è professore alla Hochschule für Musik und Theater, regala con questo Living Ghostsuna sorta di summit di almeno un decennio di lavoro ...

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Article: Building a Jazz Library

Ornette Coleman's and Horace Silver's "Lonely Woman" — A Disambiguation

Read "Ornette Coleman's and Horace Silver's "Lonely Woman" — A Disambiguation" reviewed by Artur Moral


Reality is filled with confusion and misunderstandings; some are suggestive or creative, while others are disappointing or, worse, malicious. The jazz world is no stranger to the first type: specific compositions are often confused or misidentified as if they were the same. Usually, this happens because of similar melodies or titles that are sometimes identical. This ...

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Article: Radio & Podcasts

Myra Melford Splash, Thomas Heberer's Remedy & Ra Bishop

Read "Myra Melford Splash, Thomas Heberer's Remedy & Ra Bishop" reviewed by Maurice Hogue


It's early in the year to be thinking “best-of" albums, but I'm definitely noting these for December: pianist Myra Melford's Splash Trio with bassist Michael Formanek and drummer Ches Smith and Remedy, the trio of Thomas Heberer trumpet, Joe Fonda bass & Joe Hertenstein drums. These are two recordings that present the kind of free expression ...

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Article: Radio & Podcasts

Chicago Edge Ensemble, The Exu, Laihonen/Innanen & Don Paul

Read "Chicago Edge Ensemble, The Exu, Laihonen/Innanen & Don Paul" reviewed by Maurice Hogue


This episode is a great example of the wide range of improvised music, ranging from the free jazz of the new European trio, The Exu, the Finnish pair of drummer Simo Laihonen and saxophonist Mikko Innanen and the Chicago Edge Ensemble, to solo piano by Joachim Kuhn, to NY underground legend Booker T (Not the Booker ...

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Article: Radio & Podcasts

Music from Favourite Recordings played on One Man’s Jazz in 2024

Read "Music from Favourite Recordings played on One Man’s Jazz in 2024" reviewed by Maurice Hogue


Adding to the countless lists of “best-of"s for 2024, here are almost three hours of music from my favourite recordings of 2024. (See the One Man's Jazz web site for the full list.) The only album not among the favourites is the very recently received Landloper by famed bassist Arild Andersen; it's solo deliciousness.

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Article: Radio & Podcasts

Marshall Allen, Leiba Trio & Gold Mother

Read "Marshall Allen, Leiba Trio & Gold Mother" reviewed by Maurice Hogue


Lights On A Satellite is a fitting title for an album celebrating the 100-year-old miracle, saxophonist Marshall Allen, the mainstay of Sun Ra's legacy. His continuing direction of the Sun Ra Arkestra puts him right up there beside Planet Ra. Other new releases sampled in this episode come from a very worthy Leiba Trio from Argentina ...

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Article: Album Review

Mateusz Smoczyński: Adam's Apple

Read "Adam's Apple" reviewed by Ian Patterson


Polish violinist Mateusz Smoczyński has long slipped effortlessly between the worlds of jazz and classical music, flitting between his own small jazz combos and contemporary string ensembles. Albums such as Confetti Man (Azica records, 2014) with The Turtle Island Quartet, Penderecki (Universal Music Poland, 2019) with Atom String Quartet, and the duo albums Speaking Sound (ACT ...

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Article: Radio & Podcasts

Joachim Kuhn, Alain Bedard & Uroboro

Read "Joachim Kuhn, Alain Bedard & Uroboro" reviewed by Maurice Hogue


German pianist Joachim Kuhn headed for Paris in the midst of the late 60s-early 70s free frenzy in Europe, ultimately forming a very influential trio with bassist J.F. Jenny-Clark and drummer Daniel Humair. Kuhn considered that group the band of his life. He may have to make room for his new French Trio with bassist Thibault ...

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Article: Radio & Podcasts

Jimi Hendrix - A Jazz Experience, Part 1

Read "Jimi Hendrix - A Jazz Experience, Part 1" reviewed by Ludovico Granvassu


November is Jimi Hendrix's birth month and so we decided to focus this week's edition on jazz renditions of the Jimi Hendrix songbook. Happy listening! Playlist Ben Allison “Mondo Jazz Theme (feat. Ted Nash & Pyeng Threadgill)" 0:00 Jimi Hendrix “The Star Spangled Banner" Live at Woodstock (Legacy) 0:16 Ariya Astrobeat Arkestra ...


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